Gil Roth Interviews The New Yorker’s Edward Koren

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Here’s Gil Roth interviewing Edward Koren, one of the giants of The New Yorker cartoon world. In this hour-long talk, Mr. Koren talks about Charles Addams, and Peter Arno (among others), working for the New Yorker, why he moved to Vermont, and all sorts of other interesting things.

Mr. Koren began contributing to the magazine in May of 1962. His cartoon collections include Do You Want To Talk About It? (Pantheon, 1976), Well, There’s Your Problem (Pantheon, 1980), Caution: Small Ensembles (Pantheon, 1983), and What About Me (Pantheon, 1989)

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After listening to Mr. Koren’s interview be sure to check out Mr. Roth’s previous interviews with cartoonists (and non-cartoonists).  Next week  he’ll be speaking with another New Yorker cartoonist, and New York Times best-selling author,  Bob Eckstein.

Link here to Edward Koren’s website.

(photo of Mr. Koren courtesy of Gil Roth)

 

William Hamilton’s Life on the Farm; Gil Roth Interviews Ben Katchor (again); Ken Krimstein to Bare All; A Case For Pencils’ Bill Kartalopoulos Interview

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From The Lexington Herald Leader, October 28, 2016,    “Who Knew Famous New Yorker Cartoonist Lampooned City Life From a Kentucky Farm?”— this piece about the late great William Hamilton.

(Above: A Collection of Mr. Hamilton’s cartoons from 1977)

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Here’s Gil Roth’s latest Virtual Memories podcast…this time he speaks (again) with Ben Katchor.  Be sure to check out Mr. Roth’s very long list of other interviews — many of them with cartoonists.

Link here to Mr. Katchor’s website.

 

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From BRProud, October 28, 2016 “AAF-BR to Host “A New Yorker Cartoonist Bares All” — this piece about Ken Krimstein’s upcoming talk in Baton Rouge on November 4th.

Link here to Mr. Krimstein’s website.

 

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9780544750357_aaa4a-thumbnailJane Mattimoe’s Case For Pencils blog  takes a momentary break from investigating  New Yorker cartoonists tools of the trade to speak with Bill Kartalopoulous, the editor of The Best American Comics series.

Link here to Ms. Mattimoe’s  A Case For Pencils.

 

 

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