Marisa Acocella’s Animation; Blog Post of Interest: Captionless Cartoons; Campbell Fest Rolls On

Marisa Acocella’s Animation

Marisa Acocella’s animated “Mission Control” is up on Youtube See it here.

Ms. Acocella began contributing to the New Yorker in 1998.  Her most recent book was Ann Tenna.

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Blog Post of Interest: Captionless Cartoons

Thanks to Dick Buchanan by way of Mike Lynch’s blog we can see a sampling of non-New Yorker captionless cartoons from 1938 – 1970.  A number of New Yorker cartoonists are represented, such as Everett Opie, above. See all the work here. 

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E. Simms Campbell Fest Continues on Attempted Bloggery

Stephen Nadler’s blog continues to direct a spotlight on Mr. Campbell’s Esquire work.  See the latest post here!

Here’s Mr. Campbell’s entry on the A-Z:

E. Simms Campbell (above) Born, 1906. Died, 1971. New Yorker work: 1932 -1942. Key collections: Cuties in Arms (1943) – the earliest published collection of cartoons by an African-American cartoonist); More Cuties in Arms (also 1943); and Chorus of Cuties (1953)

Lots More E. Simms Campbell on Attempted Bloggery; New Yorker State of Mind on the New Yorker’s 1929 Anniversary Issue

Lots More E. Simms Campbell on Attempted Bloggery

Stephen Nadler’s Attempted Bloggery continues its E. Simms Campbell fest with a lot more drawings. Go see!

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New Yorker State of Mind on the New Yorker’s 1929 Anniversary Issue

Another Ink Spill favorite blog, A New Yorker State of Mind: Reading Every Issue of The New Yorker looks at the magazine’s fourth anniversary issue. Much fun!

 

 

Article of Interest: A Wave of New Yorker Cartoonists; Cartoon Companion Rates Latest Cartoons; The Attempted Bloggery E. Simms Campbell Fest Continues

Article of Interest: A Wave of New Yorker Cartoonists

Graham Techler’s article in Paste, March 1, 2018,  “The Exciting New Wave of New Yorker Cartoonists” spotlights eight cartoonists — all veteran newbies (meaning they are not among the very latest cartoonists appearing in the magazine), and a few cartoonists who’ve moved beyond the newbie classification (I’ve provided the year each began contributing to the magazine): Charlie Hankin (2013), Paul Noth (2004), Jason Adam Katzenstein (2014), Tom Toro (2010), Amy Hwang (2010), William McPhail (2014), Maddie Dai (2017), Emily Flake (2008).  For what it’s worth, the eight mentioned are among the 128 cartoonists that have debuted since 2004, the year of Mr. Noth’s first New Yorker cartoon. More a New Tsunami than a New Wave.

A couple of Spill footnotes on the below segment of Mr. Techler’s piece:

“They [the cartoons] were never actually bad (I mean, come on, each era of the magazine was represented by everyone from Peter Arno to James Thurber to Bruce Eric Kaplan—legend has it that the improved quality of the cartoons in the 1940s was attributed to office boy Truman Capote throwing away the ones he didn’t like); they were just perceived as a little out of touch with what the rest of the comedy world was embracing.”

First: “…legend has it that the improved quality of the cartoons in the 1940s was attributed to office boy Truman Capote throwing away the ones he didn’t like)”:

Perhaps it’s time to retire the myth that Mr. Capote was throwing away drawings he didn’t like.  Mr. Capote worked as a copy boy at the New Yorker for approximately two years in the early 1940s (he was hired sometime in 1942 and left the magazine sometime in 1944). One of his responsibilities was going through the unsolicited drawings in the slush pile looking for anything with promise. The drawings with some promise were then gone through by the art editor, James Geraghty.  If he found anything worthy he’d bring it along to the art meeting. If you go to page 73 of Gerald Clarke’s biography, Capote (Simon & Schuster, 1988), you’ll hear find this passage with Mr. Capote talking about the lost drawings:

 “Sometimes I would get the cartoons all messed up and confused.  Then I would just throw them into one of those holes and say to myself, ‘Well, I’ll straighten that out later.’ I managed somehow to to lose about seven hundred of them that way. I didn’t deliberately destroy them, and I don’t know how I lost track of them. But I did…”

Second: “they were just perceived as a little out of touch with what the rest of the comedy world was embracing.”

I’m not exactly sure what Mr. Techler means.  Which era or eras is he referring to?  A specific era? All eras?  When were they “perceived as a little out of touch” (and who was doing the perceiving?).

(If Mr. Techler wishes to clarify, The Spill will gladly post his remarks). 

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Cartoon Companion Rates Latest Cartoons

If it’s Friday (and it is), then a brand new Cartoon Companion awaits. The CC boys “Max” and “Simon” have run their trusty fine tooth combs through the cartoons in the latest New Yorker. Read it here.

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The Attempted Bloggery E. Simms Campbell Fest Continues

Stephen Nadler has posted a lot of interesting pieces in the last few days, including cartoons appearing in a small promotional Esquire booklet (or sampler); a bunch of work by Dorothy McKay, and of course more work by his current fest focus: E. Simms Campbell. Go look!

Here’s Ms. McKay’s entry on the Spill‘s A-Z:


Dorothy McKay ( Self portrait above from Meet the Artist, 1943; Photo from Cartoon Humor, 1938) Born c.1904, died June, 1974 New York City. New Yorker work: 1934 -1936.

The Tilley Watch Online; E. Simms Campbell’s 1933 Map of Harlem Night Clubs

A shortened Daily Cartoon week ( due to the holiday?) with David Sipress (a Trump drawing),  Brendan Loper (two gun control drawings), Jeremy Nguyen (a gun control drawing), Peter Kuper (a gun control drawing), and Barry Blitt (a Trump/Olympics drawing).

Over on Daily Shouts a lot of contributing New Yorker cartoonist activity: Liana Finck’s ongoing advice piece, Will McPhail on writers, and Olivia De Recat on pets.

See all the work (and then some) here.

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E. Simms Campbell’s 1933 Map of Harlem Night Clubs

Stephen Nadler shows us a beautiful E. Simms Campbell piece on today’s Attempted Bloggery. Below’s a sample .  To see the entire piece go here.

 

Cartoon Companion Rates the Latest New Yorker Cartoons; E. Simms Campbell Fest Rolls on at Attempted Bloggery; A Thurber Original On Ebay Offered For $20,000.00

The Cartoon Companion‘s “Max” and “Simon” point their critical spotlight on the cartoons in the latest New Yorker (the issue of  February 26, 2018).  Read it here!

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 E. Simms Campbell Fest Rolls On at Attempted Bloggery

Stephen Nadler’s Attempted Bloggery continues to highlight work by the prolific cartoonist, E. Simms Campbell. See it here.

For more on Mr. Campbell, link here.

(above, Mr. Campbell’s The Blues, from Esquire, 1939)

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A Thurber Original on Ebay Offered For $20,000.00

From the Dept. of Hey Big Spender: an original Thurber that appeared in The New Yorker, May 21, 1938, and was republished in Thurber’s collection, Men Women and Dogs (Harcourt, Brace & Co., 1943) is up for grabs on Ebay with the asking price of…$20,000.00.

  I’m almost certain the aforementioned Mr. Nadler of Attempted Bloggery will let us know how this auction turns out (his site specializes in examining auctioned New Yorker art). Below is what the drawing looked like in the magazine way way back when it was originally published.