Liza Donnelly Draws Halloween; Andy Borowitz On His Work: “It’s almost like the verbal equivalent of a New Yorker cartoon”; Tom Toro in The Paris Review; Advertising Work by New Yorker Cartoonists, Pt. 21: Addams for Sani-Flush; Steinberg: Artiste or Cartoonist?

Liza Donnelly Draws Halloween

From Liza Donnelly, Halloween drawings for CBS This MorningSee them here

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Andy Borowitz On His Work: “It’s almost like the verbal equivalent of a New Yorker cartoon”

From Poynter, October 31, 2017 —“Satirist Andy Borowitz Explains the Fine Art of Lampooning Trump” —  the interview by James Warren includes this quote from Mr. Borowitz describing his work: “It’s almost like the verbal equivalent of a New Yorker Cartoon.”

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Tom Toro in The Paris Review

Tom Toro will be illustrating one sentence at a time for The Paris Review in an eight part series,  The Complete Sentence.

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Advertising Work by New Yorker Cartoonists, Pt. 21: Addams for Sani-Flush

Thanks to the generosity of Warren Bernard, the series of New Yorker cartoonists advertising work continues on. Here are four Sani-Flush ads by the great Charles Addams (it being Halloween you just know that Mr. Addams would turn up here on the Spill).  All these ads are dated 1942.

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Steinberg: Artiste or Cartoonist

From Escapeintolife.com, “Toon Musings: Saul Steinberg / Artiste or Grubby Cartoonist”

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Advertising Work by New Yorker Cartoonists, Pt. 17: Sam Cobean

No New Yorker cartoonist milked the humorous possibilities of (mostly female) total nudity like the late Sam Cobean (an example above), but you wouldn’t know it by the ads below. Mr. Cobean’s two collections, Cobean’s Naked Eye, and The Cartoons of Cobean (arranged and selected by Steinberg, with an Introduction by Mr. Cobean’s good friend, Charles Addams, published posthumously) are easily found online (Abebooks is a reliable destination). 

These ads, like every other part of this series (save the Absolut ads) were provided by the Executive Director of SPX, Warren Bernard. My continued thanks to Mr. Bernard for his generosity.

Ad dates:  top row, both 1946. Bottom row, left: 1948. Zippo ad: 1950

 

 

Mr. Cobean’s entry on the Spill’s A-Z

 

Sam Cobean (pictured above. Source: Sam Cobean’s World. See link to site below) Born, December 28, 1913, Gettysburgh, Penn. Died, July 2, 1951, Watkins Glen, New York. New Yorker work: 1944 -1951. Collections: Cobean’s Naked Eye (Harper Bros.,1950), the Cartoons of Cobean (Harper & Bros.,1952). Cobean’s Estate set up a terrific website in his honor. It includes a lengthy biography, with photographs, as well as a detailed listing of all Cobean’s published work. Website: Sam Cobean’s World http://www.samcobean.com/

Latest New Yorker Cartoons Rated…and a Bonus; Advertising Work by New Yorker Cartoonists, Part 16: Steig Remington Rand Shaver Ads:

Latest New Yorker Cartoons Rated

If you like your New Yorker cartoons poked and prodded and looked at this way and that, the Cartoon Companion is for you. This particular CC post comes with a bonus: a look at a rough sketch by New Yorker cartoonist, Amy Hwang.   See it here. 

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Advertising Work by New Yorker Cartoonists, Part 16: Steig Remington Rand Shaver Ads

As promised early on in this series, William Steig has returned (and will return again). Here are four ads he did for Remington Electric Shaver, all in 1937. As always, these images are courtesy of Warren Bernard of SPX, who put in all the effort finding, scanning, and then sending everything over to the Spill on an electric silver platter. 

Here’s Mr. Steig’s entry on the Spill’s A-Z:

William Steig (photo above) Born in Brooklyn, NY, Nov. 14, 1907, died in Boston, Mass., Oct. 3, 2003. In a New Yorker career that lasted well over half a century and a publishing history that contains more than a cart load of books, both children’s and otherwise, it’s impossible to sum up Steig’s influence here on Ink Spill. He was among the giants of the New Yorker cartoon world, along with James Thurber, Saul Steinberg, Charles Addams, Helen Hokinson and Peter Arno. Lee Lorenz’s World of William Steig (Artisan, 1998) is an excellent way to begin exploring Steig’s life and work. New Yorker work: 1930 -2003.

 

 

Appearance of Interest: Harry Bliss; Attempted Bloggery Begins a Gregory d’Alessio Appreciation; Advertising Work by New Yorker Cartoonists, Part 15: Abner Dean

Appearance of Interest: Harry Bliss

Harry Bliss, a New Yorker contributor since 1998,  will speak at the Henry Sheldon Museum of Vermont History on September 18th.  All the details here.

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Attempted Bloggery Begins a Gregory d’Alessio Appreciation

Gregory d’Alessio, a New Yorker contributor  — he contributed from 1934 – 1940 — who doesn’t get much attention is finally getting some over on Stephen Nadler’s Attempted BloggerySee it here.

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Advertising Work by New Yorker Cartoonists, Part 15: Abner Dean

Speaking of an artist who doesn’t get much attention, next up is Abner Dean (the entire series, with the exception of the Absolut ads, courtesy of SPX’s Warren Bernard). All of Mr. Dean’s ads are for the Aetna Insurance Group, and are presented chronologically, clockwise beginning from the upper left, from 1945 -1951.

Mr. Dean’s entry on the Spill’s A-Z:

Abner Dean Born, New York City, March 18, 1910. Died, June 30, 1982, NYC. According to his New York Times obit (July 1, 1982) Dean “started his career at the National Academy of Design and went to Dartmouth College, where he graduated in 1931.” He published numerous collections of his work, including It’s A Long Way to Heaven (Farrar & Rinehart, 1945) and Wake Me When It’s Over (Simon & Schuster, 1955). Although primarily a cover artist for The New Yorker (he contributed five, all in the 1930s), he did publish one drawing in the magazine: January 2, 1960.

 

 

 

 

 

 

 

Advertising Work by New Yorker Cartoonists, Part 12: Gluyas Williams

According to Genius in Disguise , Thomas Kunkel’s must-read biography of The New Yorker’s founder and first editor, Harold Ross, Gluyas Williams “was the artistic equivalent of E.B. White, in that to Ross (and to thousands of fans) he simply could do no wrong.”

In that same book (pp. 333-335) there’s a fun section about Ross’s “secret” project: running Mr. William’s Wedding series (16 drawings) all at once in the magazine. It appeared in the issue of June 5, 1948.

Note: All of the scans (except for the Absolut Vodka campaign)  in this on-going series of ads by New Yorker cartoonists are courtesy of SPX’s Executive Director, Warren Bernard.  

 

 

 

 

 

Dates of ads: Log Cabin Syrup, 1934; GE, 1941; Texaco, 1942; McCreery & Co., 1926; Bristol Brass, 1945. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mr. Williams’s entry on the Spill’s A-Z:

Gluyas Williams (photo above) Born, San Francisco, 1888. Died, Boston, Mass., 1982. One of the pillars of Harold Ross’s stable of artists, and one of Ross’s favorite cartoonists. His beautiful full page drawings were a regular feature in the magazine. Mr. Williams illustrated a number of Robert Benchley’s collections, providing the cover art as well as illustrations. NYer work: March 13, 1926 – Aug 25, 1951. Key collections: The Gluyas Williams Book ( Doubleday, Doran & Co., 1929), The Gluyas Williams Gallery (Harper, 1956). Website: http://www.gluyaswilliams.com/

Advertising Work by New Yorker Cartoonists, Part 10: Otto Soglow

Deep in the dog days of summer seems a good time to pick up the Spill’s series of advertising work by New Yorker cartoonists. Credit and thanks goes out to the Executive Director of SPX, Warren Bernard for allowing his efforts to be shown here.  In Part 10 we see a selection by Otto “The Little King” Soglow, who contributed to The New Yorker for 49 years (1925- 1974). 

His work is still seen in today’s New Yorker, with his “spot” drawings appearing in The Talk of The Town along with Tom Bachtell’s work.

 

 

 

 

 

 

 

 

Dates for ads: Pabst Blue Ribbon, 1941; USS, 1967; Nabisco, 1950s; Pepsi, 1947

 

 

 

 

 

 

 

 

 

Otto Soglow’s entry on the Spill’s A-Z:

Otto Soglow (pictured above) Born, Yorkville, NY, December 23, 1900. Died in NYC, April 1975. New Yorker work: 1925 -1974. Key collections: Pretty Pictures ( Farrar & Rinehart, 1931) and for fans of Soglow’s Little King; The Little King (Farrar & Rinehart, 1933) and The Little King ( John Martin’s House, Inc., 1945). The latter Little King is an illustrated storybook. Cartoon Monarch / Otto Soglow & The Little King (IDW, 2012) is an excellent compendium.