Tom Toro: The Ink Spill Interview

New Yorker cartoonist, Tom Toro and I’ve been emailing now and then over the seven years he’s been contributing cartoons to the magazine, but it wasn’t until a month ago, when he came east from Kansas for Jack Ziegler’s memorial, that we finally met in person and were able to chat for awhile. The idea for an interview had been batted around by us earlier in the year; I like to think it began in earnest right there and then in a restaurant on Manhattan’s upper east side. With Dock Street Press’s release of Tom’s first book, Tiny Hands, a collection of the political work he did for The New Yorker’s Daily Cartoon slot, it seemed like the perfect time to turn our conversation into something more organized. Following the interview I asked Tom to select and comment on five favorites of his own work — you’ll see those at the end of this post.
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George Booth: Model; Michael Crawford’s Maps; Roz Chast’s National Book Festival Poster

George Booth: Model

The cartoonist , Mike Lynch has recently turned up an issue of Leatherneck (October, 1951) with George Booth on the cover.  Sarah Booth has confirmed that is indeed her father having his helmet painted, telling the Spill, “I’d know that  look of mischief anywhere!”

According to Lee Lorenz’s  The Essential George Booth (Workman, 1998), Mr. Booth, who had enlisted as a Marine in 1944, re-inlisted and joined the Leatherneck staff in 1946, contributing  cartoons,  spots, spreads, and covers.  In a 1998, he told The New Yorker’s David Owen (for a Booth Profile) that Leatherneck was “a global magazine, and a very good one. It was slick. It gave me my start, and I got to work with some top professionals. It was really better than any school I could have gone to, and I learned a lot.” 

Above: Booth on the cover, and below, a Booth cover

 

 

 

 

 

 

 

 

 

 

 

 

 

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Michael Crawford’s Maps

From newyorker.com’s Culture Desk, July 4, 2017,  “Michael Crawford’s Mixed-Up U.S.A.”

Matt Dellinger, the late Mr. Crawford’s friend, introduces us to a slide show of unusual maps.

 

 

 

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Roz Chast’s National Book Festival Poster

From finebooksmagazine.com, July 6, 2017, “Cartoonist Roz Chast Designs National Book Festival Poster”

Ms. Chast, in a press release:

“I wanted to make a poster that expressed the excitement, appreciation, and delight I have for the books of my life.”

 

 

 

 

 

 

Color Work From Some Cartoon Greats; Audio: George Booth Talks Tools of the Trade

From Mike Lynch’s site, courtesy of Dick Buchanan, here’s a fun post of some color cartoon work from a variety of magazines. Included, among others, are New Yorker artists, William Steig, Garrett Price, Stan Hunt, William Von Riegen, Gahan Wilson, and Robert Day.

See them all here! 

 

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Jane Mattimoe has posted two short audio clips of the great George Booth talking about his tools of the trade.  Listen to them here

Wall-to-Wall Cartoonists at David Remnick’s Hello Goodbye Party

 The New Yorker‘s editor, David Remnick threw a Hello Goodbye party last night (Hello, Emma Allen, the magazine’s new cartoon editor; Goodbye, Bob Mankoff, the former cartoon editor). It was, by far, the largest gathering of New Yorker cartoonists since  1997, when forty-one gathered for an Arnold Newman group photo (it appeared in the magazine’s first cartoon issue, December 15, 1997). Here are a bunch of photos from the evening, courtesy of Liza Donnelly, the Spill‘s official photographer for the evening; additional  photos by  Sarah Booth, Marshall Hopkins, and Paul Karasik.

Photo above, l-r: Drew Dernavich, Sarah Booth, John Klossner, George Booth, Chad Darbyshire (back to camera), Matt Diffee, (New Yorker writer) Sarah Larson, Ken Krimstein, Bob Mankoff, Eric Lewis, Bob Eckstein

Edward Koren and Francoise Mouly (The New Yorker‘s Art Editor)

 

 

 

 

 

Emma Allen, The New Yorker‘s Cartoon Editor, and Stanley Ledbetter, the magazine’s jack-of-all trades.

 

 

 

 

 

George Booth and Roz Chast.  That’s Lars Kenseth in the background (photo courtesy of Sarah Booth)

 

 

 

 

 

Paul Karasik, Liana Finck and Gabrielle Bell (photo courtesy of Paul Karasik)

 

 

 

 

Jason Adam Katzenstein, unidentified, Roz Chast speaking with Sara Lautman (back to camera), and Chris Weyant far right.

 

 

 

Chris Weyant (partially obscured), Farley Katz, unidentified, David Sipress, New Yorker writer Matt Dellinger (in checked shirt), Andy Friedman, Danny Shanahan. The group in the back: Drew Panckeri, Mitra Farmand, Sara Lautman, Kendra Allenby

 

Sam Gross and Robert Leighton

 

Bob Mankoff and David Remnick

 

 

 

 

 

 

Chris Cater, with the New Yorker‘s assistant cartoon editor, Colin Stokes, and Avi Steinberg

 

 

 

George Booth and David Borchart

 

 

 

 

 

Joe Dator and Peter Kuper

 

 

Felipe Galindo and Carolita Johnson

 

 

 

John O’Brien and Bob Eckstein

 

 

Three former cartoon department assistants: Marshall Hopkins, Emily Votruba, and Andy Friedman (photo courtesy of Marshall Hopkins)

 

 

 

 

 

Chris Weyant and Paul Noth

 

 

Matt Dellinger with  Stanley Ledbetter, and Matt Diffee (and way back by the window: Chad Darbyshire to the left, and Amy Hwang to the right)

 

 

 

 

P.C. Vey and Trevor Hoey

 

 

 

 

 

Kim Warp, Pat Byrnes, and George Booth

 

 

 

Sam Gross and Roz Chast

 

 

 

 

l-r: P.C. Vey, Liza Donnelly, Danny Shanahan, George Booth, and Michael Maslin (photo courtesy of Sarah Booth)

 

 

 

 

 

 

 

Chris Weyant and Liana Finck.

 

 

 

 

 

 

Sam Gross and Lars Kenseth

 

 

 

 

 

Eric Lewis, Andy Friedman, and Barbara Smaller

 

 

 

 

 

 

Pat Byrnes, Paul Karasik, and Peter Kuper

 

 

 

 

 

 

Marc Philippe Eskenazi and Ben Schwartz

 

 

 

 

 

 

Charlie Hankin, Amy Hwang, Kendra Allenby, and Avi Steinberg

 

 

 

Marshall Hopkins with Bob Mankoff’s first assistant, Emily Votruba (Mr. Hopkins was also at one time Mr. Mankoff’s assistant)

 

 

 

Far left: David Sipress speaks with Andy Friedman.  Foreground: Barbara Smaller, Emily Flake and P.C. Vey.

 

 

 

 

 

 

l-r: Felipe Galindo, Marshall Hopkins, Sam Gross, Mort Gerberg, and Ed Koren

 

 

 

 

 

Edward Koren, Michael Maslin, Liza Donnelly and a photobombing David Remnick. That’s Charlie Hankin in the back, far right.

 

 

 

 

Here’s an  incomplete list of all the cartoonists who were there (if you were there and don’t appear on this list, please let me know)

Kendra Allenby, George Booth, David Borchart, Pat Byrnes, Chris Cater, Roz Chast, Joe Dator, Chad Darbyshire, Drew Dernavich, Matt Diffee, Liza Donnelly, Bob Eckstein, Mitra Farmand, Liana Finck, Emily Flake, Andy Friedman (aka Larry Hat), Felipe Galindo(aka feggo), Mort Gerberg,  Sam Gross, Charlie Hankin, Marshall Hopkins, Amy Hwang, Edward Koren, Trevor Hoey, Carolita Johnson, Paul Karasik, Farley Katz, Jason Adam Katzenstein, Lars Kenseth,  John Klossner, Ken Krimstein, Peter Kuper, Amy Kurzweil, Sara Lautman, Robert Leighton, Eric Lewis, Bob Mankoff, Sam Marlow, Michael Maslin,  Paul Noth,  Jeremy Nguyen, John O’Brien, Drew Panckeri, Corey Pandolph, Ellis Rosen, Jennifer Saura, Ben Schwartz, Danny Shanahan, David Sipress,  Avi Steinberg, P.C. Vey, Kim Warp, Chris Weyant.  

Back-To-Back Cartoonists Covers

Having just mentioned how great it was to see last week’s Bruce Eric Kaplan New Yorker cover, I almost (almost) fell off my chair when the latest issue appeared featuring a Roz Chast cover. A quick scan of the past twenty years or so of covers turned up a couple of other back-to-back appearances by the magazine’s regularly contributing cartoonists. All this back-to-back searching got me to wondering when the last time there were three back-to-back cartoonists covers.  For the answer we need to go way back to the waning months of Robert Gottlieb’s New Yorker editorship, in the Spring of 1992.  

The three covers: George Booth, April 27, 1992; Anne McCarthy, May 4, 1992; Danny Shanahan, May 11,  1992. 

 

 

 

Think Good Thoughts About an Exhibition: George Booth Show Coming to The Society of Illustrators in the Fall

This Fall the Society of Illustrators  will  exhibit work by one of the New Yorker’s greatest artists, George Booth. Mr. Booth’s daughter, Sarah Booth,  told Ink Spill that besides the hanging art “there  will also be video and pictures and [a concentration] on George’s process, how he worked with cut and paste to the final cartoon.”  More information will be posted here as we move closer to the opening.

 

 

 

 

 

 

 

 

Here’s Mr. Booth’s entry on Ink Spill’s New Yorker Cartoonists A-Z:

George Booth Born June 28, 1926, Cainesville, MO. NYer work: 1969 – . Key collections: Think Good Thoughts About A Pussycat (Dodd, Mead, 1975), Rehearsal’s Off! (Dodd, Mead, 1976), Omnibooth: The Best of George Booth ( Congdon & Weed, 1984), The Essential George Booth, Compiled and Edited by Lee Lorenz ( Workman, 1998)

 

Photo: George Booth in New York, 2016.  Courtesy of Liza Donnelly