Event of Interest: Not OK: Great Cartoons That Weren’t Good Enough; Cartoon Companion’s Latest Ratings; Next Week’s New Yorker Cover Revealed

Event of Interest: Not OK: Great Cartoons That Weren’t Good Enough

What fun!  An exhibit of cartoons that did not make the cut at The New Yorker. Many of the contributing artists are newbies at the magazine, either in the print version and/or on the magazine’s website.

“Not OK” refers to the two letters every New Yorker cartoonist (and every prospective New Yorker cartoonist) longs to see in her or his inbox at week’s end in an email from the New Yorker‘s cartoon editor: OK (or sometimes: O.K.).  An OKed cartoon is a drawing that has been bought by The New Yorker. The Not OK show is comprised of selected drawings submitted to the magazine but not bought. 

Here’s a list of the participants:

Hilary Fitzgerald Campbell, Mitra Farmand, Jason Adam Katzenstein, Lars Kenseth, Amy Kurzweil, Maggie Larson, Sharon Isadora Levy, Brendan Loper, Sam Marlow, Jeremy Nguyen, David Ostow, Drew Panckeri, Ellis Rosen, Julia Suits, Colin Tom

For more info on these artists please consult the Spill’s A-Z or the personal websites of each cartoonist.

Day, time  & place:

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Cartoon Companion’s Latest Ratings

The CC boys are back (sans Mystery Cartoonist!) with a look at this week’s cartoons. I particularly enjoyed their dissection of Jeremy Nguyen’s Picasso cartoon.  Go here to see what they have to say about that drawing and all the others in the issue.

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Next Week’s New Yorker Cover Revealed

It’s become somewhat routine these days for the New Yorker to allow us a look at the upcoming issue’s cover, most especially if the cover is tied-in to current events. Here’s the cover artist, Eric Drooker, talking (very briefly)  about his cover for the September 18th issue. And here’s Mr. Drooker talking about it a little more to The Washington Post’s Michael Cavna.

The Monday Tilley Watch

The Monday Tilley Watch is a meandering take on the cartoons in the current issue of The New Yorker.

The week begins with the eclipse eclipsing political news, if only for a moment. Good luck with that, eclipse.  As noted here last week the cover of the new issue (dated August 28, 2017) has received more notice than usual.  Read about it, and two covers from different publications, here. This is the first New Yorker cover for David Plunkert (it says so right on the  Contributors page in the issue. How did we ever manage before Tina Brown instituted a Contributors page many moons ago. Wait –don’t answer that.  It’s a rhetorical question).

I will briefly derail to mention that I often return to the contributors page that accompanied the very first Cartoon Issue (December 15, 1997). It wasn’t identified as the Contributors page — it simply said “Cartoonists” but you get the idea. It’s handy for tidbits of information not found elsewhere. A sample:

Back on track now and breezing through the front of the current issue.  After pausing, briefly, to stare blankly at the rejiggered Rea Irvin Talk of The Town masthead (sorry — this is very much a dog worrying a bone thing with me), we see several graphic eclipse references (one by the late great Otto Soglow, the other by the contemporary illustrator, Tom Bachtell).  I have to admit I was fooled into thinking that the Goings On About Town full page photo of the fellow very obviously pointing skyward was also an eclipse thing, but after reading the text, I was set straight.

Now to the issue’s cartoons.  Getting ahead of things, I noticed that the first three out of four drawings are death-or-injury related. An unannounced theme issue, perhaps? (Don’t answer that either.  It’s another rhetorical question).  I also noticed that the first cartoon didn’t appear until page 45. I don’t keep track of when the first cartoon appears in every issue (and I won’t start now, or should I?) but it’s noticeable. That first cartoon is a kitty drawing by David Borchart, whose first New Yorker drawing appeared nearly ten years ago (September 24, 2007).  Here’s an interesting piece about Mr. Borchart on Jane Mattimoe’s Case For Pencils blog. 

A few pages later a rats-and- sauna drawing by Will McPhail (first New Yorker appearance: 2014). I can almost guarantee that this scenario has never appeared in the magazine before. It’s a caption-less drawing, yet the rat to the extreme left appears to be speaking. Just idle rat chat I guess. I had to look up the spoon used by the third rat in from the left. My search tells me it’s a ladle used to pour water over hot rocks to produce even more steam. I was unaware that hot rocks figured into manhole covers. You live, you learn. 

A couple of pages later we come to a beautifully placed Roz Chast drawing (Ms. Chast’s first New Yorker cartoon appeared in 1978). I’m a fan of Ms. Chast’s summertime drawings (and covers).  On the very next page is a Liam Walsh drawing (his first New Yorker drawing appeared in July of 2011) —  the third of the aforementioned death-or-injury related cartoons (the other two: Mr. Borchart’s elderly kitty, and Ms. Chast’s lottery winner).  There are an awful lot of caskets in this cubicle-related drawing. Someone should really do a book of cubicle cartoons (Harry Bliss authored a book of death cartoons, Death By Laughter, back in 2008).

Next up is an Ed Steed drawing (his first New Yorker cartoon appeared in 2013).  Mr. Steed recently had a run of death-or-injury related cartoons, but here the subject is Romantic Poets (that’s the title of the drawing).  I’m wondering (still) if the couple in bed are in one of those laboratories where people’s dreams, sex lives (etc.) are monitored. The large observation-like window suggests as much.  I like Mr. Steed’s sensitive lettering in this drawing.  Three pages following Mr.Steed’s drawing is newcomer, Maddie Dai (first New Yorker drawing appeared this past June). I wonder how many dentist offices will hang reprints of this cartoon.  The drawing seems firmly rooted in the school of Kanin (Zach Kanin), which was itself in the school of Addams (Charles Addams). Blue ribbon lineage. 

Three pages later is a Julia Suits drawing featuring crocs. (Ms. Suits first New Yorker cartoon appeared in 2006). I’ve a passing familiarity with crocs (in other words, I’ve seen them worn) but the use of “hosed off” caused me to go to Google for a refresher course. This passage in the article cleared things up for me, hosing off-wise:

“The shoes’ original home was Boulder, Colo. The early Crocs customer was probably a Pacific Northwesterner who liked to boat or garden…”

Next up is an eye-catching cartoon by David Sipress (first New Yorker cartoon: 1998).  I’m a sucker for animated luggage cartoons. I’m surprised that only one other person in the area — that fellow with a suitcase nearest the animated luggage — acknowledged the luggage was alive.  Following Mr. Sipress’s cartoon is another caption-less cartoon with a character who is speaking. In this case, the speaker is likely reading out loud from Stories About Crumbs (I would definitely buy that book). Someone should really do a book of park bench cartoons.  (P.C Vey is the artist here. His first New Yorker cartoon appeared in 1993). A broken-record aside: this is another well-placed cartoon. It’s so great seeing cartoons sit on the page as they should.

Five pages later is the familiar boxed drawing style of Harry Bliss (first New Yorker appearance: 1998).  This drawing requires some familiarity with Scooby-Doo

Five pages later is a Barbara Smaller drawing with,  as you might have expected for this late August issue of The New Yorker, a back-to-school reference. Ms. Smaller’s first New Yorker appearance was in 1996. Following Ms. Smaller’s cartoon is a Carolita Johnson cartoon. Of interest:  this 2015 Case For Pencils post about Ms. Johnson’s tools of the trade.

On the following page is the last drawing of the issue (not counting the Cartoon Caption Contest drawings appearing on the very last page). I can’t think of a better way to end the issue than with   a truffle-related cartoon by Joe Dator (his first New Yorker appearance: 2006).  I really do not want to get into “liking” certain drawings but since the die was recently cast when I liked a Bruce Kaplan drawing,  I’ll admit this drawing registered quite high on my inner laugh-o-meter.  For evaluations and ratings of every drawing in every issue I recommend going over to Cartoon Companion. They usually post their ratings for each new issue by the end of the week. I’ll say this about Mr. Dator’s work: for me, he is representative of that wonderful continuum of New Yorker artists who have their very particular world.  Think of George Price, or Richard Taylor, or Syd Hoff or Jack Ziegler.  I’m not suggesting that Mr. Dator’s sense of humor is similar to these artists (although you might be tempted to compare the senses);  I’m suggesting that he, like those artists, is as successful in providing us with a world of his own.  Good stuff.

 

 

 

 

Monday/Tuesday Tilley Watch

And now for Part 2 of the Monday Tilley Watch…

Continuing on:  a cat and twister drawing by Julia Suits  — who could ask for more. Ms. Suits first New  Yorker cartoon appeared in 2006. On the very next page, a cartoon, with a slip of color, by  P.S. Mueller (first New Yorker cartoon, 1998). Mr. Mueller specializes in what is sometimes referred to as “off-the-wall” humor. His work is well off the wall — the cartoon community is all the better for it.  A few pages beyond his cartoon is work by a relatively new contributor, Kendra Allenby, whose first drawing appeared in the New Yorker in August of 2016.  I see a hint — just a hint — of John Held, Jr.’s flapper drawings in this particular cartoon: the roundish heads — the angular bodies.

On the very next page is a Farley Katz drawing.  Mr. Katz began contributing to the magazine in 2007.  Mr. Katz is firmly in the P.S. Mueller school of off the wall, but in this particular case, not too far off.  I love storefront cartoons (Roz Chast has done a bunch); I’m happy to see this row of shops show up.  Just three pages later is a Lars Kenseth drawing based on what must be one of the longest running ads on tv. Here Mr. Kenseth dispenses somewhat with his usual roll-on deodorant style  depiction of people (he was the subject of a Spill piece just the other day), and gives us something close to realistic (with some Mr. Potato Head or bobble-head proportions).  Next up: a cutting edge-ish (another reminder: “cutting edge” usage courtesy of the Tina Brown era) Tom Chitty drawing.  Mr. Chitty’s work first appeared in the New Yorker in 2014. No one draws like Mr. Chitty. It’s beginning to seem like this issue is loaded with off-the-wallers.  How fun. 

On the very next page after Mr. Chitty’s drawing is the minimalist work of Bruce Eric Kaplan (BEK). I have to admit — and I don’t like admitting it because I don’t want to drag in the laugh-o-meter to these Monday Tilley Watches (rating the drawings falls in the jurisdiction of Cartoon Companion)but I did laugh out loud at this drawing. The drawing’s a perfect example of less is more. For the record: Mr. Kaplan’s first drawing appeared in the magazine in 1991.

Next up, a little touch of Hemingway from Paul Noth (first New Yorker drawing: 2004). As I mentioned when I began posting the Monday Tilley Watch, one of the things I look for while browsing through each new issue is whether someone has already done a drawing in the ballpark of something I’ve just submitted to the magazine or have yet to submit.  Here Mr. Noth uses the word (and the dish) “casserole” which happens to be central to a drawing I’d planned on submitting next week.  So my casserole drawing will now cool its heels for several months before it’s sent downtown to 1 World Trade Center (where the New Yorker’s offices are located). This juggling of what cartoon to send and when to send it or whether not to send it is about as complicated as this cartoonist life gets.

The final drawing of the issue (not counting those on the last page belonging to the caption contest) belongs to Vermonter,  Harry Bliss.  It’s a drawing thematically tied to the issue’s cover: summertime concerns.  As a footnote (related to Mr. Bliss’s drawing) the news that possum eat ticks has swept the upstate community where I live. The possum’s status has risen dramatically.

…see you next week.

 

 

 

Society of Illustrators Exhibits Work by 45 New Yorker Artists

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As promised a few days ago, below is a list of New Yorker artists whose work appears in an upcoming exhibit at The Society of Illustrators. The artists included span the entire history of The New Yorker, beginning with early masters, Helen Hokinson, Peter Arno and Gluyas Williams right up through many of today’s most exciting and incredibly funny contributors.

 

 

Ed Arno, Peter Arno, Charles Barsotti, David Borchart, John Caldwell, Roz Chast, Richard Cline, Joe Dator, Drew Dernavich, Matthew Diffee, Liza Donnelly, Bob Eckstein, Dana Fradon, Felipe Galindo, Sam Gross, Larry Hat, Helen Hokinson, Zachary Kanin, Nurit Karlin, Farley Katz, Robert Leighton, Bob Mankoff, Marisa Marchetto, Michael Maslin, Richard McCallister, Warren Miller, Roxie Munro, Paul Noth, John O’Brien, Danny Shanahan, Michael Shaw, Barbara Shermund, Barbara Smaller, Edward Sorel, Peter Steiner, Mick Stevens, Julia Suits, P.C.Vey, Liam Walsh, Kim Warp, Robert Weber, Christopher Weyant, Gluyas Williams, Bill Woodman, Jack Ziegler

 

Great Cartoonists born in January: Addams, Arno, Held, Cullum; Reminder: Cartoonists to gather at NYC’s Strand

Tis the season for birthdays of great cartoonists:

Charles Addams born January 7, 1912; Peter Arno born January 8, 1904; John Held, Jr., born January 10, 1889; Leo Cullum, January 11, 1942.

William Grimes, writing in The New York Times said of Leo Cullum, “[he] was a classic gag cartoonist whose visual absurdities were underlined, in most cases, by a caption reeled in from deep left field.” And , Roz Chast, in a “Postscript” for The New Yorker, concurred: “…his gags were truly out there: unexpected and completely loopy.”

Leo, who passed away in the Fall of 2010,  would’ve turned 70 today.

Click here for the Ink Spill appreciation.

 

REMINDER! A number of cartoonists whose work appears in the recently published Best of the Rejection Collection are gathering at Manhattan’s Strand bookstore on Broadway and 12th St., Jan. 12th,  7:00pm – 8:00pm.   Among the participants:  Julia Suits, Carolita Johnson, Matthew Diffee, Christopher Weyant, David Sipress, and Arnie Levin. For details click here.