Fave Photo of the Day: Edward Sorel & Company; Karen Green Pencilled; A Cartoon Companion Two-fer: Mick Stevens Interviewed (Pt.1) & The Latest New Yorker Cartoons Dissected; Tilley Watch Online

Fave Photo of the Day: Edward Sorel & Company

Edward Sorel had a few friends over for lunch yesterday; a splendid time was had by all.

Front row, l-r: Danny Shanahan, Edward Sorel.  Back row, l-r: Michael Maslin, a wooden St. Peter,  James McMullan, and John Cuneo

(photo courtesy of Danny Shanahan who used the time-delay function on his phone)

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Columbia’s Comics & Cartoons Curator, Karen Green Pencilled

Jane Mattimoe’s wonderful blog, A Case For Pencils features Karen Green, who is the Comics & Cartoon Curator at Columbia University.  A good read!

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Cartoon Companion Two-fer: Mick Stevens Interview (Pt.1) and the Latest New Yorker Cartoons Dissected

The Cartoon Companion‘s Max & Simon are back with a close look at the cartoons in the New Yorker’s latest issue as well as part one of an interview with veteran New Yorker cartoonist, Mick Stevens.  Read the Stevens interview here And read the CC’s take on the current issue here.

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…a Halloween video from the Cartoon Department…Daily Shouts from Ward Sutton, and Will McPhail (who seems to be in a Rear Window-esque mood lately — a recent piece for Esquire also featured a city building with individuals in various windows), and Daily Cartoons by, among others, Peter Kuper, and Kim Warp.  See it all here.  

Edward Sorel, Christopher Weyant, Kim Warp, and Liza Donnelly to Appear at “Satire and The City” Political Cartoon Festival

The Association of American Editorial Cartoonists convenes at Hofstra University in the earliest days of November for several days of panel discussions and interviews.  Edward Sorel will be interviewed by Signe Wilkinson;  on another day,  Liza Donnelly will moderate a discussion with  New Yorker cartoonists Christopher Weyant and Kim Warp.   There will also be a panel discussion with MAD magazine cartoonists (but I’m not sure yet who they are). 

Here’s a link to the schedule.

Next Week’s New Yorker Cover Revealed; Video of Interest: Liana Finck; Warp’s Slides in Virginia; Cartoon Companion Rates the Latest New Yorker Cartoons

Next Week’s New Yorker Cover Revealed

The artist, David Plunkert posted the cover on Twitter, adding:

My 2nd cover for the New Yorker: “October 1, 2017: One Day in a Nation of Guns.” My condolences to the people of Las Vegas.

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Video of Interest: Liana Finck

Here’s a New Yorker produced video under the heading “Cartoons, Etc.” with the magazine’s cartoon editor, Emma Allen, the magazine’s assistant cartoon editor, Colin Stokes, and their guest, Liana Finck. A fun piece with the promise held out at the end for more of this kind of video chat with various other cartoonists.  See it here.

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Warp’s Slides

Kim Warp recently showed her work in Norfolk, Virginia (that’s Ms. Warp on the far right).  Wish there was more for us to read on the link!

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Cartoon Companion Rates Latest New Yorker Cartoons

Like clockwork, the Cartoon Companion is back with a look at all the cartoons in the  new New Yorker.  In this post the CC fellows examine (among others) a beautiful Edward Koren drawing, a desert island drawing, a medieval-ish cartoon, and a drawing with Michelangelo lineage. Read it all here.

 

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The Monday Tilley Watch: The New Yorker, October 9, 2017

The Monday Tilley Watch is a meandering take on the cartoons in the current issue of The New Yorker.

The New Yorker has gone through a number of survivable events in its 92 year history. It nearly folded in its first six months of existence, but survived when Raoul Fleischmann, its original backer, suddenly turned white knight, decided to pump more money into it. The magazine survived when the magazine’s founder and first editor Harold Ross died too soon.  The magazine survived its transition from the Fleischmann family to the Newhouse family in the late 1980s, and all the hooplah that ensued when William Shawn was succeeded by Robert Gottlieb, and when Gottlieb was in turn succeeded by Tina Brown, who was then succeeded by its current editor, David Remnick.  It won’t go without saying that yesterday’s news of the passing of Si Newhouse, owner of The New Yorker caused a lot of ink to begin flowing (online as well as print) about what his passing means for the future of the magazine.  Perhaps it’s best to acknowledge that the crystal ball is cloudiest just when we want it to be crystal clear. 

And now on to the cartoons in the latest issue.  

Two BEK covers in the last six issues of The New Yorker. Amazing. I’m always thrilled to see a cartoonist colleague’s work on the cover, and am ever hopeful more and more will be added into the mix.

Following all the up front of the book graphics (ads, of course, and illustrations) we come to the calm spread of pages 28 & 29 with a well placed Liana Finck drawing on the upper right.  I like the use of the word “monsters” in the caption.  I think the word has also suggested (at least to me) that the fellow Ms. Finck has pictured resembles ever-so-slightly the Frankenstein monster (as played by Boris Karloff).  

Six pages later we come to a Jon Adams drawing (his first New Yorker cartoon appeared last week).  The desert island cartoon, once seemingly on the verge of retirement is as present as ever in the magazine.  I’ll be curious as to how the Cartoon Companion guys dissect this drawing (we’ll find out later in the week when they post). I’m reluctant to step on their turf, but can’t help but be concerned that the angle of the palm tree which is about to catapult one of the islanders into the ocean (presumably to safety) will throw the fellow away from the container ship off in the distance. This is part of what cartoonists do, I guess.  We worry about the fate of stranded cartoon characters on a cartoon desert island.

On the very next page is a Michelangelo moment courtesy of Julia Suits.  Her drawing is based on one of the master’s greatest hits within one of his greatest hits:  the “Creation of Adam” (seen below) on the ceiling of the Sistine Chapel. Ms. Suits has given us the origin story of a slightly shocking moment we’ve all experienced at one time or another. 

A couple of pages past the beginning of a Janet Malcolm piece on Rachel Maddow we come to a two-fer spread: an Edward Koren drawing on the left side and a Matthew Diffee on the right. Mr. Koren is our longest serving cartoon contributor, having first been published in 1962. It’s always a good week when one of his drawings graces the pages of the magazine. Selfishly, I would’ve loved to see this drawing run at least half-a-page.  But as the Rolling Stones so memorably sang, “You can’t always get what you want, but if you try sometime you find you get what you need.” 

A quartet of pages later we come to a drawing by newbie, Maddie Dai; the drawing itself carries a candidate for longest caption in a New Yorker cartoon.  I think of George Booth when I see a lot of caption. Here’s an example of a long-form  Boothian caption from The New Yorker, February 18th,  1985:

Strangely enough, on the page following Ms. Dai’s fortune teller drawing is another longish captioned drawing — this one by David Sipress. I like the whiskerless cat(?) on the floor of this drawing.  It looks a bit distressed. Four pages later a Roz Chast triptych incorporating the word “illuminati”;  I’m beginning to get the feeling this issue is thematic in a mystical, monstrous, space agey way (Ms. Finck’s monster, Ms. Suits Michelangelo drawing, Maddie Dai’s fortune teller, Mr. Sipress’s a newly discovered planet drawing, and now Ms. Chast’s illuminati).  Probably just coincidence. 

Two pages later, the theme goes up in smoke as P.C. Vey takes us shopping. I note that none of the products on the shelves carry labeling. I’m reminded of the books in Chairman Mao’s library. On closer inspection, there is writing present on Mao’s books, but the first impression is similar (for me anyway) to Mr. Vey’s supermarket shelving.   

On the very next page after Mr. Vey’s shopping expedition we’re thematically back to religion with an Adam and Eve drawing courtesy of Will McPhail.  I suppose it’s possible it’s not Adam and Eve as the female here has to my eyes a contemporary haircut. You can’t see much of Adam, as he’s behind a giant leaf that doesn’t quite cover the “all”  mentioned in his caption. Someone who knows leaves can set me straight if Mr. McPhail’s leaf is similar to this maple leaf I grabbed off of Google images.  

 

A couple pages later another relative newbie, Kate Curtis (her first drawing appeared in the New Yorker in January of 2016).  Back to contemporary life with an airline check-in moment. The drawing looks vaguely Kim Warpian (it’s the airline employee’s fingers I think that bring Ms. Warp’s work to mind). Seven pages later we’re whip-lashed back to King Arthur’s big sword in the stone moment with a contemporary twist, courtesy of Ben Schwartz. Lars Kenseth had a sword and stone drawing recently. I wonder if sword and stone drawings are going to give desert island drawings a run for their money.

Nine pages later, we remain (somewhat) in ancient times with a couple of medieval towers (sans Rapunzel…possibly), and a dragon…and a lawn mower?  All from Avi Steinberg’s pen. This drawing reminds me of the George Price classic below (published in The New Yorker June 3, 1939).  Both Mr. Steinberg’s and Mr. Price’s have guys outdoors doing something in the yard; both have woman in the window calling out to the guys; both have something wrapped around a structure: Mr. Steinberg has a dragon, Mr. Price has ivy.

On the following page a talking clock from Eric Lewis. I’m always reluctant to favor a drawing in the Monday Tilley Watch (again, that’s what they do over on the Cartoon Companion site), but I’m going to favor this, the last drawing in the issue. I see shades of various artists in the drawing itself — this isn’t unusual: I see some vague hint of various cartoonists’ work in every cartoonist’s drawing (including my own). In this case it’s a little Stuart Leeds, a little Gahan Wilson, and a shadow of Pierre Le-Tan.  Of course, the drawing itself is pure Eric Lewis — an excellent way to end the issue. 

— see you next week.   

 

 

 

 

Resist! #2 Arrives July 4th With An Abundance of New Yorker Contributors

 

The second issue of Resist!, a free “political comics zine of mostly female artists” (a “Man Cave” section is included) edited by Nadja Spiegelman and The New Yorker‘s art editor, Francoise Mouly, will be distributed this coming July 4th in comic book stores and out on the streets by volunteers (approximately 60,000 copies of the first Resist! were distributed this past January).

Go here to find out where you can find a copy near you

According to a press release “the free distribution of Resist! is intended as an Independence Day celebration of the First Amendment, of our diverse country and of our resilience.”

The Editors write in the introductory pages of #2: “These pages contain many individual realities.  They reflect topics as diverse as their contributors: the environment, immigration, racism and the economy.”

Artists represented in this 96 page anthology are from all over the world, but as the Spill’s focus is  primarily New Yorker contributors, I’m  listing the artists whose work has been published there.  In order of appearance:  Roz Chast, Kendra Allenby, Carol Lay, Ana Juan, Anita Kunz, Emily Flake, Amy Kurzweil, Kim Warp, Abigail Gray Swartz, Andrea Arroyo, Liniers, John Cuneo, Tom Toro, Peter Kuper,  Frank Viva, Paul Karasik, Art Spiegelman, R. Sikoryak, Dean Rohrer, Shannon Wheeler, and Daniel Clowes. 

 

 

 

 

 

 

 

 

For more information, link here to the Resist! website.

Credits:

Resist! #2 cover by Malika Fravre, a French artist living in London, England.

Across the Great Red States by Kendra Allenby, a cartoonist and storyboard artist living in Brooklyn, NY.  Her work has appeared in The New Yorker

“We’re looking for something that says ‘Death to the Patriarchy’…” by Amy Kurzweil, author of Flying Couches: A Graphic Memoir.  Her work has appeared in The New Yorker.

All art copyrighted by the respective artists.

 

Bob Eckstein Named Writer’s Digest Columnist; The Tilley Watch: A Steed Full Page; Emma Allen Plays Ball

 

 

Writer’s Digest has announced that Bob Eckstein, whose latest book (shown to the left) has received great notices, will become their recurring columnist beginning this summer. Read all about it here.

Visit Mr. Eckstein’s website here (where you’ll find links to his New Yorker work, and work elsewhere)

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In the latest episode of The Cartoon Lounge, The New Yorker‘s cartoon editor, Emma Allen plays ball with Colin Stokes, the associate cartoon editor.  And they also take a look at Ed Steed’s full page (yes, a full page!) drawing appearing in the magazine’s latest issue. Nice glimpse of the Thurber wall drawing around the 2:05 mark.

also of note: Kim Warp is now doing the Daily Cartoon.