P. G. Garetto Added to the Spill’s One Club; Advertising Work by New Yorker Cartoonists, Part 9: Mary Gibson; Latest New Yorker Cartoons Rated; Talkin’ Bout Art Young

I have Joe Dator’s latest New Yorker cartoon to thank for my coming upon the cartoon shown by P. G. Garetto. Found in the issue of September 3, 1938, this was the first and last time (Ms. or Mr.) Garetto’s work appeared in the New Yorker, thus an immediate qualifier for the Spill’s One Club. The club is limited to cartoonists who have contributed just one drawing to the magazine in their career.  Every member is identified on the Spill’s A-Z by the red top-hatted  fellow you see below. 

But back to Mr. Dator.  After seeing his drawing I wanted to know how many other zebra drawings had appeared in The New Yorker (less than two dozen). I was looking through the magazine’s database when P.G. Garetto’s name showed up.  I knew I’d never seen it before. A further New Yorker database search turned up no other contributions from this artist.  So welcome to the One Club, P.G. Garetto!

I’ve shown some of the text surrounding the cartoon because of the unusual placement of the two dots just above the drawing.  These two dots have been appearing below the magazine’s cartoons every now and then since the magazine began. I’ve never seen them appear above a cartoon,  until now.  Brendan Gill, in his book Here At The New Yorker, wrote about the dots:

“…unless I have been deliberately kept in ignorance of their true meaning throughout all these years, the dots (which can indeed be found under some of our drawings) are, like so many other things in the magazine, vestiges of notions of design that originated in the twenties and that have survived…”

________________________________________________________________________________ 

Advertising Work by New Yorker Cartoonists, Part 9: Mary Gibson

Mary Gibson had a brief run in the New Yorker, with eight drawings published in  seven years.

In Liza Donnelly’s Funny Ladies, a history of women cartoonists in the New Yorker, she says of Ms. Gibson’s work: “She…began by drawing cartoons about women in the military, which included subjects ranging from the stocking shortage to WACs needing a hairdresser…after the war was over, Gibson’s cartoons looked more like Hokinson imitations and were concerned with insecure, middle-aged women.” 

Dates for these ads: 1950 for the upper row; 1951 for the bottom row.

 

 

 

 

 

 

Mary Gibson’s entry on the Spill’s A-Z:

Mary Gibson (self portrait from Best Cartoons of the Year 1947) New Yorker work: eight drawings, June 26, 1943 – April 29, 1950.

Note: My thanks to Warren Bernard, the Executive Director of SPX, for allowing Ink Spill access to his collection of advertisements by New Yorker artists.

 

 

 

_______________________________________________________________________

Latest New Yorker Cartoons Rated

Max and Simon, The Cartoon Companion’s anonymous duo, are back with a look at all the cartoons in the current double issue.  Among the drawings rated and inspected:  a case of leg-cast mistaken identity, concerned neighbors, mystery meat on sale, a musical jury, and an artist working, selectively, in 3-D. Read it all here.

_____________________________________________________________________________

Talkin’ Bout Art Young

From the New Yorker’s Culture Desk, August 2, 2017,  “Art Young: Cartoonist For the Ages” — this piece by Francoise Mouly and Art Spiegelman in conjunction with the August 1st publication of  That We May Not Weep: The Life & Times of Art Young  (Fantagraphics) by Glenn Bray and Frank M. Young. (Mr. Spiegelman  contributes an essay to the book). 

Here’s Art Young’s entry on the Spill’s A-Z:

Art Young (above) Born January 14, 1866, Illinois. Died December 29, New York City at The Hotel Irving. An online biography. 1943. New Yorker work: 1925 -1933. The Art Young Gallery

 

 

 

Flake’s “Mama Tried” on IFC’s 2018 Slate of Projects; Books of Interest: Seth, Ben Katchor; Advertising Work by New Yorker Cartoonists, Part 7: Charles Saxon

Flake’s “Mama Tried” on IFC ‘s 2018 Slate of Projects

From Deadline Hollywood, July 29, 2017, “IFC Sets 2018 Slate…” — in a list of projects following this sentence:

IFC has given episodic script orders to the following projects:

is:

Mama Tried
A show about the seamy underbelly of new motherhood, Mama Triedfollows the struggles (and occasional triumphs) of Liz Callahan who’s finding that she could care less about being a “super-mom”- she just wants to survive. Mama Tried weaves Emily Flake’s darkly funny animation to help bring to life all of motherhood’s graphic, and sometimes gruesome, realness. Written by Emily Wilson (Cougar Town, Superior Donuts) and animated by and based on the graphic novel by Emily Flake, executive produced by Jax Media (Full Frontal, Broad City, Search Party).

Ms. Flake was a recent subject of the Spill’s “Checking In With…” series.  Read it here.

___________________________________________________________________________

Books of Interest: Seth, Ben Katchor

Never too early to think about upcoming books.  Both of these are University Press of Mississippi titles. Forging the Past: Seth and the Art of Memory –  (the paperback edition; the hardcover was published in 2016) — this edition comes out in December. Seth has been a New Yorker contributor since 2002. 

Ben Katchor: Conversations due in February of 2018. Mr. Katchor began contributing to The New Yorker in 1994.

Link here to Seth’s Wikipedia entry.

Link here to Mr. Katchor’s website.

__________________________________________________________________________________

Advertising Work by New Yorker Cartoonists, Part 7: Charles Saxon

A June 8, 1980 New York Times article, “The New Yorker’s Humor Merchants” lead off with this: Charles Saxon, a cartoonist for The New Yorker for the last 25 years, has a problem. So many companies have been buying his drawings for their ads that last year he was able to do only 15 cartoons for the magazine, half his usual total. “I was just swamped with ad assignments and my New Yorker work suffered,” he said.  “This year, I’m setting aside more time for the magazine which I consider my home home and where I can really express myself.”

It is true that, back then, ads using Saxon drawings seemed to be everywhere.  Here’s the very tip of the iceberg, courtesy of SPX’s Executive Director, Warren Bernard, who spent a  great deal of time and effort collecting ads featuring New Yorker cartoonists (and then allowed Ink Spill to reap the rewards).  Dates for ads: Polaroid, 1969; Chivas Regal,1981; Jacuzzi, 1979; IBM, 1963

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Here’s Mr. Saxon’s entry on the Spill’s A-Z:

Charles Saxon (self portrait above left from Best Cartoons of the Year 1947) Born in Brooklyn, Nov 13, 1920, died in Stamford, Conn., Dec 6, 1988. New Yorker work: 1943 – 1991 (2 drawings published posthumously). Key collection: One Man’s Fancy ( Dodd, Mead, 1977).

Fave Photo of the Day: George Booth at His Desk; The Latest New Yorker Cartoons Rated; BEK Talks about Summertime Television; Ellis Rosen, Emma Allen, and Colin Stokes On a Bench; Advertising Work by New Yorker Cartoonists, Part 5: Helen Hokinson

Fave Photo of the Day: George Booth

Sarah Booth recently took this photo of her father, the one-and-only George Booth.  My thanks to Sarah for permission to post here.

Below left: a “Booth Dog”

Here’s Mr. Booth’s entry on the Spill’s A-Z :

George Booth (photo above taken in NYC 2016, courtesy of Liza Donnelly) Born June 28, 1926, Cainesville, MO. New Yorker work: 1969 – . Key collections: Think Good Thoughts About A Pussycat (Dodd, Mead, 1975), Rehearsal’s Off! (Dodd, Mead, 1976), Omnibooth: The Best of George Booth ( Congdon & Weed, 1984), The Essential George Booth, Compiled and Edited by Lee Lorenz ( Workman, 1998).

_______________________________________________________________

Latest New Yorker Cartoons Rated by Cartoon Companion

If you like your New Yorker cartoons rated, there’s only one place to go. The Cartoon Companion boys (their true identities are secret) take a look at this week’s offerings which include colluding ice cubes, a kangaroo with a handy pocket, an emergency room with live music, some tusky elephants, and a gluttonous fish.

__________________________________________________________________

Bruce Eric Kaplan on the New Yorker Radio Hour

Here’s Bruce Eric Kaplan on the magazine’s Radio Hour talking about summertime tv.

 

____________________________________________________________

Video: Ellis Rosen with Emma Allen and Colin Stokes

One of the Cartoon Department’s newest stablemates, Ellis Rosen,  joins cartoon editor, Emma Allen, and associate cartoon editor, Colin Stokes, for a look at some NYC subway-related cartoons. See it here. Extra reading: an Ellis Rosen article of interest here.

_________________________________________________________________

Advertising Work by New Yorker Cartoonists, Part 5: Helen Hokinson

In earlier days at The New Yorker, the cartoonists were rated: AAA, AA, A. Two cartoonists were, on paper, unrated, listed above all the others in their own upper stratosphere:  Peter Arno, and Helen Hokinson. Ms. Hokinson was the magazine’s earliest star.

The Spill is grateful to Warren Bernard for providing his entire collection of ads by New Yorker cartoonists, including the three by Ms. Hokinson shown here.

Dates of ads: Flit, 1935; Ry-Krisp, 1945; Maxwell Coffee, 1949.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ms. Hokinson’s entry on the Spill’s A-Z:

Helen Hokinson (above) Born, Illinois,1893; died, Washington, D.C., 1949. New Yorker work: 1925 -1949, with some work published posthumously. All of Hokinson’s collections are wonderful, but here are two favorites. Her first collection: So You’re Going To Buy A Book! (Minton, Balch & Co, 1931) and what was billed as “the final Hokinson collection”: The Hokinson Festival (Dutton & Co., 1956)

Advertising Work by New Yorker Cartoonists, Part 4: Steinberg; Liza Donnelly Live-Draws The Late Show with Stephen Colbert; Rejected New Yorker Covers by Whittington, Higgins; Video: New York City in the 1920s

Steinberg did ad work?  You bet.  As with William Steig, a Steinberg Part 2 will be posted at some later time. 

Warren Bernard,  Executive Director of SPX, is the one responsible for researching & gathering all these images. My thanks to Warren for allowing them to appear here.

Here are the dates for these ads:  Emerson, 1948; House & Garden, 1955; Morton International, 1966; Jones & Lamson, 1946

 

 

 

 

 

 

 

Here’s Steinberg’s entry on the Spill’s A-Z:

 

 

 

 

 

Saul Steinberg  (above) Born, June 15, 1914, Ramnic-Sarat, Rumania. Died in 1999. New Yorker work: 1941 – (The New Yorker publishes his work posthumously). Steinberg is one of the giants of The New Yorker.  Go here to visit the saulsteinbergfoundation where you’ll find  much essential information and examples of his work.

________________________________________________________________

Liza Donnelly Live Draws The Late Show with Stephen Colbert

CBS News Resident Cartoonist, Liza Donnelly, visited the Ed Sullivan Theater  (yeah yeah yeah!) the other day to draw The Late Show with Stephen Colbert. Here’s an article on The Huffington Post about her visit.  And go here to see more of her Late Show drawings and read what she had to say about the experience.

_____________________________________________________________________

Rejected New Yorker Covers by Whittington, Higgins

Stephen Nadler’s Attempted Bloggery continues its look at proposed (and ultimately rejected) New Yorker covers. 

In the past few days we’ve seen this one by Donald Higgins, and in AB’s latest post, one by Larry Whittington. See and read all about them here.

 

 

______________________________________________________________

Video: New York City in the 1920s

If you have twelve minutes to spare, here’s a fun video of  New York City in the 1920s from Hey New York State. The screen grab shows Peter Arno tussling Alexander Woollcott’s hair (you can see that that happens at the 11:34 mark — it’s very brief). Other highlights: George Gershwin rehearsing, Chaplin playing piano, Fanny Brice singing (the video is mostly silent, but Ms. Brice is heard), some waterfront footage and Manhattan street scenes galore…check it out here. 

Advertising Work by New Yorker Cartoonists, Part 3: Barbara Shermund

We continue with the Spill’s special presentation of Warren Bernard’s collection of ads by New Yorker cartoonists. My thanks to Mr. Bernard for all the elbow work collecting these.

Today we see four Barbara Shermund ads.  Ms. Shermund is surely one of the most important (and sadly, overlooked) early contributors to the magazine.  To read a whole lot more about her consult Liza Donnelly’s Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons.

Here are the dates for the ads: Pepsi Cola: 1945; Ry Krisp: 1938; Phillips: 1966; Wings Sportswear: 1944

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Here’s Ms. Shermund’s entry on the Spill’s A-Z:

 

 

 

 

Barbara Shermund (self portrait, above) Born, San Francisco. 1899. Studied at The California School of Fine Arts. Died, 1978, New Jersey. New Yorker work: June 13, 1925 thru September 16, 1944. 8 covers and 599 cartoons. Shermund’s later. post-New Yorker work was featured in Esquire. (See Liza Donnelly’s book, Funny Ladies — a history of The New Yorker’s women cartoonists — for more on Shermund’s life and work)

 

Advertising Work by New Yorker Cartoonists, Part 1: Peter Arno; Shanahan’s Sharks

Advertising Work by New Yorker Cartoonists, Part 1

Warren Bernard, author of the wonderful book, Cartoons For Victory, as well as Executive Director of The Small Press Expo, has generously allowed the Spill access to hundreds of images he has collected that depict advertising work executed by New Yorker cartoonists. The Spill will post these from time-to-time. This is not an all-inclusive survey, but a look back at some interesting work mostly lost to time (many of these ads were unknown to me until recently).

We’ll start with a handful of ads featuring the unmistakable drawings of Peter Arno. Arno’s drawings were in high demand by Madison Avenue during the four decades he contributed to The New Yorker. They were the lucrative sideline that went a long way to helping him live the Park Avenue penthouse life he at times lived.

I’m only showing a few of his ads here, and not including the entire run of Pepsi-Cola ads that so riled Harold Ross (the New Yorker’s founder and first editor) — those will be for another time.  Also for another time: the Gem Razor ad campaign.

 

 

 

 

 

 

 

 

 

 

 

Mr. Bernard has helpfully identified the date of each ad:  Alemite (1949); Kindness (1968); Calvert Reserve (1944); Jockey (1939); Ry-Krisp (1941)

Here’s Mr. Arno’s entry on the Spill’s A-Z:


Peter Arno (Pictured above. Source: Look, 1938) Born Curtis Arnoux Peters, Jr., January 8, 1904, New York City. Died February 22, 1968, Port Chester, NY. New Yorker work: 1925 -1968. Key collection: Ladies & Gentlemen (Simon & Schuster, 1951) The Foreword is by Arno. For far more on Arno please check out my biography of him, Peter Arno: The Mad Mad World of The New Yorker’s Greatest Cartoonist (Regan Arts, 2016).

___________________________________________________________________________

Shanahan’s Sharks

Attempted Bloggery has found a Danny Shanahan New Yorker cover that’s been enhanced by the artist himself.

Mr. Nadler, who runs the AB, notes it’s a fine way to kick off the Discovery Channel’s Shark Week.

Link here to see Danny Shanahan’s New Yorker work on the magazine’s Cartoon Bank site.