Liza Donnelly to Live Draw at the White House Correspondents’ Dinner

 

 

 

 

 

 

 

 

 

 

Liza Donnelly announced on social media this morning that she’ll  be live drawing at tonight’s White House Correspondents’ Dinner (in her capacity as the CBS News Resident Cartoonist).  This is possibly another first for a cartoonist in a line of firsts for Ms. Donnelly (the others: live-drawing on the Oscars Red Carpet, and more recently, live-drawing at the White House Press Briefing Room).

Link here to Liza Donnelly’s website (where you’ll find a link to her New Yorker work)

Fave Photos of the Day: Liza Donnelly Live Drawing at The White House; Latest New Yorker Cartoons Rated; More Koren; Men, Women & Cartoons

 

Fave Photo of the Day:  CBS News Resident Cartoonist and long-time New Yorker cartoonist, Liza Donnelly  is live drawing this morning at The White House. Follow her work on @LizaDonnelly and @CBSThisMorning. Here she is drawing CBS Chief White House Correspondent, Major Garrett out on the White House lawn and the Tweeted drawing.

 

 

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Cartoon Companion returns with a look at the cartoons from The New Yorker‘s issue of April 24th 2017. The CC guys, joined, as usual by a “Mystery Cartoonist” dissect, among others,  cartoons about  bird watching, an avocado funeral, and one very large fish tank. Read it here.

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Here’s another piece about the one and only Edward Koren: “Shaggy Line Story” from The Commons Online.  Read it here.

 

 

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From MTV News,  April 19, 2017, “New Cartoon Tuesdays: How Female Cartoonists Are Changing Mainstream Publications” — read it here

[Note: cartoon Tuesdays (or “look day”)  at The New Yorker switched to Wednesdays in recent times]

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Donnelly’s Oscar Drawings; Found: A 34 Year Old Jack Ziegler Greeting Card

A slide-show of Oscar drawings  by New Yorker cartoonist and CBS News resident cartoonist, Liza Donnelly. Ms. Donnelly was on the scene (see left)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Here’s a greeting card from 1983 I ran across today while sorting materials in the Ink Spill archives. Good stuff from the great Jack Ziegler! I’ll post some other materials re-discovered throughout the week.

Being Eustace Tilley; Roger Angell Remembers James Stevenson; Oscar Time! Liza Donnelly Back on the Red Carpet Live Drawing the Oscars, Drooker’s Oscar Cover, Eckstein’s Oscar Wielding Eustace

 

 

Eustace Tilley is of course a fictional character — commonly referred to as The New Yorker‘s mascot.  There is a suggested backstory to Tilley himself in Lee Lorenz’s Art of The New Yorker: 1925-1995; there are best guesses elsewhere as to why Rea Irvin (see below) decided to submit the cover to Harold Ross to adorn Ross’s inaugural issue and there are probably just as many best guesses as to why Ross chose to use Irvin’s submission.

Following the advent of the New Yorker, it didn’t take long for a Tilley stand-in to show up; a New Yorker in-house publication featured Harold Ross as Tilley and Alexander Woollcott as the butterfly hovering at Tilley’s eye-level.  Over the years there have been innumerable parody New Yorkers (Ink Spill has a selection here).  But how many real people, after Harold Ross, have stood in for Tilley on a New Yorker cover or on another magazine’s cover.

If you search online you’ll see perhaps hundreds of Tilley stand-ins, some on the cover of The New Yorker itself, many submitted to the New Yorker as part of a contest, many just for personal amusement (Tilley as Disney’s Goofy, or Mad’s Alfred E. Neuman, Dr. Seuss’s Cat In The Hat, etc., etc.)    But here I’m concentrating on published covers featuring real people (and one real dog) as Tilley.   I’ve found just a few (please let me know of others that fit this category…update: my thanks to Attempted Bloggery for reminding me about the Eustace Clinton/Obama cover ):

 

First the real deal: Rea Irvin’s classic cover:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The New Yorker‘s in-house issue featuring Harold Ross.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Renata Adler as Tilley on Manhattan, Inc. November 1986

 

 

 

 

 

 

 

 

 

 

 

 

 

New York magazine, July 20, 1992,  with Tina Brown as Tilley

 

 

 

 

 

 

 

 

 

 

 

 

 

The New Yorker’s 75th anniversary issue, February 21, 2000, with a William Wegman dog as Tilley (and one of his dogs standing in for the butterfly)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“Eustace Tillarobama” (credited to Rea Irvin and Seth) February 11, 2008

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

And that brings us to the March 6, 2017  The New Yorker, with Barry Blitt’s  “Eustace Vladimirovich Tilley” and Donald J. Trump as the butterfly

Image result for eustace tilley putin

 

Rea Irvin’s entry on Ink Spill‘s “New Yorker Cartoonists A-Z”:

Rea Irvin  (pictured above. Self portrait above from Meet the Artist) *Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925.  He was the magazine’s  first art editor, holding the position from 1925 until 1939 when James Geraghty assumed the title. Irvin became art director and remained in that position until William Shawn succeeded Harold Ross. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time.

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…From the New Yorker‘s Culture Desk, February 25, 2017, “Looking At The Field” Roger Angell on James Stevenson’s art and writing.

photo: Mr. Stevenson in Westport, Connecticut in 2015

 

 

 

 

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Oscar Time!

…Liza Donnelly has been out in Hollywood all week drawing  the scene as the Academy Awards prepares for its big night. Following her historic appearance last year as the first ever cartoonist live drawing on the Red Carpet, she will be back again tomorrow night drawing the stars and the hooplah.

Check out her drawings @lizadonnelly  and  @CBSThisMorning

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The New Yorker’s  Oscar cover, February 27, 2017 by Eric Drooker (titled “#OscarsNotSoWhite”)

 

 

 

 

 

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…I’ll wrap up this post appropriately enough with Bob Eckstein’s Eustace holding an Oscar. Be sure to follow Mr. Ecksteins coverage of the big event on newyorker.com