Liniers, the Musician; PR: More Nancy, More Blitt; Bob Eckstein’s Daily News Op-Ed

Liniers, the  Musician

“The Argentine Cartoonist Who Moonlights As A Rock Nerd” — a piece about Liniers, the fellow responsible for the above 2016 anniversary cover. Read it here

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More Nancy, More Blitt

From the Vineyard Gazette, “When Brevity  Underscores Genius, A Good Laugh Is Around the Corner”  — a piece on Karasik & Newgarden’s How To Read NancyRead it here.

…And here’s an interview with  Barry Blitt on The Roundtable on WAMC in Albany.  Mr. Blitt is on tour promoting his anthology, Blitt. Listen here.

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Bob Eckstein’s New York Daily News Op-Ed

Mr. Eckstein‘s latest Op-ed piece in the Daily News. Read it here.

Podcast of Interest: Barry Blitt Talks New Yorker Covers; Attempted Bloggery on The George Booth Exhibit, Opening Today at The Society of Illustrators

Barry Blitt Talks New Yorker Covers

Gil Roth’s Virtual Memories Show is chock-full of Mr. Roth’s interviews with New Yorker contributors (weighted heavily with folks from the art and cartoon departments).  His latest interviewee is Barry Blitt, whose anthology is just out today (Blitt, Riverhead Books).  Hear the podcast here, and don’t forget to check out the list of Mr. Roth’s previous guests. 

And more Blitt… this interview on Literary Hub, October 24, 2017 — “New Yorker Cartoonist Barry Blitt: How Far Is Too Far In the World of Political Satire?”

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Attempted Bloggery on the George Booth Exhibit at The Society of Illustrators

Attempted Bloggery reminds us of a previous Booth exhibit in the Big Apple (back in 1978 at Barbara Nicholls’ Gallery*), while also reminding us that Mr. Booth’s exhibit opens today at The Society of Illustrators.  The Opening Reception, sure to be packed with cartoonists, will be this coming Friday night, the 27th.  Mr. Booth, who has been contributing his work (cartoons and covers) to The New Yorker since 1969 is indisputably one of the magazine’s greatest cartoonists. This exhibit should not be missed.

*Ms. Nicholls began working at The New Yorker in 1960 in the fiction department, eventually moving over to the Art Department where she was an assistant  to the New Yorker‘s art editor. James Geraghty. After leaving The New Yorker she went on to represent a number of marquee cartoonists, including Charles Addams and Peter Arno.