Personal History: First Book

Pardon this little trip down memory lane.

  In 1975 I printed this first book of mine on a creaky noisy offset press in the basement of the Print Shop at The University of Connecticut in Storrs (the Print Shop, a little paradise on campus, is no more, torn down and replaced — a la Joni Mitchell’s “Big Yellow Taxi” —  by a parking lot).

 Somewhere Above the Jugglers And Dogs might have been my senior project — or it may have just been something I wanted to do for fun. I’m fairly certain the hat on the cover is some kind of tribute to the hat on the ground in Thurber’s classic drawing, “What have you done with Dr. Millmoss?” — the drawing I place highest on a pedestal.  

After printing all the pages (enough for 50 copies of the book) I drove them to be bound at a printing plant in Hartford (each copy has three staples covered by protective black cloth). I remember showing the completed work to a dear friend who promptly told me he hated the title. Everyone’s a critic.

By the time I put this together I’d already been submitting work to the New Yorker for three or four years; all of it rejected by the magazine’s legendary art editor, James Geraghty. I can’t blame him one bit.  Here’s one of the drawings, Tom Inventing Spit. Not exactly the kind of thing the New Yorker was publishing in 1975 (in hindsight, I wish I’d called the book Tom Inventing Spit). 

 In the next two years, post-college, I honed the kind of work I’d included in this book and collected even more of it in another self-published book, 115 Drawings. By the time 115 Drawings was produced in early 1977, I’d abandoned drawings like this and moved on to dutifully submitting work edging closer to single panel cartoons. By then Lee Lorenz, who succeeded Geraghty, was routinely rejecting my New Yorker submissions.  He finally caved in mid-1977 when the magazine bought an idea of mine (drawn up by the great Whitney Darrow, Jr., and published in the New Yorker, December 26, 1977). As far as the New Yorker’s concerned, my words came first.

   

 

 

No Joke: Rea Irvin’s April 1947 Cover

The cover above has always been a favorite. The first time I came across it I thought I’d stumbled upon a printing error. But no, it’s yet another gift from Rea Irvin, cover artist, designer (as in his designs for the magazine’s masthead, as well as his adapted development of the typeface), cartoonist, “art supervisor” (his unofficial or official designation at the New Yorker). 

The rest of the issue is a lot of fun too. An Addams so-called “Addams Family” drawing (“We’ve had part of this floor finished off for Uncle Eimer”); a Richard Taylor strip that runs across the bottom of two pages; a half-page Hokinson “lunch club ladies” cartoon; a Sam Cobean shadow play drawing; a page and-a-half Steinberg spread under the heading “Berlin” and so much more (other cartoonists in the issue: Otto Soglow, Alan Dunn, Barney Tobey, Robert Day, Whitney Darrow, Jr., Alain, and Leonard Dove). Typical of the era, the cartoons dominated the pages, as if the text was secondary to the art.

Advertising Work by New Yorker Cartoonists, Pt. 18: (More) Whitney Darrow, Jr.; Chast in Chicago

Here are more ads by the great Whitney Darrow, Jr.  These ads, and all in this series, excepting the Absolut Vodka campaign ads, are courtesy of SPX’s Executive Director, Warren Bernard.

A reminder: the 2017 SPX begins in three days! Check out their website here.

One of Mr. Darrow’s graphic trademarks is action — his drawings almost always look like they’re in motion.  A lot of energy there no matter the situation (or product).  Dates of ads: Post Toasties, 1955; Chase & Sanborn, 1956; Windex, 1956; Murine, 1960s; Minute Tapioca, 1951.

Mr. Darrow’s entry on the Spill’s A-Z:

Whitney Darrow, Jr. (photo above) Born August 22, 1909, Princeton, New Jersey. Died August, 1999, Burlington, Vermont. New Yorker work: 1933 -1982. Quote (Darrow writing of himself in the third person): …in 1931 he moved to New York City, undecided between law school and doing cartoons as a profession. The fact that the [New Yorker’s] magazine offices were only a few blocks away decided him…” (Quote from catalogue, Meet the Artist, 1943)

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Chast in Chicago

Ms. Chast will most certainly do a number of appearances promoting her upcoming   book, Going Into Town: A Love Letter to New York.  Here’s one coming up…in Chicago.

Advertising Work by New Yorker Cartoonists, Part 13: The Rambler Campaign

Continuing on with the Spill’s series of advertising work by New Yorker Cartoonists (research and scans courtesy of Warren Bernard of SPX) is this great campaign by Rambler from the late 1950s.  Some of the best of the best in the New Yorker’s stable were involved: William Steig, George Price, Whitney Darrow, Jr., Barney Tobey, Chon Day, and Otto Soglow (The Tobey & Price ads are from 1959, the others from 1958).

Here are the Spill’s A-Z entries for the above artists:

William Steig (photo above) Born in Brooklyn, NY, Nov. 14, 1907, died in Boston, Mass., Oct. 3, 2003. In a New Yorker career that lasted well over half a century and a publishing history that contains more than a cart load of books, both children’s and otherwise, it’s impossible to sum up Steig’s influence here on Ink Spill. He was among the giants of the New Yorker cartoon world, along with James Thurber, Saul Steinberg, Charles Addams, Helen Hokinson and Peter Arno. Lee Lorenz’s World of William Steig (Artisan, 1998) is an excellent way to begin exploring Steig’s life and work. NYer work: 1930 -2003.

George Price (above) Born in Coytesville, New Jersey, June 9, 1901. Died January 12, 1995, Engelwood, New Jersey.  New Yorker work: 1929 – 1991. Key collection: The World of George Price: A 55-Year Retrospective. New York: Beaufort, 1988.

Chon Day (self portrait above from Collier’s Collects Its Wits) Born April 6, 1907, Chatham , NJ. Died January 1, 2000, Rhode Island. New Yorker work: 1931 – 1998. Key Collection: I Could Be Dreaming (Robert M. McBride & Co., 1945)

Whitney Darrow, Jr. (photo above) Born August 22, 1909, Princeton, NJ. Died August, 1999, Burlington, Vermont. New Yorker work: 1933 -1982. Quote (Darrow writing of himself in the third person): …in 1931 he moved to New York City, undecided between law school and doing cartoons as a profession. The fact that the [New Yorker’s] magazine offices were only a few blocks away decided him…” (Quote from catalogue, Meet the Artist, 1943). All of Mr. Darrow’s cartoon collections are excellent. Here’s a favorite: “Stop, Miss!” New York: Random House, 1957.

Barney Tobey (photo above from Think Small, a book of humor produced by Volkswagon) Born in New York City, July, 18, 1906, died March 27, 1989, New York. NYer work: 1929 -1986. Key collection: B. Tobey of The New Yorker (Dodd Mead & Co., 1983)

Otto Soglow (pictured above) Born, Yorkville, NY, December 23, 1900. Died in NYC, April 1975. NYer work: 1925 -1974.Key collections: Pretty Pictures ( Farrar & Rinehart, 1931) and for fans of Soglow’s Little King; The Little King (Farrar & Rinehart, 1933) and The Little King ( John Martin’s House, Inc., 1945). The latter Little King is an illustrated storybook. Cartoon Monarch / Otto Soglow & The Little King (IDW, 2012) is an excellent compendium.

 

 

 

Interview of Interest: Bob Eckstein; Christopher Weyant Now Weekly in The Boston Globe; Advertising Work by New Yorker Cartoonists, Part 6: Whitney Darrow, Jr..

Interview of Interest: Bob Eckstein

 

 

 

 

A fun travel-related interview with  New Yorker cartoonist, and World’s Leading Snowman Expert, Bob Eckstein.  His latest book is the NYTs Bestseller, Footnotes From the World’s Greatest Bookstores

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Christopher Weyant Now Weekly in The Boston Globe

Congratulations to Chistopher Weyant who now has a weekly editorial cartoon in The Boston Globe.

See his first one here.

 

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Advertising Work by New Yorker Cartoonists, Part 6: Whitney Darrow, Jr. 

Judging by Warren Bernard’s collection of advertising work by New Yorker artists, Whitney Darrow was enormously  popular on Madison Avenue.  Mr. Darrow was one of the magazine’s anchor cartoonists, his work appearing over 1400 times in forty-nine years. I’ve always loved Mr. Darrow’s energetic style — his lines often seem to be in motion.

The dates for the ads: Simoniz, 1959; Consolidated Enamel Printing Papers, 1957; Chase & Sanborn, 1956; Ford, 1953

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Here’s Mr. Darrow’s entry on the Spill’s A-Z:

Whitney Darrow, Jr. (photo above) Born August 22, 1909, Princeton, NJ. Died August, 1999, Burlington, Vermont. New Yorker work: 1933 -1982. Quote (Darrow writing of himself in the third person): …in 1931 he moved to New York City, undecided between law school and doing cartoons as a profession. The fact that the [New Yorker’s] magazine offices were only a few blocks away decided him…” (Quote from catalogue, Meet the Artist, 1943)