Radio Interview of Interest: Peter Steiner

Here’s Peter Steiner on WAMC’s Roundtable with Joe Donahue (broadcast August 28, 2018).   Mr. Steiner began contributing to the New Yorker in 1979.

From his entry on the Spill‘s A-Z:

Mr. Steiner is responsible for one of the most famous (and most republished) New Yorker cartoons in modern times, “On the Internet, nobody knows you’re a dog.” (published July 5, 1993).  An indication of its enduring popularity in our culture:  a wikipedia page is devoted to it.   He has also had novels published, as well as the limited edition “An Atheist in Heaven.” Website: www.plsteiner.com/

Below: An Atheist In Heaven

 

Bud Grace on Peter Steiner

The cartoonist (and Spill One Clubber*) Bud Grace has posted a short interesting piece about New Yorker cartoonist, Peter Steiner.  Within the post is the painting Mr. Steiner did of Mr. Grace (an exhibit of Steiner’s portraits was held at the Hotchkiss School some years ago. It was a fun experience walking around looking at the paintings and then recognizing some of the subjects as they strolled by).  

*Ink Spill’s One Club is limited to cartoonists who have contributed just one drawing to the magazine in their career.  Every member is identified on the Spill’s A-Z by the red top-hatted  fellow you see below

Spinach, Part 2 with Shanahan, Steiner, and Weber

As anyone who follows cartoon art knows, nearly everything and anything is fair game, including other cartoons. The famous Carl Rose “spinach” cartoon from the December 8, 1928 New Yorker  (shown above) that was yesterday’s subject here (well, more precisely, its caption origin was the subject) spawned a number of later cartoons.  Danny Shanahan gets the credit for causing me to think about casting around the Cartoon Bank site, using search words/terms like “spinach”  “broccoli” and “the hell with it”  — here are three takes by three masters of the art of cartooning:

Danny Shanahan’s from the February 28, 2005 New Yorker:

Peter Steiner’s from the July 24, 2000 New Yorker:

 

Robert Weber’s take, the February 21, 1994 New Yorker:

 

 

Between You & Me &… Eustace Tilley; Peter Steiner’s Hopeless But Not Serious on ICE; Latest New Yorker Cartoons Rated

Between You & Me &…Eustace Tilley

Here’s a fascinating addition to the Spill‘s archives: the Korean edition of Mary Norris‘s truly wonderful book, Between You & Me: Confessions of a Comma Queen. As you can see it sports Rea Irvin’s iconic cover from the New Yorker‘s inaugural issue. This usage of the cover is, to my knowledge, a first (Ms. Norris told me the cover came as “a complete surprise” to her). As you see below, Mr. Irvin’s clouds and green vertical border (the “strap”) were carried around on the back cover as well.  

 

Below: the US cover of Between You & Me (Norton, 2015), and to the right, the paperback edition. You’ll note that these covers use an adapted Irvin typeface. 

Mr. Irvin’s entry on the Spill‘s A-Z:

Rea Irvin (pictured above. Self portrait above from Meet the Artist) *Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art editor, holding the position from 1925 until 1939 when James Geraghty assumed the title. Irvin became art director and remained in that position until William Shawn succeeded Harold Ross. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time.

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Peter Steiner’s Hopeless But Not Serious on ICE

The great New Yorker cartoonist and author, Peter Steiner weighs in on ICE and children. See it here. 

Mr. Steiner’s entry on the Spill‘s A-Z:

 

 

 

 

Peter Steiner (above). Born, Cincinnati, 1940. New Yorker work: 1979 – . Collection: “I Didn’t Bite the Man, I Bit the Office” ( 1994).  Mr. Steiner is responsible for one of the most famous (and most republished) New Yorker cartoons in modern times, “On the Internet, nobody knows you’re a dog.” (published July 5, 1993).  An indication of its enduring popularity in our culture:  a wikipedia page is devoted to it.   He has also had novels published, as well as the limited edition “An Atheist in Heaven.” Website: www.plsteiner.com/

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Latest New Yorker Cartoons Rated

If it’s Friday then it’s time for the Cartoon Companion’s latest look at the brand new drawings in this week’s issue (June 25, 2018). Joe Dator’s colorful Abe Lincoln drawing is awarded the CC‘s Top Toon ribbon, and rightfully so!  Read the post here.

The Tilley Watch Online: June 11-16, 2018; More Arthur Getz (at The Hotchkiss Library of Sharon)

Yet another Trumpian week for the Daily Cartoon. 

The participating cartoonists:  Danny Shanahan, one of the magazine’s modern masters, appeared twice in the week, with his second a nod to the climbing racoon we all fell in love with; Lars Kenseth, whose one-of-a-kind drawings also appeared twice (neither was a racoon drawing, unfortunately), and Lisa Rothstein, possibly making her Daily debut (someone please advise if this is incorrect).

And the Daily Shouts contributing New Yorker cartoonists were Tom Chitty Jeremy Nguyen with David Ostow, Liana Finck, and honorary New Yorker cartoonist, Colin Stokes (he’s the magazine’s assistant cartoon editor, and… he’s co-written a published New Yorker cartoon or two).

You can see all of the above work, and more, here.

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More Arthur Getz

I recently drove over to Sharon, Connecticut to catch the Arthur Getz exhibit at the Hotchkiss Library of Sharon. It runs til the end of this month, so hurry and go before it’s gone! One of the New Yorker‘s great cartoonists, Peter Steiner, joined me to tour the art on the walls, including the original art for the terrific cover shown above. This is a large piece (my guess is it’s about a yard tall), graphically powerful as a cover and even more so when you’re up close to the original (it’s currently hanging along a staircase). There are a number of other originals like it (in the wow category), but also a good number of small pieces (many “killed” covers) as well as some pastoral watercolors. Many of the pieces are for sale. A portfolio of work sits in one of the rooms — you can breeze through and pick up the original art for as close a look as you want.

Getz’s New Yorker work really shines through in this show. Mr. Steiner and I spent some time gazing at them, marveling at Getz’s ability to grasp the big picture so beautifully. I’m reluctant to label any specific period of The New Yorker as golden or aluminum or silver, or whatever, but as Mr. Getz’s career spanned 50 years (1938-1988)  his work certainly was being published during the magazine’s so-called Golden Age.

As mentioned on the Spill not long ago there’s a companion exhibit at the nearby Moviehouse in Millerton (NY) featuring much more of Getz’s New Yorker work. You really need to see that too (it runs through the end of August).