George Booth At The Society of Illustrators; Columbia University Panel with Emily Flake, Tom Toro, Robert Sikoryak, and Emma Allen

 

“Mister Hiucappi believes animals should be kept out-of-doors all year round.”

A Must:  “An Evening With George Booth” at The Society of Illustrators, November 8th.

All the info here.

Here’s Mr. Booth’s entry on the Spill‘s A-Z:

George Booth (photo above taken in NYC 2016, courtesy of Liza Donnelly) Born June 28, 1926, Cainesville, MO. NYer work: 1969 – . Key collections: Think Good Thoughts About A Pussycat (Dodd, Mead, 1975), Rehearsal’s Off! (Dodd, Mead, 1976), Omnibooth: The Best of George Booth ( Congdon & Weed, 1984), The Essential George Booth, Compiled and Edited by Lee Lorenz ( Workman, 1998).

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Columbia University Panel with Emily Flake, Tom Toro, Robert Sikoryak, and Emma Allen

This should be fun.

From the announcement: In this new Gilded Age of Trump, cartoonists Tom Toro, R. Sikoryak, and Emily Flake join New Yorker cartoon editor Emma Allen for a discussion of contemporary cartoon satire.

All the info here.

 

Cartoon Companion’s Amy Hwang Interview (Pt.1); Columbia University Libraries’ “Comics In the Curriculum”; The Tilley Watch:The New Yorker Festival

Cartoon Companion’s Amy Hwang Interview (Pt.1)

Cartoon Companion has expanded its features, offering glimpses of rough drawings and interviews with New Yorker cartoonists.  Here’s the latest with Amy Hwang, who began contributing to the magazine in November of 2010.  Link here to her website.

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Columbia Universities Libraries’ “Comics in the Curriculum”

Karen Green, over at Columbia University, has been busy busy busy these past many years building a comics collection.  Read about “Comics in the Curriculum” here and take a look at the work.

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Here’s a link to all the New Yorker Festival events.

As of now (and unless other events are added) there is no cartoon or cartoonist-specific event this year.  However, the magazine’s cartoon editor, Emma Allen will be in  conversation with comedian Kumail Nanjiani,  the art editor Francoise Mouly will be speaking with cover artist, Barry Blitt (he has a new book coming out) and there’ll be an event with television’s Pete Holmes

 

 

 

Profile of Interest: New Yorker Cartoon Editor, Emma Allen; Karasik on Kirby; Chast’s New Book

From Artsy, August 28, 2017, “Meet the Young Woman Deciding the Future of The New Yorker Cartoon”— this enlightening piece on Emma Allen, the magazine’s current Cartoon Editor.

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Paul Karasik, whose How to Read Nancy: The Elements of Comics in Three Easy Panels (co-authored with Mark Newgarden) is coming out this Fall, has contributed a piece to Kirby 100: 100 Top Creators Celebrate Jack Kirby’s Work.  Mr. Karasik tells the Spill :

“I write about Kirby’s somewhat incomprehensible later work. It may be the only time that Kirby has been compared to Frederick Burr Opper.”

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The Washington Post’s Comics Riffs has an article about Roz Chast and her upcoming “Love Letter to New York,” Going Into Town.   Unfortunately, it’s behind the WaPo paywall. Enjoy all you subscribers!

 

 

 

 
 
 
 
 
 

I’ve got a piece in the just published “KIRBY 100: 100 Top Creators Celebrate Jack Kirby’s Greatest Work”, honoring Kirby’s upcoming 100th Birthday.

I write about Kirby’s somewhat incomprehensible later work. It may be the only time that Kirby has been compared to Frederick Burr Opper.

The book is edited by John Morrow and Jon B. Cooke.

 

Fave Photo of the Day: George Booth at His Desk; The Latest New Yorker Cartoons Rated; BEK Talks about Summertime Television; Ellis Rosen, Emma Allen, and Colin Stokes On a Bench; Advertising Work by New Yorker Cartoonists, Part 5: Helen Hokinson

Fave Photo of the Day: George Booth

Sarah Booth recently took this photo of her father, the one-and-only George Booth.  My thanks to Sarah for permission to post here.

Below left: a “Booth Dog”

Here’s Mr. Booth’s entry on the Spill’s A-Z :

George Booth (photo above taken in NYC 2016, courtesy of Liza Donnelly) Born June 28, 1926, Cainesville, MO. New Yorker work: 1969 – . Key collections: Think Good Thoughts About A Pussycat (Dodd, Mead, 1975), Rehearsal’s Off! (Dodd, Mead, 1976), Omnibooth: The Best of George Booth ( Congdon & Weed, 1984), The Essential George Booth, Compiled and Edited by Lee Lorenz ( Workman, 1998).

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Latest New Yorker Cartoons Rated by Cartoon Companion

If you like your New Yorker cartoons rated, there’s only one place to go. The Cartoon Companion boys (their true identities are secret) take a look at this week’s offerings which include colluding ice cubes, a kangaroo with a handy pocket, an emergency room with live music, some tusky elephants, and a gluttonous fish.

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Bruce Eric Kaplan on the New Yorker Radio Hour

Here’s Bruce Eric Kaplan on the magazine’s Radio Hour talking about summertime tv.

 

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Video: Ellis Rosen with Emma Allen and Colin Stokes

One of the Cartoon Department’s newest stablemates, Ellis Rosen,  joins cartoon editor, Emma Allen, and associate cartoon editor, Colin Stokes, for a look at some NYC subway-related cartoons. See it here. Extra reading: an Ellis Rosen article of interest here.

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Advertising Work by New Yorker Cartoonists, Part 5: Helen Hokinson

In earlier days at The New Yorker, the cartoonists were rated: AAA, AA, A. Two cartoonists were, on paper, unrated, listed above all the others in their own upper stratosphere:  Peter Arno, and Helen Hokinson. Ms. Hokinson was the magazine’s earliest star.

The Spill is grateful to Warren Bernard for providing his entire collection of ads by New Yorker cartoonists, including the three by Ms. Hokinson shown here.

Dates of ads: Flit, 1935; Ry-Krisp, 1945; Maxwell Coffee, 1949.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ms. Hokinson’s entry on the Spill’s A-Z:

Helen Hokinson (above) Born, Illinois,1893; died, Washington, D.C., 1949. New Yorker work: 1925 -1949, with some work published posthumously. All of Hokinson’s collections are wonderful, but here are two favorites. Her first collection: So You’re Going To Buy A Book! (Minton, Balch & Co, 1931) and what was billed as “the final Hokinson collection”: The Hokinson Festival (Dutton & Co., 1956)

Checking In: The Spill Talks Pies and Target Practice With Emily Flake

Checking In With Emily Flake

You never know what you’ll learn when you go (virtually) knocking on a cartoonist’s door. As part of the Spill’s “Checking In With…” series I asked my colleague, Emily Flake, whose ninth anniversary as a New Yorker cartoonist is in September, what she’s been up to lately, and she replied: 

“As always, plugging away at gag cartoons and longer stuff to pitch to The New Yorker. I have a bi-weekly slot with The Nib, so there’s that! I suspended operations on Lulu Eightball about a year ago – I was in the throes of a writing job that was fun and lucrative but took up a lot of time, and something had to give; I’d been doing Lulu since 2001 and figured it was time to step back. I’ve just learned that the paper where Lulu got its start, the Baltimore City Paper, is shutting down, so I’ve been in a bit of a funk over that.

In general I also do illustration work; writing this out reminds me that I’m overdue on some sketches for a project about the process of dying (a laff a minute!). I have a 4 year old, and those things are remarkably time-consuming. I also spend a lot of time falling down internet rabbit holes and mucking around in a swamp of self-doubt and loathing. I did however just get a sulus-vide device for my birthday, so there’s that! Also I make pies.”

Michael Maslin: I’m almost afraid to ask — but what’s a “sulus-vide device” (I could look it up but then I might end up falling into that very same internet rabbit hole).

Emily Flake: Whoa, sorry! I mis-typed “sous-vide” – it’s a thing that creates a hot water bath so you can cook things in it. It’s supposed to be amazing. I will keep you posted on the results as soon as I have any.

Left: A sous vide. Thanks to Emily, I just learned something.

MM:Your “process of dying” project sounds fascinating, especially as your book, Mama Tried  was about the beginning years of the life cycle.  Many cartoonists tend to visit and revisit death on a regular basis (in their work). Do you as well?

EF: Well, the dying project is something I’m doing for someone else – it’s not necessarily *my* thoughts on dying. I’ve done some “death personified” gags for the magazine, because who hasn’t; I think about death almost every day. Not in a particularly morbid way, just in terms of what the eventual end of a thing means for the thing itself. It all became unbearably precious to me once I had a kid (not that you have to have a kid to feel that life is precious, but for me it really raised the stakes). 
left: a drawing by Ms. Flake published in The New Yorker, November 1, 2011
 
MM:  Congrats on joining the Full Page club in the New Yorker  Was that your first?   Are you thinking “full page” when you submit? 
 
EF: Thanks! It was indeed my first full-page, and I liked that feeling. I’ve submitted full-pagers before; I like having a bit more room to explore a thing, and I’ve always enjoyed being able to riff on a joke – I’ve published a few 3 or 4 beat gags, which is my preferred method of joke-crafting.
 
MM: Are you going into the New Yorker’s offices on a regular basis?
 
EF: I am extraordinarily lazy and prefer not to leave a six-block radius if I can avoid it. For what do we have an internet if not to facilitate that kind of sloth? Emma’s [Emma Allen, the New Yorker‘s cartoon editor] not really doing the sit-down immediate review of batches and prefers to get them digitally, so that saves me wearing pants. 
 

MM: You mentioned you make pies. What kind of pies?

EF: You name it. I recently made a blueberry galette that was an absolute knockout. Now that it’s summer, peach pies, berry pies, etc; I also made a caramelized onion galette (the lazy man’s pie!) recently that turned out great. I made a pistachio cream pie a couple summers ago that I think I’ll revisit – cream/pudding pies are great for this kind of weather. I also recently came across a recipe for tahini brownies that I can’t wait to try – I used tahini in chocolate chip cookies recently and holy shit. I’m not much of an innovator in baking – I follow recipes – but I do love to do it.

MM: Pistachio cream! Wowzers. Do you happen to have a photo of a Flake pie?

EF: [I’m sending you photographs of] a bunch of baked goods and also a paper target, because as I was looking through my photos I remembered that I also like to go to the Westside  Range and shoot off a few rounds.

MM: What are you usually shooting at the range: pistols or rifles?

EF: I’ve only shot rifles at the range – you need a serious permit to shoot pistols in NYC (which I think is a good thing! I like to shoot, but I am all for gun control).

MM: Have you been shooting guns a long time, or is this something new?
 
EF: The first time I ever shot was at a friend’s home range upstate, and I shot pistols there; despite an almost incapacitating hangover, I found I had a knack for it (or possibly just beginner’s luck). Last year I went and took a class at the Westside Range, and then I joined as a member so I can shoot whenever I want. I am only slightly embarrassed to tell you that my interest in shooting was rekindled mainly by a mixture of the current ghostly political climate and, um, watching too much Walking Dead.

Below: An array of some of Ms. Flake’s pies. One of her paper targets, along with a slice of one of her pies, appears at the top of this post

 

 

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A Note to Ink Spill Visitors

Keen-eyed visitors may notice the first ever appearance of an advertisement on this site.  I’ve resisted advertising these past ten years, but have made an exception for The American Bystander as it’s such a welcome addition to the landscape. 

Tom Toro: The Ink Spill Interview

New Yorker cartoonist, Tom Toro and I’ve been emailing now and then over the seven years he’s been contributing cartoons to the magazine, but it wasn’t until a month ago, when he came east from Kansas for Jack Ziegler’s memorial, that we finally met in person and were able to chat for awhile. The idea for an interview had been batted around by us earlier in the year; I like to think it began in earnest right there and then in a restaurant on Manhattan’s upper east side. With Dock Street Press’s release of Tom’s first book, Tiny Hands, a collection of the political work he did for The New Yorker’s Daily Cartoon slot, it seemed like the perfect time to turn our conversation into something more organized. Following the interview I asked Tom to select and comment on five favorites of his own work — you’ll see those at the end of this post.
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