More Funny Ladies Pix; Tilley Watch Online; Event Of Interest: David Sipress At Yale; Jon Hamm’s Captions; New Yorker State Of Mind Dives Into The New Yorker Issue of Sept. 29, 1929; Cartoon Companion Rates The Latest Cartoons

More Funny Ladies Pix

Liza Donnelly has graciously permitted the Spill to show some photos she took last Thursday night at Part 2 of her Funny Ladies panel at The Society of Illustrators.

Left to right: Amy Hwang, Amy Kurzweil, Sara Lautman, and Emily Flake. Foreground: Liza Donnelly

Below: Kendra Allenby with The New Yorker cartoon editor, Emma Allen. A super-de-duper animated Emily Flake in the back between them.

Below: New Yorker cartoonist, Jeremy Nguyen with Emily Flake.

Below: the panel in situ.

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New Yorker cartoonists contributing to this past week’s Daily Cartoon (as usual, a mostly Trumpian week): Brendan Loper (twice), Peter Kuper, and Farley Katz. 

New Yorker cartoonists contributing to this past week’s Daily Shouts: Mary Lawton, Marisa Acocella, Jason Adam Katzenstein (with Jesse McLaren), and Olivia de Recat.

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Event Of Interest: David Sipress At Yale

David Sipress, who began contributing to The New Yorker in July of 1998 will deliver a lecture, (“What’s So Funny?”) at the Yale University Art Gallery on October 26th.  Info here.

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Jon Hamm’s Captions

Mr. Hamm, of Mad Men fame, is the latest celeb to give New Yorker cartoon captioning a go (with some excellent results!)   See it play out here.

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A New Yorker State of Mind

One of the Spill‘s favorite New Yorker-centric blogs dives deep into the issue of September 28, 1929. Fun awaits! Read it here.

Cover artist: Julian de Miskey, who contributed 82 cartoons and 62 covers to the New Yorker between 1925 and 1962.

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Cartoon Companion Rates the Latest New Yorker Cartoons

The CC’s Max and Simon return like clockwork with their impressions of the cartoons in the latest New Yorker (the issue of  October 15, 2018 — the one with the Sempe cover). Read it here!

 

 

 

 

 

Fave Photos Of The Day: Funny Ladies At The Society Of Illustrators

Here are a number of photos from last night’s terrific Society of Illustrators event, Funny Ladies: The Changing Landscape of Cartooning [at The New Yorker].

All photos courtesy of Stephen Nadler, who runs the essential New Yorker cartoon/cartoonist-centric blog, Attempted Bloggery.

Above, the panelists standing in the aisle, pre-talk: Emily Flake, in mango-colored shirt, her back to the camera, ala Paul McCartney on the backside of the Beatles’ Sgt. Pepper lp;  just visible over her shoulder, Amy Kurzweil. Then, in profile, Liza Donnelly (who curated the Funny Ladies Exhibit and served as moderator for last night’s panel, and the previous panel in August); Center, looking right at the camera, is Emma Allen, the New Yorker‘s cartoon editor; Sara Lautman, in plaid; far right, in profile, Amy Hwang.

Below: the panelists, l-r:  Hwang, Kurzweil, Lautman, and Flake. On screen, Liza Donnelly’s developing live-drawing of the panel (that’s her below drawing on her iPad).

Below: Ms. Flake talks about her “resting perv face” drawing.

Below: Ms. Hwang talks about her home/rest area/work cartoon.

Below: Ms. Lautman talks about her tools of a cow drawing.

Below: Ms. Kurzweil speaks about her death to the patriarchy drawing.

And one more, pre-show:

New Yorker cartoonists spotted in the crowd included Ellis Rosen, Kendra Allenby, Jeremy Nguyen, Jason Chatfield, and Joe Dator.

The Society live-streamed the event on Facebook (it’s archived, so you can watch it, or re-watch it). 

 

 

 

 

 

Not O.K. Wild West Edition Opens in Idaho

Since its inaugural opening last Fall in Brooklyn, the Not O.K. Exhibit ( consisting of cartoons rejected by The New Yorker *) traveled north to Rye, New York before heading way out west to Mackay, Idaho (shown on the map below, just to get you situated).

Below: some photos from the opening, sent this way by New Yorker cartoonist,  Jeremy Nguyen (shown above on the right under the marquee), who flew out to join opening night festivities with fellow New Yorker cartoonist, Navied Mahdavian, curator of this western edition of the exhibit. He’s the fellow above on the left under the marquee. It should be noted that David Ostow conceived of and curated the original Not O.K. exhibit.

More info / more reading:

*Here’s an explanation of what an O.K. is:

In the New Yorker‘s weekly art meeting, the magazine’s editor, David Remnick, and the magazine’s cartoon editor, Emma Allen, look over and discuss submitted drawings. Mr. Remnick, as the magazine’s editor-in-chief, has the final say on whether a drawing is O.K.ed or rejected. Getting an “O.K.” from the New Yorker (usually via email from Ms. Allen) means that The New Yorker has bought one of your submitted cartoons.

“The New Yorker Said No, But These Cartoons Just May Make Your Day”The New York Times, September 21, 2017.

“Pictures At An Exhibition”Ink Spill, September 23, 2017.

“Rejected Cartoons Get A Second Chance”The Rye City Review, January 25, 2018.

“Not OK: Wild West Edition Brings Failed New Yorker Cartoons To Rural Idaho”Idaho State Journal, August 23, 2018.

The Tilley Watch Online, the Week of August 13-17; Video of Interest: A BBC Portrait of Liza Donnelly; Blog of Interest: New Yorker State of Mind

The contributing New Yorker cartoonists* on this week’s Daily Cartoon: Jeremy Nguyen, Avi Steinberg, Lars Kenseth, and Jason Adam Katzenstein  (3/4ths of the drawings in the realm of Trump).

Contributing New Yorker cartoonists on this week’s Daily Shouts (team efforts all): Olivia de Recat (w/Chris Weller), Jeremy Nguyen (w/Chris Kozminski), and Jason Adam Katzenstein (w/Julia Edelman).

*The Spill considers “contributing New Yorker cartoonists” cartoonists whose work has appeared in the print edition of the New Yorker

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Video of Interest: A BBC Portrait of Liza Donnelly

From the BBC, “Drawing For Change: Liza Donnelly” — this recent profile of Ms. Donnelly,

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Blog of Interest: A New Yorker State of Mind

The Spill applauds one of its favorite blogs, A New Yorker State of Mind: Reading Every Issue of The New Yorker Magazine. The latest post looks closely at the last issues of the last summer of the 1920s. This is a terrific read.