Thurber’s Dogs Set to Music; The Spill Responds to a Response; Time Traveling: Saturday Evening Post Cartoons From the 1950s

Thurber’s Dogs Set to Music

Attempted Bloggery has posted this curio: Thurber’s Dogs set to the music of Peter Schickele.  Until yesterday, I’d never heard of this. 

It’s not the first time Thurber’s work has crossed over from print to music. In one of the many high points of Thurber’s career, his best-seller, The Thurber Carnival was transformed into a  a very successful playwith Thurber himself taking the stage. 

A soundtrack for the show was issued –it includes a booklet of his drawings.

The play won a Special Tony Award in 1960.  Video exists of Thurber accepting the award (with Burgess Meredith). You can see it here (Thurber takes the stage at the 25:50 mark).

 

 

 

 

 

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Blog of Interest

In response to The Spill‘s mention of Arnold Zwicky’s Blog the other day,  Mr. Zwicky posted this on his site:

“Note from Michael Maslin on his Inkspill blog (“New Yorker Cartoonists News and Events”), appearing as a comment on a recent posting of mine here:

As you see, Mr. Zwicky’s blog is “mostly about language”; when it’s about the language of New Yorker cartoons it will be mentioned here

This could get burdensome. I’ve posted here over a hundred times about New Yorker cartoons and covers; these are indexed in a Page on this blog, with subpages for (so far) 25 specific artists…”

Ink Spill’s response to Mr. Zwicky’s response:

Dear Mr. Zwicky,

It is a burden The Spill will happily bear.

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Time-Traveling: Saturday Evening Post Cartoons From the 1950s

Mike Lynch’s has posted Eisenhower-era  Saturday Evening Post cartoons (and a few that appeared in Collier’s) including this one from the late great New Yorker cartoonist,  Barney Tobey.

Here’s Mr. Tobey’s A-Z entry on the Spill:

Barney Tobey (photo above from Think Small, a book of humor produced by Volkswagon) Born in New York City, July, 18, 1906, died March 27, 1989, New York. New Yorker work: 1929 -1986. Essential collection: B. Tobey of The New Yorker (Dodd Mead & Co., 1983)

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Note:  An exhibit of Bob Mankoff’s work will run from July 20 through Oct. 20 at the Charles P. Sifton Gallery in the Theodore Roosevelt United States Courthouse in Brooklyn.

 

 

 

 

An Ink Spill Exclusive: Tom Toro’s 4 Page Playboy Spread; Attempted Bloggery, Past & Present; New Case For Pencils w/ Joana Avillez

An Ink Spill Exclusive: Tom Toro’s 4 Page Playboy Spread

Playboy‘s recently revived cartoon presence features Tom Toro in a big way, namely a four page spread in the July/August issue. Courtesy of Mr. Toro and Playboy, Ink Spill is pleased to show you the feature, “Travels With Toro” in its entirety (click on the work to enlarge): 

 

 

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Attempted Bloggery, Past & Present

Through the magic of Facebook or Twitter (can’t recall, and it’s not that important) I ran across mention of a three year old Attempted Bloggery post on the great artist Alajalov.  So, belatedly, here it is, from June 14, 2014: “Summing Up Constantin Alajalov”

(pictured left: Mr. Alajalov)

…and posted more  recently  this interesting Attempted Bloggery piece about Ray Rohn, a  New Yorker cover artist with one cover to his credit. “Ray Rohn: A Portrait of a Serviceman”

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A New Case For Pencils with Daily Shouts artist, Joana Avillez

Jane Mattimoe’s latest Case For Pencils is up, with this look at Joana Avillez‘s tools of the trade.  Ms. Avillez’s work has been seen on the New Yorker‘s Daily Shouts as well as in print on Shouts & Murmurs.

See it here!

Lou Myers’ Times Square; The Addams Family House…in Plastic

From Attempted Bloggery, June 11, 2017, “Lou Myers in Times Square” — this piece on a Lou Myers tour de force promotional mailer from 1973.

Mr. Myers, who died in November of 2005, contributed stories, cartoons and one cover to the New Yorker from 1974 through 1989. 

In Mr. Myers’ NYTs obit, Steven Heller wrote: “Mr. Myers developed a deceptively childlike, raw, black brushstroke that gave the illusion of lightheartedness.  But his cartoons were more like comic bombs that exploded political and social taboos.”

 

Here’s his  terrific New Yorker cover and a Myers cartoon collection from 1980.

 

 

 

 

 

 

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Courtesy of David Pomerantz, this fun ad:

 

 

Mick Stevens’ Batch of the Month Club is Back; Attempted Bloggery’s “Name That Cartoonist”

 

 

 

Mick Stevens — one of the best there is in the New Yorker ‘s stable — has revved-up his Batch Club again. Check it out here.

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Attempted Bloggery caught my attention with this Name That Cartoonist challenge.

Below is a snippet of the unsigned drawing  by the mystery cartoonist in question.  To see the whole cartoon, go here.

 

Fave Photo of the Day: Nurit Karlin and Liza Donnelly; Eldon Dedini’s Concours d’Elegance Posters; Latest Addition to Ink Spill’s Archives: A 1926 New Yorker Advertising Booklet

Below’s a photo of two wonderful New Yorker cartoonists taken this morning in Tel Aviv. On the left is Liza Donnelly (no stranger to the Spill)  and to the right is Nurit Karlin, who we don’t see enough of here.  I think of Ms. Karlin’s work (as I think of Ms. Donnelly’s work) in the Thurber school: a simple line beautifully executing a solid idea.

Here’s Ms. Karlin’s entry on the Spill’s A-Z: Born in Jerusalem. NYer work: 1974 – . Collection: No Comment (Scribner, 1978). For more on Karlin see pp 124 -130 of Liza Donnelly’s Funny Ladies : The New Yorker’s Greatest Women Cartoonists and Their Cartoons (Prometheus Books, 2005)

photo: Daniel Kenet/Gretchen Maslin

 

 

 

 

 

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From Attempted Bloggery, June 4, 2017, “Eldon Dedini: Concours d’Elegance” — Stephen Nadler, who specializes in digging deep, takes a look at some lesser-known  work by the great Mr. Dedini. See it all here.

 

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Tom Bloom, indefatigable collector and illustrator, dropped by the Spill’s world headquarters yesterday, bearing a splendid gift: May we say a few words about our contemporaries” — a 23 page booklet, bound with a string cord,  printed on “nice” paper (that is to say, it’s not lightweight bond).  Aimed at advertisers, it offers a survey of other publications in the New York market (The New York Times, The World, The Herald Tribune, etc.) before finally getting around to the virtues of advertising in The New Yorker. The pages are adorned with a good number of  New Yorker spot drawings by such artists as  Alice Harvey, Hans Stengel, Helen Hokinson, Alan Dunn, and the one-and-only Rea Irvin, who supplies the Eustace Tilleys . 

The copy shown below states the New Yorker had been publishing for a “scant twenty months”  — placing the booklet’s vintage approximately October of 1926. 

My thanks to Tom for this fabulous addition to the archives.

 

 

 

 

 

 

 

 

 

 

 

 

Seth Returns to The Virtual Memories Show; A Tune Jokes Cover; Now That’s What I Call Marketing…

New Yorker cover artist, Seth (Gregory Gallant) returns to Gil Roth’s Virtual Memories podcast.  Hear it here.  And while you’re there check out Mr. Roth’s  archive of interviews with other cartoonists, including, among others, these New Yorker contributors: Edward Koren, Roz Chast, Sam Gross, Liza Donnelly, R.O. Blechman, Peter Kuper, and John Cuneo.  

 

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We have not heard the last of the cartoonist, Buford Tune (mentioned here yesterday).  To the left is a snippet of a Tune cover that has surfaced courtesy of Columbia University’s Karen Green.  See the entire cover over at Attempted Bloggery.

 

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Here, by way of Danny Shanahan, who donates most generously to the Spill‘s archives, is a box of  Le Pen markers with an understated New Yorker connection.