Wall-to-Wall Cartoonists at David Remnick’s Hello Goodbye Party

 The New Yorker‘s editor, David Remnick threw a Hello Goodbye party last night (Hello, Emma Allen, the magazine’s new cartoon editor; Goodbye, Bob Mankoff, the former cartoon editor). It was, by far, the largest gathering of New Yorker cartoonists since  1997, when forty-one gathered for an Arnold Newman group photo (it appeared in the magazine’s first cartoon issue, December 15, 1997). Here are a bunch of photos from the evening, courtesy of Liza Donnelly, the Spill‘s official photographer for the evening; additional  photos by  Sarah Booth, Marshall Hopkins, and Paul Karasik.

Photo above, l-r: Drew Dernavich, Sarah Booth, John Klossner, George Booth, Chad Darbyshire (back to camera), Matt Diffee, (New Yorker writer) Sarah Larson, Ken Krimstein, Bob Mankoff, Eric Lewis, Bob Eckstein

Edward Koren and Francoise Mouly (The New Yorker‘s Art Editor)

 

 

 

 

 

Emma Allen, The New Yorker‘s Cartoon Editor, and Stanley Ledbetter, the magazine’s jack-of-all trades.

 

 

 

 

 

George Booth and Roz Chast.  That’s Lars Kenseth in the background (photo courtesy of Sarah Booth)

 

 

 

 

 

Paul Karasik, Liana Finck and Gabrielle Bell (photo courtesy of Paul Karasik)

 

 

 

 

Jason Adam Katzenstein, unidentified, Roz Chast speaking with Sara Lautman (back to camera), and Chris Weyant far right.

 

 

 

Chris Weyant (partially obscured), Farley Katz, unidentified, David Sipress, New Yorker writer Matt Dellinger (in checked shirt), Andy Friedman, Danny Shanahan. The group in the back: Drew Panckeri, Mitra Farmand, Sara Lautman, Kendra Allenby

 

Sam Gross and Robert Leighton

 

Bob Mankoff and David Remnick

 

 

 

 

 

 

Chris Cater, with the New Yorker‘s assistant cartoon editor, Colin Stokes, and Avi Steinberg

 

 

 

George Booth and David Borchart

 

 

 

 

 

Joe Dator and Peter Kuper

 

 

Felipe Galindo and Carolita Johnson

 

 

 

John O’Brien and Bob Eckstein

 

 

Three former cartoon department assistants: Marshall Hopkins, Emily Votruba, and Andy Friedman (photo courtesy of Marshall Hopkins)

 

 

 

 

 

Chris Weyant and Paul Noth

 

 

Matt Dellinger with  Stanley Ledbetter, and Matt Diffee (and way back by the window: Chad Darbyshire to the left, and Amy Hwang to the right)

 

 

 

 

P.C. Vey and Trevor Hoey

 

 

 

 

 

Kim Warp, Pat Byrnes, and George Booth

 

 

 

Sam Gross and Roz Chast

 

 

 

 

l-r: P.C. Vey, Liza Donnelly, Danny Shanahan, George Booth, and Michael Maslin (photo courtesy of Sarah Booth)

 

 

 

 

 

 

 

Chris Weyant and Liana Finck.

 

 

 

 

 

 

Sam Gross and Lars Kenseth

 

 

 

 

 

Eric Lewis, Andy Friedman, and Barbara Smaller

 

 

 

 

 

 

Pat Byrnes, Paul Karasik, and Peter Kuper

 

 

 

 

 

 

Marc Philippe Eskenazi and Ben Schwartz

 

 

 

 

 

 

Charlie Hankin, Amy Hwang, Kendra Allenby, and Avi Steinberg

 

 

 

Marshall Hopkins with Bob Mankoff’s first assistant, Emily Votruba (Mr. Hopkins was also at one time Mr. Mankoff’s assistant)

 

 

 

Far left: David Sipress speaks with Andy Friedman.  Foreground: Barbara Smaller, Emily Flake and P.C. Vey.

 

 

 

 

 

 

l-r: Felipe Galindo, Marshall Hopkins, Sam Gross, Mort Gerberg, and Ed Koren

 

 

 

 

 

Edward Koren, Michael Maslin, Liza Donnelly and a photobombing David Remnick. That’s Charlie Hankin in the back, far right.

 

 

 

 

Here’s an  incomplete list of all the cartoonists who were there (if you were there and don’t appear on this list, please let me know)

Kendra Allenby, George Booth, David Borchart, Pat Byrnes, Chris Cater, Roz Chast, Joe Dator, Chad Darbyshire, Drew Dernavich, Matt Diffee, Liza Donnelly, Bob Eckstein, Mitra Farmand, Liana Finck, Emily Flake, Andy Friedman (aka Larry Hat), Felipe Galindo(aka feggo), Mort Gerberg,  Sam Gross, Charlie Hankin, Marshall Hopkins, Amy Hwang, Edward Koren, Trevor Hoey, Carolita Johnson, Paul Karasik, Farley Katz, Jason Adam Katzenstein, Lars Kenseth,  John Klossner, Ken Krimstein, Peter Kuper, Amy Kurzweil, Sara Lautman, Robert Leighton, Eric Lewis, Bob Mankoff, Sam Marlow, Michael Maslin,  Paul Noth,  Jeremy Nguyen, John O’Brien, Drew Panckeri, Corey Pandolph, Ellis Rosen, Jennifer Saura, Ben Schwartz, Danny Shanahan, David Sipress,  Avi Steinberg, P.C. Vey, Kim Warp, Chris Weyant.  

Fave Photo of the Day: Blitt, Telnaes, Galindo, Taylor and Donnelly; Rating New Yorker Cartoons: Cartoon Companion Looks at a Giant Snowman, Escaping Clowns and More

Here’s a photo from last night’s event “Cartooning the New Reality” at The Museum of The City of New York.  From left to right: Barry Blitt, Ann Telnaes, Felipe Galindo, Whit Taylor, and moderator, Liza Donnelly

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The Cartoon Companion duo hand out some tough and  tender love as they assess the cartoons in this week’s New Yorker.  The issue includes, among others, a pizza dough tossing bat, some hammered soup, and a couple of dead fish. Read it here.

Reminder: Barry Blitt, Felipe Galindo, Liza Donnelly, Whit Taylor, Ann Telnaes at The Museum of the City of New York Tonight!

 

A reminder of tonight’s event  at The Museum of The City of New York:

Barry Blitt, Felipe Galindo, Whit Taylor, Ann Telnaes are on a panel moderated by Liza Donnelly.

The subject is:  Cartooning the New Reality.

From the Museum’s website:

Barry Blitt, cover artist and illustrator for The New Yorker
Felipe Galindo, cartoonist for The New Yorker
Whit Taylor, cartoonist for The Nib, Fusion, PEN Illustrated, and others
Ann Telnaes, Pulitzer Prize-winning editorial cartoonist for The Washington Post
Liza Donnelly (moderator), cartoonist for The New Yorker, resident cartoonist for CBS News, and author of 16 books

This program is co-presented by PEN America.

All the info here. The Museum has provided a discount code DRAW which allows people to buy $10 tickets (regularly $20). Go to this link and you’ll receive a discount on the entrance fee: http://bit.ly/2kUYX7Q

Event of Interest: Blitt, Galindo, Taylor, Telnaes, & Donnelly at The Museum of The City of New York

Cartooning The New Reality is the topic.  Barry Blitt, Felipe Galindo, Whit Taylor, Ann Telnaes are on a panel moderated by Liza Donnelly.

The date is March 23rd.

All the info here. The Museum has provided a discount code DRAW which allows people to buy $10 tickets (regularly $20). Go to this link and you’ll receive a discount on the entrance fee: http://bit.ly/2kUYX7Q

From the Museum’s website:

Barry Blitt, cover artist and illustrator for The New Yorker
Felipe Galindo, cartoonist for The New Yorker
Whit Taylor, cartoonist for The Nib, Fusion, PEN Illustrated, and others
Ann Telnaes, Pulitzer Prize-winning editorial cartoonist for The Washington Post
Liza Donnelly (moderator), cartoonist for The New Yorker, resident cartoonist for CBS News, and author of 16 books

Felipe Galindo on Porges and Leeds; New Yorker Caption Contest Mechanics; Sikoryak’s Carousel

Felipe Galindo (aka Feggo) who reliably takes photos at cartoonist gatherings,  sent in this wonderful photograph of the late Peter Porges. Felipe also added some thoughts on Mr. Porges and the late Stuart Leeds.

Peter Porges

I first met him at one of those cartoonists lunches. He had a grouchy expression that all of a sudden transformed into a comical act, making funny noises, like a marching band, imitating instruments. I recall that afterwards I went along Sid Harris and him to visit his studio at Union Square. He showed us stuff he was working on and his drawing technique with India ink and quill on large rag paper. Beautiful artistic renditions. He sometimes would lick the quill, his tongue and lips will be all black and Sid horrified, screamed: “Don’t do that, you’re going to get cancer!”. He said, “No way, I’ve been doing this for ages!” He did that 3 or 4 times. He would also tell me some words in Spanish. He was good pal of Sergio Aragones, my compatriot. I asked him where was he from, and told me he was born in Vienna. A comment that impacted me was: “When I was a kid I saw Hitler marching into Vienna in 1938! Later my family sent me away for protection.” He is the only person I’ve met that saw Hitler. Talk about 5 degrees of separation.
I was familiar with his work from Mad Magazine but later I enjoyed his cartoons from The New Yorker; he had several captionless gags, my cup of tea. But I liked in particular one about characters from a famous Velazquez painting: “Dauphin! Stop teasing La Infanta!”
Always a riot, in paper and in life.
Left: a Felipe Galindo sketch of Peter Porges at a cartoonist gathering in 1988
Stuart Leeds
I met Stuart at The New Yorker offices in Times Square, probably in 2002 or 2003. He would sit quietly at the sofa in the lobby, reading books after showing his batch. In 2008 I began to teach at an after school program in the Bronx and I was surprised to see him there and he me. He was moonlighting teaching cartooning to 4th graders and I was just learning how to teach, how to do mini graphic novels to 3rd graders. We used to chat a bit before class and share teaching methods.
He showed up at a couple of my exhibitions.  The late John Kane (they were neighbors in the Chelsea vicinity) once mentioned that he asked him to babysit Harry his parrot for a week, not at his apartment but at John’s place…and free range inside!
I think his his style was simple and his forte was in the ideas more than in a particular technical skill, but that simplicity – experimental at times- was just right to convey his wit. One favorite that comes to mind is his Greek Orders, showing 3 columns (Doric, Ionic, Corinthian) and at the end the iconic coffee cup with the Greek motifs labeled “To Go”. His humor was very New York City oriented where he most probably felt at home. Stuart liked baseball and adored the former NY Giants before they moved to San Francisco. He would wear with pride a vintage Giants cap.
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From Isthmus, February 2, 2017, “Hi-tech Humor: UW Powers New Yorker Contest” — this piece on Rob Nowak, who created the program that reduced the eye-balling time spent on the magazine’s caption contest.
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Robert Sikoryak’s next Carousel is coming up.  This one includes the very same Felipe Galindo mentioned at the top of today’s SpillAll the information here.

 

Cartoonists Gather for The New Yorker’s Holiday Party

new-yorker-holiday

 

 

 

 

 

 

 

 

 

Once or twice a year New Yorker cartoonists gather to do something other than show their work.  Yesterday was one of those days — the annual holiday party (which includes all of the editorial staff, not just the artists). In years past the party has been mostly out-of house; this year it was in-house. Too-many-to-count boxes of pizza were spread out on long tables. Bottles of wine and large bottles (jugs?) of beer were here and there on other tables in a hallway and adjoining conference room. The place was packed.  The magazine’s editor, David Remnick was spotted wending his way through the throng, slice of pizza in hand.

A small framed copy of the cover of the magazine’s first issue hung in one of the hallways as well as a number of blow-ups of New Yorker covers. A good number of cartoons  lined the walls (some framed, some greatly enlarged). Was happy to see that Peter Arno’s “Well, back to the old drawing board!” continues to reside among the framed pieces. I paused to spend some time with the  wonderful  Thurber drawings, lovingly installed in these new digs.

Among the cartoonists present were Sam Gross, Joe Dator, Christopher Weyant, Robert Leighton, Liza Donnelly, Emily Flake, Edward Steed, Corey Pandolf, Bob Eckstein, Amy Hwang, Harry Bliss, Jason Adam Katzenstein, John O’Brien, Felipe Galindo (aka feggo), Drew Dernavich, Ben Schwartz, David Borchart, Mort Gerberg, and David Sipress.

A splendid time was had by all!