Spinach, Part 2 with Shanahan, Steiner, and Weber

As anyone who follows cartoon art knows, nearly everything and anything is fair game, including other cartoons. The famous Carl Rose “spinach” cartoon from the December 8, 1928 New Yorker  (shown above) that was yesterday’s subject here (well, more precisely, its caption origin was the subject) spawned a number of later cartoons.  Danny Shanahan gets the credit for causing me to think about casting around the Cartoon Bank site, using search words/terms like “spinach”  “broccoli” and “the hell with it”  — here are three takes by three masters of the art of cartooning:

Danny Shanahan’s from the February 28, 2005 New Yorker:

Peter Steiner’s from the July 24, 2000 New Yorker:

 

Robert Weber’s take, the February 21, 1994 New Yorker:

 

 

Another Two Pages From the New Yorker Ency of Cartoons; Podcast of Interest: Liza Donnelly

Another Two Pages From the New Yorker Ency of Cartoons

Back on June 19th, The Spill had this to say about the upcoming New Yorker Encyclopedia of Cartoons:

Stylish packaging…can’t wait to see what more is inside. Especially curious to see how the two volumes incorporate the advertised 3000 cartoons (or “classic images” as the publisher calls them). Actually, since we now can see 3 classic images, curious to see how the other 2997 are incorporated. 

Well , the publisher, Blackdog & Leventhal, has just eeked out two more pages showing 4 more cartoons (by myself, Charles Barsotti, Danny Shanahan, and Gahan Wilson), These are, as you’ll see, under the “Clowns” heading (the encyclopedia is organized around subjects):

Alrighty then.  Now we’ve seen 7 of the 3000 images promised. Only 2,993 to go!

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Podcast of Interest: Liza Donnelly

While live-drawing in Dublin last week (I’ve shown a few of her Dublin drawings here), Liza Donnelly sat for an interview with Roisin Ingle of The Irish Times.

Link to the Irish Times podcast.

 

 

 

 

 

 

 

It’s Too Darn Hot; Fave Photos of the Day: Chast & Wertz…Shanahan, Toro & Ziegler

Here’s a Liza Donnelly classic cartoon from The New Yorker issue of August 7, 1995:

And a favorite Charles Addams cover:

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Fave Photos of the Day: Roz Chast & Julia Wertz…Shanahan, Toro & Ziegler

Julia Wertz (on the left) and Roz Chast appeared at The New York Public Library last Thursday to discuss their work. I love that Ms. Chast is looking at a projected childhood photo of herself.  (photo courtesy of Marcie Jacobs-Cole). 

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And just last night up in Bennington, Vermont, Jessica Ziegler, the daughter of the late Jack Ziegler moderated a talk with Danny Shanahan and Tom Toro.  The photo below from an interesting article posted today by Mike Peterson on his Comic Strip of the Day. Mr. Shanahan is on the far left, Mr. Toro, center, and Ms. Ziegler far right.

 

 

 

 

The Wednesday Tilley Watch: Roz Chast, Julia Wertz in New York; Edward Koren, Danny Shanahan, Tom Toro, & Co. in Bennington, Vermont

A day of reminders on the Spill:

If you’re in or around Manhattan today, Roz Chast (above, far right) and Julia Wertz (far left) are in conversation at the New York Public Library this evening at 6:30. All the info here.

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Edward Koren, Danny Shanahan, Tom Toro in Vermont

And if you’re somewhere in the vicinity of Bennington this Saturday it’s New Yorker cartoons and cartoonists practically all day long at Southern Vermont College. A highlight of the day: Jessica Ziegler, daughter of the late very great New Yorker cartoonist, Jack Ziegler, will moderate a panel consisting of New Yorker cartoon god, Edward Koren (above left),veteran New Yorker cartoonist Danny Shanahan (above, middle), and the fab Tom Toro (above, right).  You’ll find other New Yorker cartoonists attending events as well.  Info here.

The Tilley Watch Online: June 18-22, 2018; Attempted Bloggery’s 7th Index

This week’s Daily Cartoons were as Trumpian as previous weeks.  The contributing New Yorker cartoonists: Ellis Rosen (twice, both Trumpish), Brendan Loper (twice, both Trump flavored), and Danny Shanahan (who blended the World Cup with an iconic Andrew Wyeth painting).

New Yorker cartoonists contributing to this week’s Daily Shouts: Amy Kurzweil, Sara Lautman (with Rebecca Caplan), Jeremy Nguyen (with Daniel Kibblesmith), and Drew Dernavich.

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Attempted Bloggery’s 7th Anniversary Index

One of the Spill‘s go-to sites, Attempted Bloggery, celebrates its 7th Anniversary with this posting of the blogs 5th Index by Stephen Nadler (the fellow behind the AB‘s curtain).  A lot of fun awaits visitors.  The Index can be found here!

 

 

 

The Monday Tilley Watch, The New Yorker Issue of June 25, 2018; A Few Images Posted from the Upcoming New Yorker Encyclopedia of Cartoons

Noted that this week’s cover (above right) is by Harry Bliss, one of the New Yorker‘s cartoonists.  Noted because the majority of the magazine’s covers were once handled by its cartoonists (somewhat more than 60% a year by my iffy calculations). The number of cartoonists contributing covers these days can be counted on one hand: Mr. Bliss, Roz Chast, Bruce Eric Kaplan, Danny Shanahan, and George Booth.

The change came, as so many changes did, with the arrival of Tina Brown as editor in 1992.  At a meeting of cartoonists called by Ms. Brown just before she took the reigns as editor of The New Yorker, a bunch of us sat around a large table in an upstairs conference room at the fabled Algonquin. Arriving late (Amtrak issues), I sat next to then art editor Lee Lorenz and asked him what I’d missed.  He leaned over and whispered, “She’s going to bring in a lot of illustrators.” He then added something else, which you’ll have to wait to read in my memoir.

Some of Mr. Bliss’s cover has that Hitchcockian “Rear Window” feel to it; the structure of the cartoon (using balconies) has been put to good use by a few cartoonists over the years. Here’s an example that readily came to mind: a Liza Donnelly drawing that appeared in the January 20, 2014 New Yorker:

To read what Mr. Bliss had to say about his cover, go to this mini-interview here on  newyorker.com.

From the Depart of Just Sayin’:  The number of illustrations in this issue outweigh (in space) the number of cartoons appearing.  Sixteen illustrations (not including Tom Bachtell’s wonderful drawings that are laced through the Talk of The Town). Three of the sixteen are full page. Seventeen cartoons this week, one a full page by Liana Finck

The sizing of cartoons in this issue is generally very good. Most every drawing  gets some breathing room (just one is shoe-horned into a tight space).  

Three drawings noted: Ben Schwartzs bargain hunter’s mounted big game is fun. Charles Addams had a field day with this scenario throughout his spectacular New Yorker run.  Here’s one example .

Love Edward Koren‘s restaurant drawing. Some New Yorker drawings are referred to as evergreens — they always work, no matter the year, the trends, the political landscape, the whatever. Mr. Koren’s drawing is an evergreen.

The Spill‘s candidate for New Yorker drawing of the year (thus far) is Joe Dator‘s Abe Lincoln cartoon. (You can find it here on the magazine’s slideshow of the current issue’s cartoons. It’s number 13.)  When Harold Ross, the New Yorker‘s founder and first editor was asked why his magazine did not run color cartoons his response was, “What’s so funny about red?”* Mr. Dator’s drawing is a perfect example of what is funny about pink and orange, and yellow, and green and purple.

Spill round of applause for the above drawings.

*The New Yorker did run one color drawing in Ross’s time, Rea Irvin’s two page color spread, The Maharajah of Puttyput Receives a Christmas Necktie From the Queen. It was in the issue of December 12, 1925.

Still missing: Rea Irvin’s iconic Talk of The Town masthead. Here’s a Spill piece about its disappearance and replacement.

This is what the real thing looks like:

 

 — See you next week

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A Few Images Posted From the Upcoming New Yorker Encyclopedia of Cartoons

The above from the publisher’s website. Well it’s not much, but it’s better than nuthin’.  I could only get the middle image to open up for a better view. Will post more when there’s more to post.