The Monday Tilley Watch: The New Yorker Issue of November 6, 2017

The Monday Tilley Watch is a meandering take on the cartoons in the current issue of The New Yorker.

 I think it’s safe to say we have in our hands this week the New Yorker’s official Fall issue what with John Cuneo‘s beautiful giant leaf descending cover. 

For a change, I looked through this week’s issue (the digital issue, of course) on my laptop instead of on my tablet. It’s helpful seeing everything in an immediately readable format instead of having to zoom in, but it also removes a layer of mystery I’ve come to enjoy: seeing the cartoons small, and trying to figure out (sometimes) who did them and guessing what the caption might be. Back to the tablet next week.

Skipping through the front of the magazine, I did pause to admire the illustration on page six by Roman Muradov. It sort of has a Arthur Getz and Eugene Mihaesco mash-up feel — a 1960-ish vibe.  Nice.

Passing by the “redraw” of Rea Irvin‘s  iconic never-shoulda-been-replaced Talk of The Town masthead (above) we get to the first cartoon on page 22, a couple of beavers, courtesy of Kaamran Hafeez.  One of the beavers suffers from an age-old problem that was used to great effect on The Mary Tyler Moore Show when  newsman Ted Baxter read, on air: “I’ve just been handed a bulletin: ‘You have something on your front tooth!'” Curious about whether there was any significance to running a beaver drawing now, I consulted Wikipedia for a snap education. The entry included this:“Maintenance work on the dam and lodges is particularly heavy in autumn.”

Here’s a photo of a beaver, just because:

 Five pages later is a Zach Kanin drawing of a fitting room. I like the louvered fitting room doors, which could easily double for those steel roll-down gates you see on storefronts. Below left: Kanin louvered door.  Right: steel roll-down gate.

Eight pages later a Paul Noth mobster-tinged bar scene based on  “if a tree falls in the forest…” Nice expression on the woodsman’s face.  Good caption. Four pages later an Ed Steed drawing (i.e., dark). Shades of Charles Addams’ kids home from camp drawing

On the very next page, Julia Suits takes us out west to the reliable compound of cowboys at a campfire plus modern technology (I’ve done it myself a few times — it’s an irresistible scenario). Can’t see a cowboy campfire without thinking about Mel Brooks’ classic scene. Three pages later an interesting garage drawing by Ellis Rosen. One of our grandmasters, George Booth did a number of memorable garage drawings. Here’s one (published in the issue of December 28, 1998):

Mr. Booth has had a lot of company over the years. Mr. Ellis gives us a lovely drawing with an excellent caption. And, bonus: it sits well on the page. An Amy Kurzweil drawing is on the very next page.  A chess scenario, perfectly timed for Halloween. I like this drawing, but did find myself pondering why the chess pieces have arms. Are these actual chess pieces dressed up for Halloween, or are they people dressed up in chess pieces for Halloween who have decided to further Halloween-ize their chess costumes? So many questions…

Five pages later a Roz Chast triptych (her preferred construct in recent years). The third panel is a gem.

Six pages later, a Sara Lautman drawing leaning heavily on a pun. Five pages later, appearing just a day after International Cat Day, is an Amy Hwang cat drawing. If you want even more cartoon cat drawings, find these somewhere online or in your favorite used book store:

Five pages later, veteran Mick Stevens brings us back to much earlier times. I’m aware of the cartoon takes of Moses passing by a burning bush (hmmm, that was him, wasn’t it?) and him famously getting hold of the tablets containing the Ten Commandments. But the Biblical-era press conference is new to me.  I note that Moses looks weary.

Three pages later another cartoonist trope: the wedding scene. This one’s by Emily Flake. Understanding the definition of the word “algorithm” as used in the caption is key to understanding this drawing.  Someone should really do a book of New Yorker  dating/mating/algorithm related drawings (there was a dating cartoon in the magazine two weeks ago).

Four pages later, the last drawing in the issue (not counting the caption contest work): a banana peel domestic situation via J.A.K. (Jason Adam Katzenstein). The only thing as funny as someone slipping on a banana peel is someone getting slapped with a pie in the face. Danny Shanahan gave us both:

To see a slideshow of all the cartoons in this week’s issue, go here to the Cartoons page of newyorker.com and scroll down past the Daily Cartoon, Caption Contest to Cartoons from the Issue.

–See you next Monday

 

 

 

   

 

 

Must See: George Booth Exhibit at The Society of Illustrators

Here are a bunch of photos taken at last night’s opening reception for The Society of Illustrators exhibit, George Booth: A Cartoonist’s Life, curated by J.J. Sedelmaier

A ton of original George Booth covers and drawings in one place. What more could anyone ask for?  It’s a wonderful show. Go see it.

Above left, Danny Shanahan with Seth Fleishman (and right behind Mr. Fleishman is Stephen Nadler who runs Attempted Bloggery). Photo right: seated, John Cuneo, with the Director of the Society of Illustrators, Anelle Miller. Behind them is Felipe Galindo, and Stephen Nadler speaking with the cartoonist, Marc Bilgrey.

Below: two similar group photos. Can you spot the difference?

Top group photo: Mike Lynch, Michael Maslin, Liza Donnelly, Danny Shanahan, Jane Mattimoe, Felipe Galindo, George Booth, Mort Gerberg, Sam Gross, Ellis Rosen and Hilary Campbell.In the second group photo, Mike Lynch has disappeared and been replaced by John Cuneo, who is between Liza Donnelly and Danny Shanahan).

Below right: Seth Fleishman and the New Yorker‘s cartoon editor, Emma Allen.

Below: animator, Bill Plympton. Right: Eric Lewis

Above left: the show’s curator, J.J. Sedelmaier. Right: the Booth family

Below: Mike Lynch with Gina Kovarsky, daughter of the late very great New Yorker cartoonist and cover artist, Anatol Kovarsky

(photo courtesy of Mike Lynch)

Below: George Booth, with the illustrator,Tom Bloom in the background — he’s the fellow with the beard. (This photo courtesy of Stephen Nadler). 

Above left: Sam Gross.  Above right: Felipe Galindo with Colin Stokes, the New Yorker‘s assistant cartoon editor.

Below: Liza Donnelly, George Booth

 

–All photos above by Liza Donnelly, except where noted. My thanks to her for being the Spill’s official photographer.  

 

 

 

 

 

 

 

 

 

 

 

Latest New Yorker Cartoons Dissected; George Booth New Yorker Original Cover Art; Blog of Note… A New Yorker State of Mind: Carolita Johnson’s “This Is The Hand”; Cartoons From The Saturday Evening Post; PR: Blitt, Chast

The Cartoon Companion guys, Max & Simon, are back with their customary dissections of the latest New Yorker cartoons.  Read it all here.

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George Booth New Yorker Original Cover Art

Above is the published Booth cover from February 4, 1974.  To see the original art visit Attempted Bloggery

Don’t forget! An exhibit of Mr. Booth’s work just opened yesterday at the Society of Illustrators (the opening reception is tomorrow night).   _________________________________________________________________

Blog of Interest: A New Yorker State of Mind

It’s always a treat to get away from 2017 for awhile and visit A New Yorker State of Mind.  This latest post explores the September 1, 1928 issue, featuring a cover by the one of the magazine’s first stars, Helen Hokinson. See the piece here. 

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Carolita Johnson’s “This Is The Hand”

From newyorker.com‘s Culture Desk October 26, 201 , Carolita Johnson’s “This Is The Hand: A Response To Recent News”

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Cartoons From The Saturday Evening Post

News to me until this morning: The Saturday Evening Post has a cartoon archive of sorts;  unfortunately it’s not a database of all its cartoons — it’s selective and thematic — with just a handful of cartoons per theme.  You’ll see some New Yorker cartoonists (I ran across a number by Chon Day and at least one by Tom Cheney). Link here

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Note: this new feature on the Spill allows for the opportunity to list items previously lost in the sauce. 

…Barry Blitt’s next stop on his book tour promoting the just released Blitt takes him tonight to Harvard Bookstore. On Sunday he’ll be at Politics & Prose in D.C. Details here.

…a New York magazine piece posted today: “What Roz Chast Can’t Live Without”

 

Podcast of Interest: Barry Blitt Talks New Yorker Covers; Attempted Bloggery on The George Booth Exhibit, Opening Today at The Society of Illustrators

Barry Blitt Talks New Yorker Covers

Gil Roth’s Virtual Memories Show is chock-full of Mr. Roth’s interviews with New Yorker contributors (weighted heavily with folks from the art and cartoon departments).  His latest interviewee is Barry Blitt, whose anthology is just out today (Blitt, Riverhead Books).  Hear the podcast here, and don’t forget to check out the list of Mr. Roth’s previous guests. 

And more Blitt… this interview on Literary Hub, October 24, 2017 — “New Yorker Cartoonist Barry Blitt: How Far Is Too Far In the World of Political Satire?”

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Attempted Bloggery on the George Booth Exhibit at The Society of Illustrators

Attempted Bloggery reminds us of a previous Booth exhibit in the Big Apple (back in 1978 at Barbara Nicholls’ Gallery*), while also reminding us that Mr. Booth’s exhibit opens today at The Society of Illustrators.  The Opening Reception, sure to be packed with cartoonists, will be this coming Friday night, the 27th.  Mr. Booth, who has been contributing his work (cartoons and covers) to The New Yorker since 1969 is indisputably one of the magazine’s greatest cartoonists. This exhibit should not be missed.

*Ms. Nicholls began working at The New Yorker in 1960 in the fiction department, eventually moving over to the Art Department where she was an assistant  to the New Yorker‘s art editor. James Geraghty. After leaving The New Yorker she went on to represent a number of marquee cartoonists, including Charles Addams and Peter Arno. 

Interview of Interest: Barry Blitt; Fave Photos of the Day: Gross, Eckstein, Booth, Byrnes, Nguyen, Cotham, and Le Lievre

From Politico, “‘Wry Titters’ in the Age of Trump” — an interview with Barry Blitt, who has an anthology of his work coming out next week.

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Fave Photos of the Day

New Yorker cartoonist, Julia Suits took these fine photos at 1 World Trade Center (home of the New Yorker) this past September. My thanks to Ms. Suits for allowing them to be posted here.

Above: standing left-right: Bob Eckstein, Sam Gross, Pat Byrnes, George Booth.  Seated: Frank Cotham.

Below: Sam Gross and George Booth 

Glen Le Lievre in silhouette

Sam Gross, Jeremy Nguyen, and Frank Cotham

 

 

 

 

Video of Interest: Liza Donnelly; Wertz’s Tenements, Towers & Trash; Booth at the Society of Illustrators; Steinberg at the National Gallery of Art

Video of Interest: Liza Donnelly

From Medium, here’s a  video of Liza Donnelly speaking about her work (and doing a little work). See it here.

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An Excerpt from Wertz’s Tenements, Towers & Trash

From Curbed, October 4, 2017, “Julia Wertz’s Tenements, Towers & Trash is a Witty Chronicle of an Ever-Changing NYC” — read it here and see an excerpt

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Reminder: George Booth Exhibit at The Society of illustrators

From Scoop, October 5, 2017, “Society of Illustrators to Present George Booth Cartoons”

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Steinberg at The National Gallery of Art

From ComicsDC, October 2, 2017,  “Bruce Guthrie Recommends: National Gallery of Art: Saul Steinberg Exhibit (September 12, 2017 – May 18, 2018)”