The Monday Tilley Watch, The New Yorker Issue of July 2, 2018

  Link here to read what Barry Blitt had to say about his tied-in to the headlines cover (shown above).

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One of these days I’m going to gather all the New Yorker covers that’ve incorporated the Statue of Liberty. For now, I took a look back to see when Lady Liberty first appeared on a New Yorker cover. Surprisingly, it took awhile to show up what with the the magazine being, in those earliest of issues, so New York City-centric. Its debut was on the Sue Williams cover of September 7, 1929:

 The Statue’s next appearance was on the cover of June 24, 1939, when artist Leonard Dove incorporated it humorously:

It wasn’t until the end of WW2 that the statue appeared again — in the issue dated the week the war ended with Japan’s surrender. Alan Dunn shows us a troop ship arriving home in New York Harbor; soldiers are sticking their heads out of portholes, looking to see Lady Liberty way off in the distance, her silhouette just barely decipherable. Graphically speaking, in this instance less is powerfully more.

And now on to the current issue, close to seventy-three years later.  From the Dept. of Just Sayin’:  21 illustrations this week, 3 of them full pages. Just 10 cartoons (plus one full page by Ed Steed).

Noting two of the ten this week: Roz Chast makes excellent use of one of the cartoonist’s handiest tools: the hot dog cart. In this case it’s floss being sold not franks. What I really like about Ms. Chast’s cartoon is that it falls into the wonderful New Yorker cartoon vein of being both surprising and highly relatable. It delivers on Peter Arno’s definition of a good cartoon: a drawing that deals a one-two punch.  If the Spill handed out ribbons like they do over on the Cartoon Companion site, this cartoon would be awarded one. The Spill does, however, applaud.

The other cartoon noted is by Seth Fleishman.  Bulls driving racing cars at Pamplona, with the lead car driven by a person.  A lovely drawing. I believe there are at least two Charles Addams cartoons with a moose driving a car, but bulls driving cars is a rarity. One somewhat closer to Mr. Fleishman’s that comes readily to mind (forgive me) is a drawing of mine from the ancient times. It appeared in The New Yorker, March 7, 1989 — technically, those are steer.

 

For the record, your honor, here’s the list of cartoonists in the issue (the aforementioned Mr. Steed’s page is listed higher up on the Table of Contents):

Lastly, here’s Rea Irvin’s iconic masthead from The New Yorker.  It disappeared in May of 2017, bafflingly replaced by a redrawn version. For more on this, go here.

— See you next week

  

 

  

 

 

 

Early Reveal: Next Week’s New Yorker Cover; Cover Exhibit Of Interest: Underground Heroes: New York Transit In The Comics; Addams Hometown Throws Addams Fest in October

 Early Reveal: Next Week’s New Yorker Cover

Upcoming New Yorker covers are usually posted early Monday morning, but occasionally we get an advance look.  Barry Blitt is the cover artist for next week’s issue. 

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Exhibit Of  Interest: Underground Heroes: New York Transit In The Comics

Opening today at the New York Transit Museum in downtown Brooklyn, this fabulous exhibit  comprised of “satirical cartoons, comic strips and comic books from the 19th to 21st centuries.” Works by over 120 artists are represented including the following New Yorker contributors: Roz Chast, Peter Kuper, Eric Drooker, Ben Katchor, Julia Wertz, and Art Young.  Along with the art, there will be panel discussions, gallery talks and sketch nights.

For all the info go here.

(cartoon courtesy of Peter Kuper)

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Addams Hometown Throws  Addams Fest in October

Mark your calendar: Charles Addams’ hometown will hold its first Addams Fest over three days in October (26, 27, and 28). Lectures, exhibits and screenings are planned.  Read about it here.

Above: a screen shot of a very short teaser video for the fest.

Here’s Mr. Addams entry on the Spill‘s A-Z:

 

 

 

 

Charles Addams (above) Born in Westfield, New Jersey, January  7, 1912. Died September 29, 1988, New York City. New Yorker work: 1932 – 1988 * the New Yorker has published his work posthumously. One of the giants of The New Yorker’s  stable of artists.  Key cartoon collections: While all of Addams’ collections are worthwhile, here are three that are particular favorites; Homebodies (Simon & Schuster, 1954), The Groaning Board (Simon & Schuster, 1964), Creature Comforts (Simon & Schuster, 1981). In 1991 Knopf published The World of Chas Addams, a retrospective collection. Visit the Addams Foundation website for far more information : http://www.charlesaddams.com/

 

The Tilley Watch Online: May 21- 25, 2018; Edward Sorel’s Rise and Fall of Truman Capote

Mostly Trumpian Daily cartoons this week (as they’ve been for quite some time), with a bonus Daily courtesy of Barry Blitt on Friday. Others contributing through the week: Peter Kuper (twice), Lars Kenseth, David Sipress and Brendan Loper.  

Daily Shouts contributing New Yorker cartoonists were:  Sophia Warren & Jeremy Nguyen (a team effort, Liana Finck, Jason Adam Katzenstein (with Karen Chee), and Maggie Larson.

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Edward Sorel in The New York Times Book Review

I should’ve mentioned this a while back, but better late than…well you know. Our grand master of caricature, Edward Sorel has been working on a series of back pages for The New York Times Book Review. His latest: “The Rise and Fall of Truman Capote” appears this week.

Mr. Sorel has been contributing to The New Yorker since 1990.

Link to his website here.

 

The Tilley Watch Online: The Week of April 23 – 27

This week’s Daily cartoons: Trump, Trump, Trump, Trump, TV.  

Brought to you by: David Sipress, whose work book-ended the week, first with a Trumpian cartoon on Monday, and on Friday with a Handmaid’s Tale/Westworld themed cartoon; a very very Trumpian cartoon by Peter Kuper, a Trumpish cartoon by Brendan Loper, and a Lars Kenseth Trump/Macron cartoon.

New Yorker cartoonists contributing to the Daily Shouts: Jason Adam Katzenstein (with Phil McAndrew), and Barry Blitt.

All of the above and more can be found here.

Blitt’s 15th Trump NYer Cover; Brand New NYer Cartoons Rated by Cartoon Companion; Library of Congress’s “Drawn To Purpose: American Women Illustrators and Cartoonists”; More Spills: Cartoonists to Unveil a Mural in Brooklyn, Reginald Marsh Diary Entries, An $800.00 Edition of The New Yorker Encyclopedia of Cartoons

Blitt’s 15th Trump New Yorker Cover

The New Yorker sometimes releases its next cover several days early. Today is one of those days. According to the magazine’s covers editor, this is Barry Blitt’s 15th Trump New Yorker cover. For more on Mr. Blitt and his cover, go here.

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Brand New New Yorker Cartoons Rated by Cartoon Companion

If you’re looking for New Yorker cartoon dissection, this is the place for you.  “Max” & “Simon” take you through every cartoon in the latest New Yorker and assign each a rating of 1 – 6 (6 being the top). 

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Library of Congress’s Drawn to Purpose: American Women Illustrators and Cartoonists

This title is now available.  Read all about it here!

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There’s a new mural in town: New Yorker cartoonists Corey Pandolph and Drew Dernavich will reveal the piece this Sunday at Crystal Lake Brooklyn at 647 Grand St.. The Unveiling Party, from 6 -9, is open to the public.

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The Diary Review, has a short piece on Reginald Marsh.  Read it here.

Here’s Mr. Marsh’s entry on the A-Z:

 

 

 

Reginald Marsh (above) Born in Paris, March 14, 1898, died in 1954: New Yorker work: 1925 -1944. More information: http://www.dcmooregallery.com/artists/reginald-marsh

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The Spill has been following information being released on the upcoming New Yorker Encyclopedia of Cartoons (two volumes totaling 1536 pages). The publisher (previously Blackdog & Leventhal, now Running Press) now lists a deluxe version for $800.00. No info (yet) on what to expect for that much dough.

Here’s a screenshot of the listing — the deluxe version is at the bottom, sans cover image: