The Tilley Watch Online, May 14-18, 2018

The Daily Cartoon continues to reside in Trumpland (no surprise!), with an exception for today’s big wedding in jolly ‘ole England. This week’s artists: Ellis Rosen (Royal Wedding), Olivia de Recat (Trump), Jeremy Nguyen (Trumpish), Peter Kuper (Trumpish), David Sipress (Trumpish).

New Yorker cartoonists contributing to Daily Shouts: Liana Finck, Will McPhail, Sara Lautman, and special mention to Colin Stokes, the New Yorker‘s Assistant Cartoon Editor for his piece.

To see all of this work, and more, go here.

The Tilley Watch Online: The Week of April 23 – 27

This week’s Daily cartoons: Trump, Trump, Trump, Trump, TV.  

Brought to you by: David Sipress, whose work book-ended the week, first with a Trumpian cartoon on Monday, and on Friday with a Handmaid’s Tale/Westworld themed cartoon; a very very Trumpian cartoon by Peter Kuper, a Trumpish cartoon by Brendan Loper, and a Lars Kenseth Trump/Macron cartoon.

New Yorker cartoonists contributing to the Daily Shouts: Jason Adam Katzenstein (with Phil McAndrew), and Barry Blitt.

All of the above and more can be found here.

Tilley Watch Online: Week of April 16-20, 2018; Exhibit Reminder: The Evolution of Cartoon and Comic Art

 

But of course another Trumpian week for the Daily cartoonists: Ellis Rosen (Comey/Trump); Lars Kenseth (Trump); Ben Schwartz (Lion King?); Brendan Loper (Fox News), Peter Kuper (Trump & Co.)

And these were the contributing New Yorker cartoonists on Daily Shouts: Liana Finck, Olivia de Recat, and Teresa Burns Parkhurst (with John Ficarra)

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Exhibit Reminder

  A chance to see work by a wide range of artists including the great Anatol Kovarsky (on display: three of his original New Yorker covers and studies for those covers). More info here!

Exhibit of Interest: Mary Petty; Article of Interest: New Yorker Cover Artist John Cuneo; The Tilley Watch Online; And Even More E. Simms Campbell

Exhibit of Interest: Mary Petty

 What fun! 30 Mary Petty watercolors on exhibit at the Huntsville (Alabama) Museum of Art:  The Life and Art of Mary Petty.

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Article of Interest: New Yorker Cover Artist John Cuneo

From HV1, April 11, 2018, “Dancing Bears and John Cuneo’s Portable Therapy” — this good read about the fascinating Mr. Cuneo.

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The Tilley Watch Online: April 9-13

The week’s Daily Cartoons were courtesy of: Peter Kuper (Trump’s cabinet), Ellis Rosen (politics: Michael Cohen), Kim Warp ( Facebook), Brendan Loper (politics: Trump-related), and Paul Noth (taxes)

On Daily Shouts, contributing the New Yorker cartoonists were Maddie Dai, Kim Warp, and Hilary Fitzgerald Campbell

All of the above, and more, can be seen here.

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And Even More E. Simms Campbell on Attempted Bloggery

As the world turns, let’s not forget that Stephen Nadler continues his E. Simms Campbell fest on his wonderful blog.  So much to see there (here).

Here’s Mr. Campbell’s entry on the A-Z:

E. Simms Campbell (photo above) Born, 1906. Died, 1971. NYer work: 1932 -1942. Key collections: Cuties in Arms (1943) – the earliest published collection of cartoons by an African-American cartoonist); More Cuties in Arms (also 1943); and Chorus of Cuties (1953)

 

 

The Tilley Watch Online: April 2-6, 2018; Borowitz Laff ‘O’ the Week; More Spills: Pia Guerra, MoCCA Fest

The current administration, as usual, provided, in one way or another, fodder for this week’s Daily cartoons. Brendan Loper‘s work book-ended the week with Peter Kuper, Jason Chatfield (and co-writer Scott Dooley), Jeremy Nguyen in between.

Over on Daily Shouts, contributing New Yorker cartoonists were  Jason Adam Katzenstein (aka JAK), Liana Finck, Tom Chitty, Olivia de Recatand a team effort by Dan Abromowitz and Eli Dreyfus.

You can see all the work (both Daily Cartoon & Daily Shouts) here.

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Non-cartoon Laff ‘o’ the Week by Andy Borowitz:

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…FX has ordered a pilot of an adaptation of Y: The Last Man, a comic by Brian K. Vaughn and Pia Guerra The story here

…Don’t forget that MoCCA Fest 2018 is underway. Events galore over the next two days.

The Monday Tilley Watch: The New Yorker Issue of April 2, 2018

The latest issue is themed: The Mind Issue.  Don’t mind me if I zip through the issue this week. Seeing the cover pop up digitally this morning I immediately thought of Steinberg’s 1961 collection,The Labyrinth (I also thought how much I dislike seeing drawings of or photos of brains. Squeamish, I guess).

This type of a cartoon-look-inside-the-head drawing goes way back  — I know I’ve seen an animated version or three that were likely produced in the 1930s or 40s or earlier?  Animation archivists would surely be able to pinpoint the dates.

A quick aside: thinking that Steinberg had done a cover using the cartoon-inside-the-head device I ended up looking through decades of New Yorker covers this morning. It was a blast spending time with The Complete Book of Covers of The New Yorker: 1925 -1989 (Knopf, 1989)  taking in the art and artistry.

And now to the cartoons. The words “thinker” and “thought” appear in the first two cartoons of the issue (Tom Toro’s and Bruce Kaplan’s, in that order), thus somewhat tying them into the issue’s theme. After that the cartoons are mostly on their own, as usual (although the Frank Cotham drawing, on page 65, does have “think” in its caption).

Looking through the issue, I found myself in a thinking mode. I was thinking, or maybe wondering is a better word, if Rea Irvin’s classic Talk of the Town masthead will ever be returned to its rightful throne (sorry about that. I’ve just started watching Game of Thrones — a bit late, but better late than…). Here’s Mr. Irvin’s masthead:

As sometimes happens here on the Monday Tilley Watch, I’m not going to go drawing-by-drawing this week. Here are all the cartoonists represented (for the record, your honor):

I do want to point out a trio of graphic favorites. They each surprised at first sight: 

Charlie Hankin’s  The Thinker cartoon (ah, another one tied-in to the issue’s theme). I do wish this was allowed a bit more space on the page; Rodin’s man looks squeezed in there.

Seth Fleishman’s long ago subway drawing (and there it is: this week’s subway drawing!).  I like that it was allowed to spread across the top of the page.

Peter Kuper’s witch-or-not-a-witch drawing with its subtle throwback to John Held Jr’s wood cut style (it also, of course, recalls this unforgettable scene from Monty Python’s Holy Grail.

For more reading on each and every cartoon in this issue be sure to check out the Cartoon Companion. They usually post their rated takes by Thursday evening. 

— See you next week.