Bob Eckstein’s National Cartoonists Society Talk; Tom Toro’s Trump Book

The very entertaining Bob Eckstein will speak this coming Monday on all aspects of his fun and far-reaching career.  Details here.

Mr. Eckstein’s  latest book, Footnotes From the World’s Greatest Bookstores, was a New York Times Best-Seller. His cartoons appear in the New Yorker as well as numerous other publications.

 

 

 

 

(Above right:  an Eckstein New Yorker drawing from the issue of November 30, 2015)

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Speaking of books and entertaining, Tom Toro’s Tiny Hands, a collection of cartoons about the Commander in Chief, is now available for pre-order.  Details here on Mr. Toro’s website.  (Tiny Hands is published by Dock Street Press. It’ll hit bookstores in May)

 

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Where Was This Arno?; Cartoon Companion Rates the Latest New Yorker Cartoons; Roz Chast’s Poster; Eckstein’s Upgraded Airline Passenger; Ross Bateup Added to the A-Z

Where did this Peter Arno drawing appear? Attempted Bloggery is looking for the answer. If it was in The New Yorker, it’s somehow eluded  the magazine’s  record-keepers.  Read more here.

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Cartoon Companion is back with a close and entertaining look at the cartoons appearing in the April 17, 2017 New Yorker. This issue contains, among others, two costumed characters, some apartment-hunting ants, a fashion savvy caveman, some duck-hunters, a couple of booze-themed drawings, and a Victorian selfie stick.  Read all about them here.

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Roz Chast is the poster gal for The 2017 National Book Festival. Read about it here. 

(My thanks to Mike Rhode for bringing this to my attention).

 

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From The National Lampoon, here’s a timely cartoon by that funny guy (and Snowman Expert)  Bob Eckstein.

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While idly paging through the August 28th  1971 issue of The New Yorker I came across a cartoonist I somehow missed when compiling the Spill‘s” New Yorker Cartoonists A-Z”: Ross Bateup.  Mr. Bateup’s work appeared four times: August 8, 1971; October 16, 1971; November 4, 1972; May 19, 1973. Here’s a link to  his biography.

Here’s his cartoon from the May 19, 1973 issue:

 

 

 

Bob Eckstein’s Kong; John Donohue’s Restaurants of New York

Who doesn’t like a good King Kong cover.  Every so often Ink Spill posts covers proposed to The New Yorker but not accepted. I’m grateful to Bob Eckstein for providing his “Kong vrs Amazon” cover.

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Opening tonight!

Editor, Author and Cartoonist, John Donohue has launched All the Restaurants in New York(where you can see his efforts).

His debut show, of nine limited edition prints, is at the PowerHouse Bookstore in Park Slope (1111 Eighth Ave, between 11th and 12th Sts., Brooklyn). The opening reception is tonight,  March 18,  from 4-6 — all are welcome.

Extra reading: From Eater: New York, March 17, 2017,  “Every Restaurant in New York, Illustrated: A Former New Yorker Editor Documents Facades Online”

Being Eustace Tilley; Roger Angell Remembers James Stevenson; Oscar Time! Liza Donnelly Back on the Red Carpet Live Drawing the Oscars, Drooker’s Oscar Cover, Eckstein’s Oscar Wielding Eustace

 

 

Eustace Tilley is of course a fictional character — commonly referred to as The New Yorker‘s mascot.  There is a suggested backstory to Tilley himself in Lee Lorenz’s Art of The New Yorker: 1925-1995; there are best guesses elsewhere as to why Rea Irvin (see below) decided to submit the cover to Harold Ross to adorn Ross’s inaugural issue and there are probably just as many best guesses as to why Ross chose to use Irvin’s submission.

Following the advent of the New Yorker, it didn’t take long for a Tilley stand-in to show up; a New Yorker in-house publication featured Harold Ross as Tilley and Alexander Woollcott as the butterfly hovering at Tilley’s eye-level.  Over the years there have been innumerable parody New Yorkers (Ink Spill has a selection here).  But how many real people, after Harold Ross, have stood in for Tilley on a New Yorker cover or on another magazine’s cover.

If you search online you’ll see perhaps hundreds of Tilley stand-ins, some on the cover of The New Yorker itself, many submitted to the New Yorker as part of a contest, many just for personal amusement (Tilley as Disney’s Goofy, or Mad’s Alfred E. Neuman, Dr. Seuss’s Cat In The Hat, etc., etc.)    But here I’m concentrating on published covers featuring real people (and one real dog) as Tilley.   I’ve found just a few (please let me know of others that fit this category…update: my thanks to Attempted Bloggery for reminding me about the Eustace Clinton/Obama cover ):

 

First the real deal: Rea Irvin’s classic cover:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The New Yorker‘s in-house issue featuring Harold Ross.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Renata Adler as Tilley on Manhattan, Inc. November 1986

 

 

 

 

 

 

 

 

 

 

 

 

 

New York magazine, July 20, 1992,  with Tina Brown as Tilley

 

 

 

 

 

 

 

 

 

 

 

 

 

The New Yorker’s 75th anniversary issue, February 21, 2000, with a William Wegman dog as Tilley (and one of his dogs standing in for the butterfly)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“Eustace Tillarobama” (credited to Rea Irvin and Seth) February 11, 2008

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

And that brings us to the March 6, 2017  The New Yorker, with Barry Blitt’s  “Eustace Vladimirovich Tilley” and Donald J. Trump as the butterfly

Image result for eustace tilley putin

 

Rea Irvin’s entry on Ink Spill‘s “New Yorker Cartoonists A-Z”:

Rea Irvin  (pictured above. Self portrait above from Meet the Artist) *Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925.  He was the magazine’s  first art editor, holding the position from 1925 until 1939 when James Geraghty assumed the title. Irvin became art director and remained in that position until William Shawn succeeded Harold Ross. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time.

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…From the New Yorker‘s Culture Desk, February 25, 2017, “Looking At The Field” Roger Angell on James Stevenson’s art and writing.

photo: Mr. Stevenson in Westport, Connecticut in 2015

 

 

 

 

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Oscar Time!

…Liza Donnelly has been out in Hollywood all week drawing  the scene as the Academy Awards prepares for its big night. Following her historic appearance last year as the first ever cartoonist live drawing on the Red Carpet, she will be back again tomorrow night drawing the stars and the hooplah.

Check out her drawings @lizadonnelly  and  @CBSThisMorning

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The New Yorker’s  Oscar cover, February 27, 2017 by Eric Drooker (titled “#OscarsNotSoWhite”)

 

 

 

 

 

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…I’ll wrap up this post appropriately enough with Bob Eckstein’s Eustace holding an Oscar. Be sure to follow Mr. Ecksteins coverage of the big event on newyorker.com 

 

 

 

 

 

 

 

 

Cartoonists Gather for The New Yorker’s Holiday Party

new-yorker-holiday

 

 

 

 

 

 

 

 

 

Once or twice a year New Yorker cartoonists gather to do something other than show their work.  Yesterday was one of those days — the annual holiday party (which includes all of the editorial staff, not just the artists). In years past the party has been mostly out-of house; this year it was in-house. Too-many-to-count boxes of pizza were spread out on long tables. Bottles of wine and large bottles (jugs?) of beer were here and there on other tables in a hallway and adjoining conference room. The place was packed.  The magazine’s editor, David Remnick was spotted wending his way through the throng, slice of pizza in hand.

A small framed copy of the cover of the magazine’s first issue hung in one of the hallways as well as a number of blow-ups of New Yorker covers. A good number of cartoons  lined the walls (some framed, some greatly enlarged). Was happy to see that Peter Arno’s “Well, back to the old drawing board!” continues to reside among the framed pieces. I paused to spend some time with the  wonderful  Thurber drawings, lovingly installed in these new digs.

Among the cartoonists present were Sam Gross, Joe Dator, Christopher Weyant, Robert Leighton, Liza Donnelly, Emily Flake, Edward Steed, Corey Pandolf, Bob Eckstein, Amy Hwang, Harry Bliss, Jason Adam Katzenstein, John O’Brien, Felipe Galindo (aka feggo), Drew Dernavich, Ben Schwartz, David Borchart, Mort Gerberg, and David Sipress.

A splendid time was had by all!