Cuneo’s Klam Drawings; Sikoryak Illustrates Trumpisms; Finck Covers Closet and a Novel

Cuneo’s Klam Drawings

What fun! New Yorker cover artist and illustrator, John Cuneo, has supplied illustrations for Matthew Klam’s latest book, Who Is Rich?: A Novel ;  what’s fun, besides Mr. Cuneo’s work — called “…darkly humorous…” in The Washington Post’s  review of the book — is that the novel’s main character is a…cartoonist.

 

 

 

 

Here’s how the novel is described, in part, by the publisher: 

Every summer, a once-sort-of-famous cartoonist named Rich Fischer leaves his wife and two kids behind to teach a class at a week-long arts conference in a charming New England beachside town. It’s a place where, every year, students—nature poets and driftwood sculptors, widowed seniors, teenagers away from home for the first time—show up to study with an esteemed faculty made up of prizewinning playwrights, actors, and historians; drunkards and perverts; members of the cultural elite; unknown nobodies, midlist somebodies, and legitimate stars—a place where drum circles happen on the beach at midnight, clothing optional.

Above: drawings by John Cuneo from Who Is Rich?    Link here to Mr. Cuneo’s website.

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  • Sikoryak Illustrates Trumpisms

Robert Sikoryak’s The Unquotable Trump  (Drawn& Quarterly) was unveiled at Comic Con Diego.  This is the third Trump-related title from a New Yorker contributor (Tom Toro’s Tiny Hands and Shannon Wheeler’s Sh*t My President Says are the other two).

Read about the CBR’s article on Mr. Sikoryak here.

 

 

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Finck Covers Closet

This interesting piece by Ms. Finck in The New York Review of Books

…and more Finck: this interview from Bedford +Bowery

left: one of Ms. Finck’s drawings from the NYR

 

…lastly, leaving off where this day’s post began, it has been brought to the Spill‘s attention that Ms. Finck is the cover artist behind Matthew Klam’s aforementioned novel.

 

 

 

 

Interview of Interest: Frank Cotham; Karasik Talks “Nancy”; Shannon Wheeler at SPX; The Tilley Watch: A Flake Follow-Up & Next Week’s New Yorker Cover

 

 

 

 

 

 

Cartoon Companion has posted Part 1 of an interview with long-time New Yorker cartoonist, Frank CothamRead it here.  Above: one of Mr. Cotham’s porch drawings published in the New Yorker,.  April 1, 2013 (click on it to enlarge).

Note: For more Cotham, you might enjoy this Spill interview from 2013

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Karasik Talks “Nancy”

Paul Karasik and his co-author Mark Newgarden will be at The New York Comics & Picture-Story Symposium this Fall discussing their forthcoming How To Read Nancy.  Details here.

 

 

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Shannon Wheeler at SPX

Too Much Coffee Man himself, Shannon Wheeler will appear at the upcoming Small Press Expo this Fall. Details here.

 

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A Tilley Watch Follow-Up to “Checking In With: Emily Flake”

…For a Cartoon Lounge segment, released today featuring Emily Flake  at the New Yorker‘s offices with the magazine’s cartoon editor, Emma Allen, go here.

 

The New Yorker has rush released next week’s cover (by Barry Blitt):

 

 

 

 

 

 

Resist! #2 Arrives July 4th With An Abundance of New Yorker Contributors

 

The second issue of Resist!, a free “political comics zine of mostly female artists” (a “Man Cave” section is included) edited by Nadja Spiegelman and The New Yorker‘s art editor, Francoise Mouly, will be distributed this coming July 4th in comic book stores and out on the streets by volunteers (approximately 60,000 copies of the first Resist! were distributed this past January).

Go here to find out where you can find a copy near you

According to a press release “the free distribution of Resist! is intended as an Independence Day celebration of the First Amendment, of our diverse country and of our resilience.”

The Editors write in the introductory pages of #2: “These pages contain many individual realities.  They reflect topics as diverse as their contributors: the environment, immigration, racism and the economy.”

Artists represented in this 96 page anthology are from all over the world, but as the Spill’s focus is  primarily New Yorker contributors, I’m  listing the artists whose work has been published there.  In order of appearance:  Roz Chast, Kendra Allenby, Carol Lay, Ana Juan, Anita Kunz, Emily Flake, Amy Kurzweil, Kim Warp, Abigail Gray Swartz, Andrea Arroyo, Liniers, John Cuneo, Tom Toro, Peter Kuper,  Frank Viva, Paul Karasik, Art Spiegelman, R. Sikoryak, Dean Rohrer, Shannon Wheeler, and Daniel Clowes. 

 

 

 

 

 

 

 

 

For more information, link here to the Resist! website.

Credits:

Resist! #2 cover by Malika Fravre, a French artist living in London, England.

Across the Great Red States by Kendra Allenby, a cartoonist and storyboard artist living in Brooklyn, NY.  Her work has appeared in The New Yorker

“We’re looking for something that says ‘Death to the Patriarchy’…” by Amy Kurzweil, author of Flying Couches: A Graphic Memoir.  Her work has appeared in The New Yorker.

All art copyrighted by the respective artists.

 

Books of Interest Round-Up: Twohy, Toro, Cuneo, Wheeler, Blitt, Karasik, and Chast

It’s mid-year, which is as good a time as any to round-up the New Yorker cartoonist-related books that’ve come out recently and those that will be coming out.

Mouse and Hippo by Mike Twohy. From the publisher:

“Mouse creates a painting for his new friend Hippo—and Hippo returns the kindness in an unlikely way—in this delightful story…”

 

Tiny Hands by Tom Toro. From the publisher: “These cartoons were originally showcased on The New Yorker’s website when Toro was the featured as the Daily Cartoonist.”  Published May 2017. Publisher’s website.

Not Waving But Drawing by John Cuneo. From the publisher: “…Cuneo’s best privately drawn sketchbook pages, each page immediately introduces us to unique takes on sex and domestic life in his signature squiggly style. Not Waving But Drawing is full of dark thoughts, lightly rendered.”  Published February 2017 Publisher’s website.

 

Sh*t My President Says by Shannon Wheeler.  From the publisher: “…illustrations of the often outrageous and inflammatory words from the current leader of the free world, all while using a pretty adorable version of Donald Trump.” Coming in August 2017.  Publisher’s website.

 

Blitt by Barry Blitt.  From the publisher: “…This…full-color collection showcases over a quarter century of Blitt’s most iconic work: his New Yorker covers, from the infamous Obama fist bump and George W. Bush’s drowning cabinet to the many misadventures of Donald Trump; his long-running collaboration with Frank Rich for New York Times.”  Coming in October 2017. Publisher’s website.

 

How To Read Nancy by Paul Karasik and Mark Newgarden.  From the publisher: “Everything that you need to know about reading, making, and understanding comics can be found in a single Nancy strip by Ernie Bushmiller from August 8, 1959. Paul Karasik and Mark Newgarden’s groundbreaking work How to Read Nancy ingeniously isolates the separate building blocks of the language of comics through the deconstruction of a single strip.” Coming in October 2017. Publisher’s website.

Going Into Town by Roz Chast. From the publisher: “…part playful guide, part New York stories, and part love letter to the city, told through Chast’s laugh-out-loud, touching, and true cartoons.” Coming in October 2017. Publisher’s website.

 

Swann’s Ad with Addams “Z” Subway Car; Cartoon Companion Rates the Latest New Yorker Cartoons; Book of Interest: Shannon Wheeler’s “Sh*t My President Says: The Illustrated Tweets of Donald J. Trump”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Was pleased and surprised to come across this full page Swann ad in today’s New York Times (the special “F” section devoted to Museums).  The Addams drawing, included in an upcoming auction, originally appeared in The New Yorker October 1, 1979. That issue, to me, is memorable. For starters the cover, by R.O. Blechman,  is one of my all-time favorite New Yorker covers.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The roster of cartoonists in the issue included some heavy hitters from the magazine’s golden age, including George Price (whose drawing in the issue is three-quarters of a page), William Steig, Addams of course, and James Stevenson (represented by a full page drawing).  Also in the issue are some of James Geraghty’s best additions from his later years manning the art editor’s desk: Lee Lorenz, Warren Miller, Edward Koren, Robert Weber, and J.B. Handelsman.  And there are a number of the new kids brought in by Geraghty’s successor, Lee Lorenz: Arnie Levin, Jack Ziegler, Bob Mankoff, Roz Chast and yours truly (another reason the issue was memorable for me: it contained my first sequential drawing).

Looking through the issue at the cartoons one can’t help but notice how the  cartoons sit in a wide variety of space. Price’s three-quarters page, Stevenson’s beautiful full page, my own multi-panel spread bleeding onto a second page, Ziegler’s drawing (the first of two Zieglers in the issue) in an upright rectangle surrounded on three sides by text; Mankoff’s drawing and Arnie Levin’s as well as Addams’s allowed to spread across the width of the page. Weber’s gorgeous drawing run large, and  set so perfectly on the page. What’s even more remarkable about this issue is that it wasn’t unusual — this is what was normal in that time.

 

Here’s what the Addams drawing looked like in that issue:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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The only blog offering a critical take on each week’s New Yorker cartoons returns with a look at  cavemen pondering their wardrobe, a drafty Hades, a King’s best friend, King Kong’s mom & pop, and 8 more.   Read it here.

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Coming from Top Shelf Productions this summer, Shannon Wheeler’s Sh*t My President Says: The Illustrated Tweets of Donald J. Trump.

From the publisher:

Acclaimed cartoonist Shannon Wheeler (The New Yorker, God Is Disappointed in You, Too Much Coffee Man) transforms Donald Trump’s most revealing tweets into razor-sharp cartoons, offering a subversive and illuminating insight into the mind of the most divisive political figure of our time. Whether you love him or hate him, this take on Trump will help you come to grips with the man and his ideas thanks to Wheeler’s signature mix of slapstick and sophistication.

Details here.