Robert Grossman, Illustrator, Cartoonist Extraordinaire: 1940-2018; The Tilley Watch Online

Robert Grossman, Illustrator, Cartoonist Extraordinaire, 1940 – 2018

  Robert Grossman a multi-talented artist with an instantly recognizable style, has passed away. Mr. Grossman enjoyed a spectacular career as an illustrator and cartoonist with his work appearing on the cover of numerous major publications. For far more information please go to Drew Friedman’s 2013 piece about Mr. Grossman’s career. 

In the early 1960s Mr. Grossman worked briefly as an assistant to the New Yorker‘s Art Editor, James Geraghty. He contributed two cartoons in the Geraghty years: January 13, 1962 (seen above) and December 14, 1963. His work returned to the magazine in the Tina Brown years in the form of six comic strips; his last contribution ran under David Remnick’s editorship.

( Mr. Grossman’s Yale Record parody cover of the New Yorker appears at the top of this piece)


Trumpian cartoons were in the majority again this week in the Daily Cartoon slot:  a reflection on teachers & guns-in-the-classroom by Avi Steinberg, Stormy weather by Kim Warp, March Madness by Lars Kenseth, a tribute to Stephen Hawking by David Sipress (that was a ‘bonus” Daily), Trump & school walkouts was a team effort by Jason Chatfield and Scott Dooley.  The week ended with Ellis Rosen‘s nod to the nationwide closing of the Toys r Us chain. 

Contributing cartoonists appearing on Daily Shouts: Emma Hunsinger, Will McPhail, and Ben Schwartz.

All the work (and more) can be seen here.

A Visit to “Jim’s Bench”; Cartoon Companion Rates The Latest New Yorker Cartoons; Tilley Watch Online; Live New Yorker Cartoons Part VI on Late Night with Seth Meyers

A Visit to “Jim’s Bench”

The filmmaker Sally Williams recently asked me if I’d like to meet with her at “Jim’s bench” on Central Park West and 77th Street, right across the street from the Museum of Natural History. I couldn’t possibly resist the invitation. Ms. Williams has been working on a documentary about James Stevenson for quite some time now; we’ve had numerous conversations over the years about Mr. Stevenson and, of course, The New Yorker. 

 Mr. Stevenson is on a long list of New Yorker cartoonists who have lived and worked in New York City (some still do) and whose work reflected their city. I think also of Steinberg and Alan Dunn as cases in point.

Sitting on this bench near where Mr. Stevenson lived I couldn’t help but imagine him experiencing the traffic, the sounds, sights, types of individuals bicycling by, walking by, running by; the dogs and dog-walkers, the flurry of activity at the museum. I could see it all in Stevenson’s style: gracefully casual, with spark. Ms. Williams confirmed that Mr. Stevenson was, like so many cartoonists, a watcher (I once likened cartoonists to sponges. Consciously or subconsciously, we take everything in).  

If you find yourself near the Museum of Natural History, you might want to take a seat on Jim’s bench and spend a few moments watching Manhattan go by, Stevenson-style. 

  The bench is the one closest to the Humboldt StatueIt bears a small plaque:

 (I’ve written about Mr. Stevenson here on the Spill a number of times.  Here’s one piece which might be of interest). 


Cartoon Companion Rates the Latest New Yorker Cartoons

Messrs. Max and Simon are back with thoughts & ratings on work by Frank Cotham, Carolita Johnson, Drew Dernavich, Avi Steinberg, Emily Flake, Roz Chast, Olivia de Recat, Mike Twohy, Bob Eckstein, Edward Koren, and Darrin Bell.  Read it here!


Daily Cartoons this week by: Paul Noth, Mary Lawton, Kim Warp, David Sipress, and Lars Kenseth (4/5ths of the drawings were Trumpian).

And the contributing New Yorker cartoonists on Daily Shouts:  P.C. Vey, Hilary Fitzgerald Campbell, Liana Finck, Emily Flake, and JAK (with Hartley Lin).  


Live New Yorker Cartoons Part VI on Late Night with Seth Meyers

The New Yorker‘s editor, David Remnick returns to Late Night with Seth Meyers in the best segment yet. Cartoons by Carolita Johnson, Charlie Hankin, Will McPhail, Maddie Dai, and Ellis Rosen brought to life.   See them here!



The Monday Tilley Watch: The New Yorker Issue of March 5, 2018; Cover Update: The New Yorker Encyclopedia of Cartoons

Hooray for Hollywood?  This week’s cover (artist: Chris Ware) reminds us — not that we need reminding –that Tinsel Town is a troubled town. 

Shout out to the Cartier folks for the pretty street lamp that greets you as you open the magazine. Nice also to see the photo of David Bowie (however much I disagree with this current usage of the Goings On About Town opening page, i.e., with a nearly full page photo. It never fails to trick me into thinking I’m seeing an ad).

Speaking of being in disagreement, the stand-in remains in place for Rea Irvin’s iconic design for the Talk Of The Town.

Here’s what the original looks like:

And here’s the stand-in:

Alrighty then, on to the issue’s cartoons. 

The very first cartoon is by David Sipress.  A somewhat retired theme (torture) returns. Torture rack drawings popped up more ages ago, replaced (if my unscientific memory search is slightly accurate) with another kind of torture: prisoners hanging by handcuffs up on dungeon walls. I feel for the fellow in Mr. Sipress’s drawing who is about to undergo the “procedure.”

Five pages later a couple of “Casablanca”-era Humphrey Bogart-like fellas at the end of a pier, courtesy of Carolita Johnson. As discussed last week (Frank Cotham’s drawing of thugs planning just such a pier push) this is a standard situation a lot of cartoonists are attracted to (including this one). Here’s one more — a personal favorite of mine. 

On the very next page, a robot drawing by Navied Mahdavian, whose debut drawing was last week. I recall Zach Kanin bringing robots back into usage a few years ago (or maybe it was Roz Chast…or was it someone else. New Yorker cartoon robot aficionados please advise). In this particular case I was a bit worried that the scientists had their backs to the dancing duo. Perhaps it was this portion of the caption: “They [the robots] don’t appear to want to take over…” [bolded words mine]. Hmmm, if there’s any doubt, any doubt at all as to the robots’ intentions, perhaps it’s best to observe them in an fortified isolation booth or something.

Three pages later a Danny Shanahan drawing. Fun drawing perfectly synced with a wonderful Shanahan-esque caption. If I was awarding ribbons as they do over on the Cartoon Companion, I’d pin one on this drawing (and on the P. C. Vey drawing that we’ll get to in a minute).

Eight pages later, a Roz Chast NYC-centered alien “take us to your leader”-type drawing. I enjoyed examining the screens on the aliens’ chests. Would love to see Chastian aliens in color.

On the very next page (and I should say, very nicely sized and placed on the page) is a terrif Chris Weyant drawing. The caption’s sterling construction reminds me of captions once written by the likes of James Stevenson, Donald Reilly, and Charles Saxon.  Applause applause!

Two pages later, a real gem by P.C. Vey. A cave couple. Mr. Vey’s world is such a fun treat (and isn’t that why we love cartoons?). I find it hysterical that:

1. The cave woman looks nothing like a cave woman (her hair’s perfect and she’s wearing a somewhat stylish shift).  

2. The cave man is so well-groomed (both hair and beard).

The next two drawings (the first by newbie Pia Guerra, and the next by veteran-newbie Will McPhail) reminded me, in their construction (not style) of ancient friezes:

If you placed a ruler along the base of the feet in each drawing, you’d see that every foot (and one paw) touches the edge of the ruler (with the exception of Ms. Guerra’s wolf’s right paw, and a kicked-up foot on the person to the extreme right of Mr. McPhail’s drawing). There is no reason to note this other than that I don’t recall ever seeing two frieze-like drawings back-to-back before.

Four pages following the second frieze  cartoon is a Maggie Dai Atlas drawing that sent me to the search box. Now I know what “leg day” refers to.  On the very next page, the instantly recognizable style of Drew Dernavich, who delivers an Oscars drawing.

Three pages later a delightful Barbara Smaller drawing. Nice to see bigger picture work by her. On the very next page, an Ed Steed sports drawing (basketball). Five pages later Paul Noth references  fine art.  I recall that  Roz Chast handled Venus on a cover not too very long ago.  My memory is that Addams liked to work with Venus too.  Am I wrong, but aren’t bathtubs the preferred bathroom fixture for home births rather than sinks?  Of course, it being cartoonland and all, anything’s possible.

Case in point: the last drawing of the issue, by JAK (otherwise known as Jason Adam Katzenstein).  We see a card game with a Wolf Blizter-like guy in an open collared rumpled shirt, a well dressed woman (she’s wearing pearls), and a wolf(?) in a tuxedo.

  The popped eyes and slack jaw suggest animation as inspiration, like so:


Cover Update: The New Yorker Encyclopedia of Cartoons

If you’ve been following the Spill ‘s coverage of cover art (or lack of) for The New Yorker Encyclopedia of Cartoons (due in October from Black Dog & Leventhal) you might find it interesting that we now have the below image to contemplate:

















The Tilley Watch Online; E. Simms Campbell’s 1933 Map of Harlem Night Clubs

A shortened Daily Cartoon week ( due to the holiday?) with David Sipress (a Trump drawing),  Brendan Loper (two gun control drawings), Jeremy Nguyen (a gun control drawing), Peter Kuper (a gun control drawing), and Barry Blitt (a Trump/Olympics drawing).

Over on Daily Shouts a lot of contributing New Yorker cartoonist activity: Liana Finck’s ongoing advice piece, Will McPhail on writers, and Olivia De Recat on pets.

See all the work (and then some) here.


E. Simms Campbell’s 1933 Map of Harlem Night Clubs

Stephen Nadler shows us a beautiful E. Simms Campbell piece on today’s Attempted Bloggery. Below’s a sample .  To see the entire piece go here.


Tilley Watch Online; Blog of Interest: A New Yorker State of Mind; Even More Hoff on Attempted Bloggery; Cartoon Cliches (3 parts)

Not so unusual: mostly a Trump week on the Daily, which leads me to note this online query that popped up recently.

Four out of five of the week’s Daily cartoons feature Mr. Trump, while the fifth is inseparable from him. The Daily cartoonists this week: David Sipress, Brendan Loper, Lars Kenseth, Ellis Rosen, and Peter Kuper. All of these drawings can be found here

And over on the Daily Shouts, the contributing New Yorker cartoonists: Barbara SmallerSara Lautman, and Jason Adam Katzenstein (illustrated by Hope Larson).


Blog of Interest: A New Yorker State of Mind

This blog, with the subtitle of “Reading Every Issue of The New Yorker Magazine” is now up to January 19, 1929;  the focus of the post is prohibition. What fun! Read it here.

(above: a drawing from the issue by Constantin Alajalov, still spelling his name with “d” in 1929)


Even More Hoff on Attempted Bloggery

Stephen Nadler’s site continues its (Syd) Hoff Fest.  See it here!


Cartoon Cliches (3 parts)

Mike Lynch has been posting cartoons from Dick Buchanan’s incredible cartoon clip file. The subject  in recent days is cartoon cliches.  Examples include work by a number of cartoonists published in The New Yorker, including Joe Farris (above), Bud Handelsman, Al Kaufman, Vahan Shirvanian, John Norment, Lee Lorenz, and many more.  See all the parts here.

The Monday Tilley Watch: The New Yorker Issue of February 5, 2018

An ice skating cover (titled “Figured Skaters”) on this week before the magazine’s 93rd birthday issue. On the way to the cartoons I’m sensing less graphics and more text in the Goings On About Town section.  Or is it just my imagination. Take away the weekly near full page photograph and the magazine seems edging to its graphic roots. For an idea of what I’m getting at, here’s a GOAT section from the March 14, ’59 issue atop a couple of GOAT pages from the new issue.


Now on to the cartoons and cartoonists.  The very first cartoon, by Ellis Rosen, takes us to familiar territory for many a New Yorker cartoonist (including this one): the wise man on the mountaintop. Mr. Rosen gives us a competitive situation that includes further incentive for prospective wisdom seekers.  I would love to see what the other mountain top looks like once the pizza oven is installed.  

Four pages later, Liana Finck takes us to medieval times with another cartoonist favorite: King and castle.  Even better: King, castle and moat. I can’t quite make out what is in the castle window.  Is it the Queen, or a kitty? Maybe it doesn’t matter.  A drawing that looks as if it might be in color (the moat), but run in b&w.  

Five pages later, a Will McPhail drawing and it’s yet another cartoonist fave scenario: the house mouse.  This is the first white house mouse cartoon in my memory (versus the usual grey mouse) And I believe it’s also the first cartoon that shows a house mouse wearing what appears to be eye makeup (the makeup makes sense what with the lighted vanity mirror).  Then there are the high heels visible through the mouse baseboard hole. A lot of elements to pause and consider here, but I’ll leave that to the Cartoon Companion guys when they post their take on the new cartoons later this week. That minimal caption is short and sweet.

Ten pages later we are taken even further back in time than Ms. Finck’s drawing with a cave drawing by this cartoonist.  It’s a mash-up.  On the opposite page a William Haefeli drawing bookstore drawing. I’m a big fan of bookstores and bookstore drawings — glad to see this cartoon. On the very next page a David Sipress domestic scenario —  the subject is the upcoming Super Bowl.  I don’t know anything about the Eagles or the Patriots (other than the headlines)  but this drawing seems to be playing to the Greater Metropolitan NYC area football fan base. Could be wrong. (I feel badly for the child on the sofa. He doesn’t appear to have a drink or snacks for the big game). 

Five pages later, a Roz Chast woman on a sofa drawing. She shows us a stressful time, long long ago before we were able (sometimes) to know who was calling without answering the phone. Caller ID: great invention.

Three pages later perhaps my favorite Frank Cotham drawing ever.  Jack Ziegler once said to me  “it’s always nice when cartoonists know how to draw and give us something pleasant and fun to look at.”   Well Mr. Cotham has given us that.  Atmosphere to spare, and a splendid caption. Bravo.

Five pages later a Bruce Eric Kaplan drawing.  Politics finally enters into a cartoon in the issue.  Mr. Kaplan’s caption well-honed, as usual. On the very next page is a Pia Guerra drawing (she’s a newbie, but not a brand new newbie).  Curiously, a Terminator drawing.  I confess I had to check on the name, Sarah Connor after initially forgetting that that is the name of a main character in the series (sorry, my Terminator recall is rusty). Two pages later, Emily Flake gets all religious with a priestly drawing.  Clergy drawings were once a staple in the cartoonists kit (think Charles Addams and Peter Arno, among many others).  As with looking up Sarah Connor I looked up “sleeve” as it’s used in the caption.  Never really thought about how communion wafers were packaged.  You live, you learn.

Three pages later, Jeremy Nguyen does a take on an iconic television ad.  I like the way Mr. Nguyen has approached this drawing: clean and simple: books, typewriter, the ubiquitous potted house plant, the writer(?) sprawled on the floor. 

Six pages later a debut drawing by Olivia de Recat, whose work has appeared in the Daily Shouts in very recent times. This has the feel of a postcard (see the cover of Bruce Springsteen’s first album, Greetings From Asbury Park).  It has ripped edges, so maybe an old post card?  Having just read the large NYTs piece on postcard collectors, I have them on my mind ( postcards and the collectors).  

Finally, the last cartoon (not counting the caption contest):  Paul Noth does a bang-up job on a ventriloquist drawing.  I love drawings that come outta nowhere (well, it actually came from Mr. Noth, but you all know what I mean).


–see you next week for the big double anniversary issue. Will Rea Irvin’s classic Eustace Tilley return to the cover?  Pressing our luck, wouldn’t it be great to see Mr. Irvin’s classic Talk of the Town masthead return.  Here’s what it looks like so you’ll know it when you see it: