Books of Interest Round-Up: Twohy, Toro, Cuneo, Wheeler, Blitt, Karasik, and Chast

It’s mid-year, which is as good a time as any to round-up the New Yorker cartoonist-related books that’ve come out recently and those that will be coming out.

Mouse and Hippo by Mike Twohy. From the publisher:

“Mouse creates a painting for his new friend Hippo—and Hippo returns the kindness in an unlikely way—in this delightful story…”

 

Tiny Hands by Tom Toro. From the publisher: “These cartoons were originally showcased on The New Yorker’s website when Toro was the featured as the Daily Cartoonist.”  Published May 2017. Publisher’s website.

Not Waving But Drawing by John Cuneo. From the publisher: “…Cuneo’s best privately drawn sketchbook pages, each page immediately introduces us to unique takes on sex and domestic life in his signature squiggly style. Not Waving But Drawing is full of dark thoughts, lightly rendered.”  Published February 2017 Publisher’s website.

 

Sh*t My President Says by Shannon Wheeler.  From the publisher: “…illustrations of the often outrageous and inflammatory words from the current leader of the free world, all while using a pretty adorable version of Donald Trump.” Coming in August 2017.  Publisher’s website.

 

Blitt by Barry Blitt.  From the publisher: “…This…full-color collection showcases over a quarter century of Blitt’s most iconic work: his New Yorker covers, from the infamous Obama fist bump and George W. Bush’s drowning cabinet to the many misadventures of Donald Trump; his long-running collaboration with Frank Rich for New York Times.”  Coming in October 2017. Publisher’s website.

 

How To Read Nancy by Paul Karasik and Mark Newgarden.  From the publisher: “Everything that you need to know about reading, making, and understanding comics can be found in a single Nancy strip by Ernie Bushmiller from August 8, 1959. Paul Karasik and Mark Newgarden’s groundbreaking work How to Read Nancy ingeniously isolates the separate building blocks of the language of comics through the deconstruction of a single strip.” Coming in October 2017. Publisher’s website.

Going Into Town by Roz Chast. From the publisher: “…part playful guide, part New York stories, and part love letter to the city, told through Chast’s laugh-out-loud, touching, and true cartoons.” Coming in October 2017. Publisher’s website.

 

Seth Returns to The Virtual Memories Show; A Tune Jokes Cover; Now That’s What I Call Marketing…

New Yorker cover artist, Seth (Gregory Gallant) returns to Gil Roth’s Virtual Memories podcast.  Hear it here.  And while you’re there check out Mr. Roth’s  archive of interviews with other cartoonists, including, among others, these New Yorker contributors: Edward Koren, Roz Chast, Sam Gross, Liza Donnelly, R.O. Blechman, Peter Kuper, and John Cuneo.  

 

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We have not heard the last of the cartoonist, Buford Tune (mentioned here yesterday).  To the left is a snippet of a Tune cover that has surfaced courtesy of Columbia University’s Karen Green.  See the entire cover over at Attempted Bloggery.

 

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Here, by way of Danny Shanahan, who donates most generously to the Spill‘s archives, is a box of  Le Pen markers with an understated New Yorker connection.

 

 

 

Two Books of Interest by Two New Yorker Cover Artists: Blitt and Cuneo

 

 

 

 

 

 

 

 

 

 

 

 

John Cuneo‘s Not Waving But Drawing has just been published by Fantagraphics.

From the publisher:

You know John Cuneo from his award-winning illustrations that have graced the pages of Esquire or the covers of The New Yorker, but less known is the kinds of over-the-top and hilariously perverse cartoons that fill the pages of Not Waving But Drawing. Assembling Cuneo’s best privately drawn sketchbook pages, each page immediately introduces us to unique takes on sex and domestic life in his signature squiggly style. Not Waving But Drawing is full of dark thoughts, lightly rendered. Full-color illustrations throughout

 

Barry Blitts  Blitt is due in October from Riverhead.

From the publisher:
This lavish full-color collection showcases over a quarter century of Blitt’s most iconic work: his New Yorker covers, from the infamous Obama fist bump and George W. Bush’s drowning cabinet to the many misadventures of Donald Trump; his long-running collaboration with Frank Rich for New York Times op-ed page; and his illustrations for Vanity Fair, Time, Entertainment Weekly, and others. Blitt also shares his sketchbooks, drafts, and unpublished art, offering readers an exclusive view into the creative process of one of the foremost political cartoonists of our time. 
 
Featuring annotations from the author, more than 100 never-before-seen sketches and drafts, and original essays from Blitt’s collaborators and peers, this book is both a visual delight and a fascinating trip into the mind of a truly original artist. 

 

Charlie Hankin Speaks; Christoph Niemann Profiled on Netflix’s “Abstract”; Eustace Tilley’s Non-Anniversary Cover Appearances

 

 

This piece on  Charlie Hankin, who has been contributing to The New Yorker since 2013:  “Catching Up with New Yorker cartoonist and Park School grad Charlie Hankin” (The Baltimore Sun, March 4, 2017)

 

 

 

 

 

 

 

 

Link here to Mr. Hankin’s website.

 

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Christoph Niemann, who’s contributed nearly two dozen covers to The New Yorker (and plenty of illustrations) is the subject of episode #1 in the Netflix series “Abstract”–  here’s a link to the Netflix site (where Netflix  offers a free trial…I’m not promoting Netflix, just offering the information).  — My thanks to New Yorker cover aritst, John Cuneo for bringing this series to my attention.

Link here to Mr. Niemann’s website where you can see an abundance of his work.

 

 

 

 

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There’s been a lot of Eustace Tilley talk on Ink Spill lately — below is Mr. Niemann’s take on Rea Irvin’s masterpiece. Titled “Icon” it appeared on The New Yorker, May 27 2002. It was a rare non-anniversary Tilley inspired cover appearance. I can only think of three other such occasions. They appear below Mr. Niemann’s cover.

 

 

 

 

 

 

 

 

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More non-anniversary Tilley-inspired cover appearances: Barry Blitt in 1999, Bob Zoell in 2002, and Ana Juan in 2005

John Cuneo Pencilled

Jane Mattimoe’s wonderful blog, A Case For Pencils begins the new year by spotlighting New Yorker cover artist, John Cuneo.  For those who pay extra close attention to Ink Spill, the inclusion of a cover artist here will possibly come as a surprise.  For the sake of clarity I define a New Yorker cover artist as someone whose contributions to The New Yorker are solely covers (and sometimes illustrations) and not cartoons. I’ve wanted to include cover artists on the Spill for some time. This is a first or second (or third or fourth?) step to slowly introducing them.

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