The Monday Tilley Watch, The (double) New Yorker Issue of July 9 & 16, 2018

A dog in a flotation device on a very watery cover for a double issue in early-to-mid July. The artist Mark Ulriksen talks about his creation here.  My eye wants me to believe that Mr. Ulriksen’s doggie is floating in the air above the surface of marbeilized water.

A delayed Monday Tilley Watch as the digital issue has not yet turned over to July 9th & 16th (it’s still stuck on the issue of July 2nd). The Monday Watch came about because I thought it might be fun taking a look at the cartoons in situ. Without the digital issue today, that’s not possible (my print version won’t arrive for a few more days).

I can see all the cartoons on the newyorker.com slideshow, but for me, that’s less appealing than seeing how they reside on the magazine’s pages. I also love seeing what else is going on in the issue, graphically (such as: has Rea Irvin’s iconic Talk masthead returned yet…you know, things like that).

— So long then, until I have access to the magazine, in one version or another. 

…the latest issue appeared online late Monday afternoon. 

Twelve cartoons in the issue.  Here’re the cartoonists:

Bruce Kaplan’s caption caught my eye this week, as well as his somewhat complex drawing.  Also catching my eye: the number of illustrations (drawings and photographs). There are eighteen with four of them full page (and one of those actually a page-and-a-half).

Usually I don’t mention the cartoon caption page, but I do like Joe Dator’s kites offered up this week. It has a Jack Ziegler feel to it. Perhaps Mr. Dator will reveal his caption (if there was one) once the contest is settled.

Of special note: a nice Charles Addams piece by the cartoonist, Paul Karasik (it appears under the “Sketchbook” heading).

For more on the issue’s cartoons check out the Cartoon Companion at week’s end.

Extra special note: Rea Irvin’s classic masthead is still missing. Here’s what it looks like:

— See you when the next new issue is out, July 16th…seems like a long way off!

 

 

 

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue of June 18, 2018

Ah, a Father’s Day cover.

 I find this cover puzzling. The sink is dripping, yet the repair work seems to be going on under the sink.  My understanding is that a dripping faucet is repaired within the faucet itself — it’s usually just a gasket replacement. Work below the sink is reserved for clogged, damaged or leaking pipes or water lines.  As the father and daughter shown on the cover are working under the sink you might assume they are doing something along those lines — something involving the pipes or water lines.  Yet anyone working below the sink would not begin working below the sink until first turning off both the hot and cold water (which only involves reaching in under the sink and closing the water valves). Thus they would not be set to work, such as they are, below the counter with the water still running. I know, I know, lighten up, Ink Spill — it’s not an illustration from a manual describing how to fix a dripping faucet.  As a cartoonist who has only worked on dripping faucets and leaking pipes in a non-professional capacity, I admit I could be completely wrong about all of the above.

From the Department of Just Sayin’:

# of illustrations in this issue: 20 (including photographs, but not including Tom Bachtell’s wonderful drawings that appear regularly in The Talk of The Town).  5 of the illustrations are full page.

# of cartoons  in the issue: 14 (none are full page).

As in previous weeks, I’m not going to go cartoon-by-cartoon, but will instead note a few.

Interesting that for two of the cartoons the humor involves walking through or onto something.  That is to say, the act of walking itself is the core of the drawing.  In Julia Suits cartoon (p.16), a  blindfolded fellow is being led to step onto an upturned rake. Ka-pow, right?  In Will McPhail’s drawing (p.39), a just arriving visiting couple will momentarily walk through hot coals. Ouch!

  The New Yorker cartoon subway series is back after a hiatus; this week’s subterranean drawing courtesy of Roz Chast (page 34). 

 The Spill does not rate cartoons like they do over on the Cartoon Companion, but it does applaud exceptional work, such as Joe Dator’s drawing (p.21) and Bruce Kaplan’s tight graphic treat (p.42).

Finally, as has been the case for just over a year now, I’m showing Rea Irvin’s spectacular Talk of the Town masthead.  Why show it?  Because it was replaced last spring by a look-alike.  To read a Spill piece about Mr. Irvin’s drawing and its unnecessary replacement, link here.

Here’s the real thing:

To see all of the cartoons in this issue, link here and scroll down to the slideshow, “Cartoons from the Issue”

— See you next week

 

 

 

 

 

T-Shirt of Interest: Hilary Fitzgerald Campbell; Four Questions:Bruce Eric Kaplan

T-Shirt of Interest: Hilary Fitzgerald Campbell

From bustle.com, thred-UPS Earth Day T-Shirt Collection Hilariously Drags All of Us For Being Awful to The Planet”.with Hilary Fitzgerald Campbell content.

_____________________________________________________________

Four Questions: Bruce Eric Kaplan

From Publishers Weekly, April 17, 2018, “Four Questions For Bruce Eric Kaplan”

Mr. Kaplan’s website

 

Monday Tilley Watch: The New Yorker Issue of April 23 2018

This week’s cover by David Hockney, artiste! 

First order of business: for those hoping that Rea Irvin’s classic Talk Of The Town masthead would suddenly pop up for Spring: alas, such is not the case. Here’s what it looks like, lest we forget:

And below is the barely one year old re-do. Irvin’s classic wins by a knock-out.

Last week in this space it was mentioned that illustration in that week’s issue seemed to be everywhere. This week is the same, but more so. I count 20 illustrations/photographs, including a double-page spread as well as two full pages. You might wonder why this is even mentioned. I trace it back to (some) cartoonists’ sensitivity surrounding the arrival of New York magazine.  It made liberal use of illustration and photography —  a model that spawned a flotilla of like-designed publications. There was not a cartoon in sight.

It’s interesting watching the Monday Tilley Watch trying to find its footing.  It began lightheartedly as a breezy look through each new issue, commenting on the cartoons (but not criticizing them). I’ve found, as each new issue presents itself, that there are sometimes cartoons that don’t work (for me) or that escape me (which actually is the same as not working for me). But what’s always been the most fun is coming across a cartoon that is so good its energy comes off the page or screen. I came across two in this current issue: Liana Finck’s and Bruce Eric Kaplan’s. Ms. Finck’s drawing of a sun going off to work is in Steig territory.  Mr. Kaplan’s drawing is slice of life from the school of classic New Yorker cartoons. Very good solid work.

 — See you next week

 

 

 

 

 

The Monday Tilley Watch: The New Yorker Issue of April 9, 2018

Here’s  Bruce McCall speaking about his gluten-free-gluten cover, along with three cover sketches (a nice touch).

And here are the cartoonists in the issue:

A slightly different Monday Tilley Watch this week…I’m listing my first response as I (electronically) flip through the issue, as if the drawings are flashcards.

Bruce Eric Kaplan…rodents and a tiger — I really like the tiger.

Lars Kenseth…a Snidely Whiplash reversal.  Funny that the train is a toy (shades of Charles Addams).

Tom Cheney…internet mischief in olden times.

John Klossner…support food. Wonder what kind of animal is being served.  

Harry Bliss…Jake LaMotta on ice.  A very outta left field drawing.

Roz Chast…a wicked queen’s magic mirror, updated.

Paul Noth…a patient prefers male doctors.

Pia Guerra…a sacred cow & more

Ed Steed…strong strange man drawing, or strange strong man drawing.

William Haefeli…a lesson in capitalization.

Seth Fleishman…a turkey display, with color.

Joe Dator…a NYC tour bus. Finally, a comment on those noisy things that rumble around the great metropolis. 

Frank Cotham…a witness explains. 

Teresa Burns Parkhurst …an egg ponders. A candidate for The New Yorker Book of Poultry Cartoons.

Mike Twohy…a doggy snow globe.  I can’t get enough of dogs and snow globes. 

______________________________________________________________________

Keen-eyed observers will note that Rea Irvin’s classic Talk of The Town masthead is still in absentia. Here it is:

and here’s the stand-in:

To read more, go here.

 

 

 

 

The First New Yorker Cartoon Issue…and the Last

From 1997 through 2012, the New Yorker published a “Cartoon Issue”; that there was a special issue wasn’t news — the magazine had started publishing them in its new era of ownership under Conde Nast (purists might argue that the issue of August 31, 1946 was the magazine’s first special issue. Beyond the Goings On About Town section, the entire issue was devoted to John Hersey’s Hiroshima. There were no cartoons, and no illustrations — just spot drawings).  The first Cartoon Issue came in the year of more change: the cartoon editorship passed from Lee Lorenz, who had held that position for 24 years, to one of the magazine’s cartoonists, Bob Mankoff, who had been contributing to the magazine for 20. [The Spill will take a look at the How and Why of that change in editorship in a future post].

The very first Cartoon Issue, dated December 15, 1997 was a celebratory explosion of the magazine’s signature art.  From the fold-out cover collage to the wonderful Jack Ziegler cartoon, “No comment” appearing where the “Comment” section would normally appear, it set the bar very high.  Also in this issue, the three section (originally planned as two section)  fold-out photograph of cartoonists taken by the acclaimed Arnold Newman, the mini bios of each cartoonist in the issue, Roger Angell’s Onward and Upward With the Arts piece (“Congratulations! It’s a baby”), Roz Chast’s graphic ode to Charles Addams, a double page photograph of George Price, a special feature by Richard Cline, Lee Lorenz’s “Cover Stories” …and more. 

In that first issue, the cartoons nearly took over the magazine. The majority of the pieces on the Table of Contents were cartoon-themed; 51 cartoonists were given brief bios.  In  the last Cartoon Issue,  28 cartoonists contributed and the issue’s special cartoon features were bundled together in the middle of the book, from page 60 to 76, with a smattering of single panel cartoons (16 cartoons to be exact) 5 multi-page spreads and 2 full page spreads, one of which, Joe Dator’s, “How We Do It: A Week In the Life of a New Yorker Cartoonist” is a classic piece of work.   As I wrote in 2012 when the issue appeared, “this Cartoon Issue veers from its predecessors in that its cover, cartoons and cartoon spreads are predominantly politically themed.”  

 Although all of the Cartoon Issues had elements that were exciting and fun — for instance, the Charles Barsotti cover on the second Cartoon Issue in 1998, and covers by New Yorker cartoonists such as George Booth, Ms. Chast, Harry Bliss, Edward Koren, Bruce Eric Kaplan, etc. —  that first Cartoon Issue, with its electric zeitgeist, remained the one to beat.  By October of 2011, when I mentioned to Jack Ziegler that the latest Cartoon Issue was probably due any week, he responded to me (via email) that it was “the moment we all dread.” By that time, the so-called “bookazine” Cartoons of The Year had already appeared and would shortly supplant the Cartoon Issue. On June 13, 2013, the magazine’s cartoonists received an email from the cartoon editor saying: “there definitely is not going to be a cartoon issue this year.” And that, as they say, was that.

(Below: the last Cartoon Issue, cover by Roz Chast)