Lou Myers’ Times Square; The Addams Family House…in Plastic

From Attempted Bloggery, June 11, 2017, “Lou Myers in Times Square” — this piece on a Lou Myers tour de force promotional mailer from 1973.

Mr. Myers, who died in November of 2005, contributed stories, cartoons and one cover to the New Yorker from 1974 through 1989. 

In Mr. Myers’ NYTs obit, Steven Heller wrote: “Mr. Myers developed a deceptively childlike, raw, black brushstroke that gave the illusion of lightheartedness.  But his cartoons were more like comic bombs that exploded political and social taboos.”

 

Here’s his  terrific New Yorker cover and a Myers cartoon collection from 1980.

 

 

 

 

 

 

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Courtesy of David Pomerantz, this fun ad:

 

 

Mick Stevens’ Batch of the Month Club is Back; Attempted Bloggery’s “Name That Cartoonist”

 

 

 

Mick Stevens — one of the best there is in the New Yorker ‘s stable — has revved-up his Batch Club again. Check it out here.

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Attempted Bloggery caught my attention with this Name That Cartoonist challenge.

Below is a snippet of the unsigned drawing  by the mystery cartoonist in question.  To see the whole cartoon, go here.

 

Fave Photo of the Day: Nurit Karlin and Liza Donnelly; Eldon Dedini’s Concours d’Elegance Posters; Latest Addition to Ink Spill’s Archives: A 1926 New Yorker Advertising Booklet

Below’s a photo of two wonderful New Yorker cartoonists taken this morning in Tel Aviv. On the left is Liza Donnelly (no stranger to the Spill)  and to the right is Nurit Karlin, who we don’t see enough of here.  I think of Ms. Karlin’s work (as I think of Ms. Donnelly’s work) in the Thurber school: a simple line beautifully executing a solid idea.

Here’s Ms. Karlin’s entry on the Spill’s A-Z: Born in Jerusalem. NYer work: 1974 – . Collection: No Comment (Scribner, 1978). For more on Karlin see pp 124 -130 of Liza Donnelly’s Funny Ladies : The New Yorker’s Greatest Women Cartoonists and Their Cartoons (Prometheus Books, 2005)

photo: Daniel Kenet/Gretchen Maslin

 

 

 

 

 

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From Attempted Bloggery, June 4, 2017, “Eldon Dedini: Concours d’Elegance” — Stephen Nadler, who specializes in digging deep, takes a look at some lesser-known  work by the great Mr. Dedini. See it all here.

 

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Tom Bloom, indefatigable collector and illustrator, dropped by the Spill’s world headquarters yesterday, bearing a splendid gift: May we say a few words about our contemporaries” — a 23 page booklet, bound with a string cord,  printed on “nice” paper (that is to say, it’s not lightweight bond).  Aimed at advertisers, it offers a survey of other publications in the New York market (The New York Times, The World, The Herald Tribune, etc.) before finally getting around to the virtues of advertising in The New Yorker. The pages are adorned with a good number of  New Yorker spot drawings by such artists as  Alice Harvey, Hans Stengel, Helen Hokinson, Alan Dunn, and the one-and-only Rea Irvin, who supplies the Eustace Tilleys . 

The copy shown below states the New Yorker had been publishing for a “scant twenty months”  — placing the booklet’s vintage approximately October of 1926. 

My thanks to Tom for this fabulous addition to the archives.

 

 

 

 

 

 

 

 

 

 

 

 

Seth Returns to The Virtual Memories Show; A Tune Jokes Cover; Now That’s What I Call Marketing…

New Yorker cover artist, Seth (Gregory Gallant) returns to Gil Roth’s Virtual Memories podcast.  Hear it here.  And while you’re there check out Mr. Roth’s  archive of interviews with other cartoonists, including, among others, these New Yorker contributors: Edward Koren, Roz Chast, Sam Gross, Liza Donnelly, R.O. Blechman, Peter Kuper, and John Cuneo.  

 

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We have not heard the last of the cartoonist, Buford Tune (mentioned here yesterday).  To the left is a snippet of a Tune cover that has surfaced courtesy of Columbia University’s Karen Green.  See the entire cover over at Attempted Bloggery.

 

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Here, by way of Danny Shanahan, who donates most generously to the Spill‘s archives, is a box of  Le Pen markers with an understated New Yorker connection.

 

 

 

The Tilley Watch; Attempted Bloggery on Buford Tune; An Art Young Retrospective

…The latest issue of The New Yorker (it’s a double, covering June 5th & June 12th) contains a debut cartoon by  Maddy Dai. Here’s her website.

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After a bunch of fun posts about the cartoonist, William Von Riegen, Stephen Nadler at Attempted Bloggery has focused on yet another New Yorker cartoonist whose name might not be familiar to many of us: Buford Tune.  Mr. Tune is a member of Ink Spill‘s “One Club” (meaning he had just one cartoon published in The New Yorker in his career, in the issue of October 10, 1936). Mr. Nadler shows us several College Humor drawings by Mr. Tune.   Read all about it here.

 

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This upcoming retrospective of Art Young’s work (to be published by Fantagraphics) was mentioned here awhile back, but is worth noting again as the pub date approaches (August 1).  And now there’s a cover to show!

Of further interest: the Art Young Gallery in Bethel Connecticut.

Here’s Mr. Young’s entry on the A-Z:

Art Young (above) Born January 14, 1866, Illinois. Died December 29, NYC @ The Hotel Irving. An online biography. 1943. NYer work: 1925 -1933. The Art Young Gallery

 

John Donohue on Drawing Disappearing Eateries; Julia Wertz is Pencilled; The Tilley Watch: The New New Yorker Masthead

From  newyorker.com, May 23, 2017, ““Drawing the Vanishing Restaurants of New York” — this post by John Donohue, who has been tirelessly attempting to draw all the restaurants in New York.

 

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Next up on Jane Mattimoe’s Case For Pencils blog is Julia Wertz, whose new book, Tenements, Towers & Trash: An Unconventional, Illustrated History of New York City will be out this coming October. 

A bunch of links to Ms. Wertz’s work, New Yorker and otherwise can be found on the Pencils post.

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…Stephen Nadler, who runs Attempted Bloggery, one of my fave New Yorker-related sites, notified me last night that someone had been busy monkeying around with Rea Irvin’s  iconic New Yorker masthead. Now’s a good time to take a look at how the masthead has changed (and when it changed) in the magazine’s 92 years.

 

 

 

 

 

 

Above is how it looked in the very first issue, February 21, 1925, with Of All Things beneath Rea Irvin’s design. The Talk of The Town was elsewhere in the issue, but would soon find a better fit…

 

 

 

 

 

…in the next issue, in fact: February 28, 1925 (above). The above masthead stuck around only half-a-year…

 

 

 

 

 

…until the issue of August 22 1925 (above), when it was obviously redrawn; the typeface changed too. 

 

 

 

 

 

In January 30, 1926 a cleaner, un-boxed masthead appeared, and again redrawn. This is the masthead most of us have known our entire lives.  It has stayed like this, unchanged, excepting the disappearance of the tiny little white dots on Eustace Tilley’s shoulder — they faded away somewhere in time.  A modern addition was a designery horizontal thin line above it in the anniversary issue of February 21, 2000. 

 

 

 

 

 

This brings us up to date. The above redesign first appeared in the issue of May 22, 2017.  Mr. Irvin’s charmingly imperfect scroll-like line has met a white-out brush.  His owl has been re-drawn, his buildings re-drawn too (with the inclusion of One World Trade Center in this new assortment).  Tilley himself has changed just a bit, from the neck up.  The designery horizontal line from 2000 remains (why toss out a perfectly good clean straight line?).  

A fond farewell to Mr. Irvin’s brilliant diamond.  Perhaps we’ll meet again?  

More Tilley: here’s a piece I wrote for newyorker.com back in 2008, “Tilley Over Time”

 

 

 

 

 

 

 

Latest New Yorker Cartoons Rated; More Von Riegen, and Some Corey Ford

 

 

 

It’s good to see those anonymous critics, Max and Simon, are staying the course and digging into the cartoons appearing in each and every new issue of The New Yorker. This week they look at (and rate) cartoons featuring, among other things, a snail, a yodeler, a proud woodsman, subway rats, and some gangsters wearing matching pants and shirts. 

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And swinging back over to Attempted Bloggery, the William Von Riegen material keeps on-comin. I like that this book jacket cover featuring Mr. Von Riegen’s art was featured.  One of the book’s co-authors is Corey Ford, who will be no stranger to New Yorker history buffs (he gave name to Eustace Tilley).  Here’s the very rare book containing the Making of a Magazine pieces Mr. Ford contributed to the New Yorker in its infancy (this is a screen grab — the book is, alas, not in the Spill’s library, although a promotional booklet of the material, donated by a generous collector, is).  

You can read Mr. Ford’s pieces here