Tom Chitty Tells the Spill Why “7” and Not “6”; Upcoming Swann Auction Includes An Abundance of New Yorker Cartoon Art; Applause Applause: Ed Steed is a Grammy Nominee

Tom Chitty Tells the Spill Why “7” and Not “6”

In this past Monday Tilley Watch, I wrote the following about the Tom Chitty drawing above:

  Mr. Chitty went at this head-on which almost (almost) makes the fellows in the line-up look like they in a painting or photo on the wall. Maybe they are, but I don’t think so. I wondered why it was possibly a #7 missing from the line-up and not #6.

Mr, Chitty was kind enough to respond, and to send along a rough sketch of his drawing:

I thought you might be interested in an answer your question about my cartoon this week.  I’ve attached the original scribble of the idea — at that point there were only four crooks, but that felt too few, so I added one. The simple answer, as to why seven and not six is that it sounded funnier to me. Maybe it’s because seven is made of two syllables. I confess it was not a particularly long deliberation!

— To see more of Mr. Chitty’s work, visit his website here.

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Upcoming Swann Auction Features An Abundance of New Yorker Cartoon Art

Swann’s December 14th auction includes a number of cartoon originals by the following New Yorker artists: Steinberg, Charles Addams, Abe Birnbaum, Peter Arno, Charles Barsotti, George Booth, Robert Day, R.O. Blechman, Arthur Getz, Theodore Haupt, Anatol Kovarsky, Marcellus Hall, Arnie Levin, Charles E. Martin (CEM), Joe Mirachi, Reginald Massie, Frank Modell, James Stevenson, Tom Toro, Richard Taylor, Harry Brown, Otto Soglow, Ronald Searle, Edward Koren, Jules Feiffer, and John Held, Jr.. Wow!

 — My thanks to Tom Toro for bringing the catalog to my attention.

View the entire catalog here.

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Applause Applause: Ed Steed Is a Grammy Nominee

Ed Steeds Father John Misty cover art (above) has been nominated for a Grammy.  Read about it here.  Congrats to Mr. Steed!

A Thurber Poster (and A Steig Poster & A Soglow Poster): Book of Interest: Wertz’s Tenements, Towers & Trash

The other day I Spilled a beautiful Peter Arno poster being auctioned by the Swann Galleries;  here are three more posters by three  great New Yorker artists:  James Thurber, Otto Soglow and William Steig. All took a turn  illustrating a poster for the Washington Square Art Show.  Thurber’s was for the 1935 exhibit, Soglow’s for 1930, and  Steig’s for 1933. (Arno’s appeared in 1932).

All the info here on the Swann website. Enter the name of the artist in the search box, and presto! 

Note: Ink Spill is in no way connected to the Swann Galleries.  I’m posting these posters because they’re wonderful oddities.

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Coming in October from Black Dog & Levinthal — the folks who brought us the massive  Complete Cartoons of The New Yorker: Julia Wertz’s Tenements, Towers & Trash. 

From the publisher, Ms. Wertz’s bio:

Julia Wertz is a professional cartoonist and amateur historian. She has published five graphic novels and does monthly history comics for The New Yorker and Harper’s Magazine.

Link here to her website.

Here’s what Roz Chast had to say about Tenements, Towers & Trash:

“Julia Wertz’s Tenements, Towers, and Trash is nothing short of extraordinary. The meticulously researched histories of the various urban landscapes are fascinating, and Wertz’s drawings perfectly capture the visual poetry of the city- the ongoing struggle between past and present, and its unique blend of beauty and ugliness. A must for anyone who loves and appreciates the city, as Wertz so clearly does.”

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Swann’s Ad with Addams “Z” Subway Car; Cartoon Companion Rates the Latest New Yorker Cartoons; Book of Interest: Shannon Wheeler’s “Sh*t My President Says: The Illustrated Tweets of Donald J. Trump”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Was pleased and surprised to come across this full page Swann ad in today’s New York Times (the special “F” section devoted to Museums).  The Addams drawing, included in an upcoming auction, originally appeared in The New Yorker October 1, 1979. That issue, to me, is memorable. For starters the cover, by R.O. Blechman,  is one of my all-time favorite New Yorker covers.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The roster of cartoonists in the issue included some heavy hitters from the magazine’s golden age, including George Price (whose drawing in the issue is three-quarters of a page), William Steig, Addams of course, and James Stevenson (represented by a full page drawing).  Also in the issue are some of James Geraghty’s best additions from his later years manning the art editor’s desk: Lee Lorenz, Warren Miller, Edward Koren, Robert Weber, and J.B. Handelsman.  And there are a number of the new kids brought in by Geraghty’s successor, Lee Lorenz: Arnie Levin, Jack Ziegler, Bob Mankoff, Roz Chast and yours truly (another reason the issue was memorable for me: it contained my first sequential drawing).

Looking through the issue at the cartoons one can’t help but notice how the  cartoons sit in a wide variety of space. Price’s three-quarters page, Stevenson’s beautiful full page, my own multi-panel spread bleeding onto a second page, Ziegler’s drawing (the first of two Zieglers in the issue) in an upright rectangle surrounded on three sides by text; Mankoff’s drawing and Arnie Levin’s as well as Addams’s allowed to spread across the width of the page. Weber’s gorgeous drawing run large, and  set so perfectly on the page. What’s even more remarkable about this issue is that it wasn’t unusual — this is what was normal in that time.

 

Here’s what the Addams drawing looked like in that issue:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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The only blog offering a critical take on each week’s New Yorker cartoons returns with a look at  cavemen pondering their wardrobe, a drafty Hades, a King’s best friend, King Kong’s mom & pop, and 8 more.   Read it here.

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Coming from Top Shelf Productions this summer, Shannon Wheeler’s Sh*t My President Says: The Illustrated Tweets of Donald J. Trump.

From the publisher:

Acclaimed cartoonist Shannon Wheeler (The New Yorker, God Is Disappointed in You, Too Much Coffee Man) transforms Donald Trump’s most revealing tweets into razor-sharp cartoons, offering a subversive and illuminating insight into the mind of the most divisive political figure of our time. Whether you love him or hate him, this take on Trump will help you come to grips with the man and his ideas thanks to Wheeler’s signature mix of slapstick and sophistication.

Details here.

NYC Subway Car of Interest: Mark Alan Stamaty’s Illustrated Shuttle; More Spills… Harry Bliss in a Salinger Home… the new Swann Catalog with Original Art by 18 New Yorker Artists

timessquare-grandcentralshuttlemarkstamatyRead all about Mark Alan Stamaty’s NYC illustrated subway car on Mike Lynch‘s blog here.

 

Mr. Stamaty’s New Yorker debut was with this cover in November of 1992. Here’s a link to his website.

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Bliss

From newyorker.com, September 8, 2016,  “Salinger’s House, Artists Retreat” — the New Yorker‘s Sarah Larson visits Harry Bliss in a Salinger home, now owned by the cartoonist.

 

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The new Swann catalog is now available online.  Anyone interested in original New Yorker art will absolutely love looking through.  New Yorker artists represented (both cartoonists and cover artists) are Charles Addams, Frank Modell, Ed Fisher, Tom Toro, William Steig, James Stevenson, Mischa Richter, Barbara Shermund,  Ilonka Karasz,   Laura Jean Allen, Beatrice Szanton, John Jonik, Peter Arno, Ludwig Bemelmans, Whitney Darrow, Jr., Richard Decker, Arthur Getz, and Leonard Weisgard.

Auction of Interest: Swann Offers Numerous New Yorker Cartoons; Covers Calendar Noted; Video: Mankoff on Science of Humor

SwannSwann’s upcoming auction on January 22nd is chock full of New Yorker cartoons, with work by a number of the magazine’s giants.

Cartoons on the block by Steinberg, Mischa Richter, Barbara Shermund, William Steig, Richard Taylor, Edward Sorel, Victoria Roberts, Charles Addams, Helen Hokinson, Rea Irvin, and Peter Arno.

Below: a beautiful early Steig included in the auction.

steig

Link here to see all the work and for all the auction info.

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Covers Cal

Ordinarily, New Yorker cartoon calendars, diaries, and the like aren’t listed here, but this sounds like it’s not your ordinary calendar, so I’m making an exception.

Here’s an excerpt from the publisher’s blurb for The New Yorker 365 Days of Covers Page-A-Day Gallery Calendar 2016:

“…this calendar features hundreds of the very best examples, all beautifully reproduced in full color. Here are iconic covers from Jean-Jacques Sempé, George Booth, Maira Kalman, Arthur Getz, Roz Chast, and the other illustrators whose work has helped shape The New Yorker’s inimitable style. Unprecedented quality with its exceptional art, coated paper, and exacting standards of color printing, this calendar is a gallery for your desk.”

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Bob

 

From Business Insider, December 31, 2014, this short video featuring The New Yorker’s Cartoon Editor, Bob Mankoff: “Scientists Discovered What Makes Something Funny”