P. G. Garetto Added to the Spill’s One Club; Advertising Work by New Yorker Cartoonists, Part 9: Mary Gibson; Latest New Yorker Cartoons Rated; Talkin’ Bout Art Young

I have Joe Dator’s latest New Yorker cartoon to thank for my coming upon the cartoon shown by P. G. Garetto. Found in the issue of September 3, 1938, this was the first and last time (Ms. or Mr.) Garetto’s work appeared in the New Yorker, thus an immediate qualifier for the Spill’s One Club. The club is limited to cartoonists who have contributed just one drawing to the magazine in their career.  Every member is identified on the Spill’s A-Z by the red top-hatted  fellow you see below. 

But back to Mr. Dator.  After seeing his drawing I wanted to know how many other zebra drawings had appeared in The New Yorker (less than two dozen). I was looking through the magazine’s database when P.G. Garetto’s name showed up.  I knew I’d never seen it before. A further New Yorker database search turned up no other contributions from this artist.  So welcome to the One Club, P.G. Garetto!

I’ve shown some of the text surrounding the cartoon because of the unusual placement of the two dots just above the drawing.  These two dots have been appearing below the magazine’s cartoons every now and then since the magazine began. I’ve never seen them appear above a cartoon,  until now.  Brendan Gill, in his book Here At The New Yorker, wrote about the dots:

“…unless I have been deliberately kept in ignorance of their true meaning throughout all these years, the dots (which can indeed be found under some of our drawings) are, like so many other things in the magazine, vestiges of notions of design that originated in the twenties and that have survived…”

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Advertising Work by New Yorker Cartoonists, Part 9: Mary Gibson

Mary Gibson had a brief run in the New Yorker, with eight drawings published in  seven years.

In Liza Donnelly’s Funny Ladies, a history of women cartoonists in the New Yorker, she says of Ms. Gibson’s work: “She…began by drawing cartoons about women in the military, which included subjects ranging from the stocking shortage to WACs needing a hairdresser…after the war was over, Gibson’s cartoons looked more like Hokinson imitations and were concerned with insecure, middle-aged women.” 

Dates for these ads: 1950 for the upper row; 1951 for the bottom row.

 

 

 

 

 

 

Mary Gibson’s entry on the Spill’s A-Z:

Mary Gibson (self portrait from Best Cartoons of the Year 1947) New Yorker work: eight drawings, June 26, 1943 – April 29, 1950.

Note: My thanks to Warren Bernard, the Executive Director of SPX, for allowing Ink Spill access to his collection of advertisements by New Yorker artists.

 

 

 

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Latest New Yorker Cartoons Rated

Max and Simon, The Cartoon Companion’s anonymous duo, are back with a look at all the cartoons in the current double issue.  Among the drawings rated and inspected:  a case of leg-cast mistaken identity, concerned neighbors, mystery meat on sale, a musical jury, and an artist working, selectively, in 3-D. Read it all here.

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Talkin’ Bout Art Young

From the New Yorker’s Culture Desk, August 2, 2017,  “Art Young: Cartoonist For the Ages” — this piece by Francoise Mouly and Art Spiegelman in conjunction with the August 1st publication of  That We May Not Weep: The Life & Times of Art Young  (Fantagraphics) by Glenn Bray and Frank M. Young. (Mr. Spiegelman  contributes an essay to the book). 

Here’s Art Young’s entry on the Spill’s A-Z:

Art Young (above) Born January 14, 1866, Illinois. Died December 29, New York City at The Hotel Irving. An online biography. 1943. New Yorker work: 1925 -1933. The Art Young Gallery

 

 

 

Resist! #2 Arrives July 4th With An Abundance of New Yorker Contributors

 

The second issue of Resist!, a free “political comics zine of mostly female artists” (a “Man Cave” section is included) edited by Nadja Spiegelman and The New Yorker‘s art editor, Francoise Mouly, will be distributed this coming July 4th in comic book stores and out on the streets by volunteers (approximately 60,000 copies of the first Resist! were distributed this past January).

Go here to find out where you can find a copy near you

According to a press release “the free distribution of Resist! is intended as an Independence Day celebration of the First Amendment, of our diverse country and of our resilience.”

The Editors write in the introductory pages of #2: “These pages contain many individual realities.  They reflect topics as diverse as their contributors: the environment, immigration, racism and the economy.”

Artists represented in this 96 page anthology are from all over the world, but as the Spill’s focus is  primarily New Yorker contributors, I’m  listing the artists whose work has been published there.  In order of appearance:  Roz Chast, Kendra Allenby, Carol Lay, Ana Juan, Anita Kunz, Emily Flake, Amy Kurzweil, Kim Warp, Abigail Gray Swartz, Andrea Arroyo, Liniers, John Cuneo, Tom Toro, Peter Kuper,  Frank Viva, Paul Karasik, Art Spiegelman, R. Sikoryak, Dean Rohrer, Shannon Wheeler, and Daniel Clowes. 

 

 

 

 

 

 

 

 

For more information, link here to the Resist! website.

Credits:

Resist! #2 cover by Malika Fravre, a French artist living in London, England.

Across the Great Red States by Kendra Allenby, a cartoonist and storyboard artist living in Brooklyn, NY.  Her work has appeared in The New Yorker

“We’re looking for something that says ‘Death to the Patriarchy’…” by Amy Kurzweil, author of Flying Couches: A Graphic Memoir.  Her work has appeared in The New Yorker.

All art copyrighted by the respective artists.

 

Fave Photo of the Day: Kuper, Feiffer, and Spiegelman

Kuper Feiffer and Spiegelman

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Here’s a great photo of three New Yorker contributors known widely for their work outside of the New Yorker.  From left to right: Peter Kuper, Jules Feiffer, and Art Spiegelman. All three were at the Queens Museum taking a look at “Bearing Witness”, an exhibit of William Gropper‘s work Mr. Gropper was a New Yorker cartoonist also known for his work outside of the magazine. (photo courtesy of Mr. Kuper)

Link here to Peter Kuper’s website (if you go to the “What’s New” pencil on his site you’ll see his New Yorker work)

Jules Feiffer’s Wiki page

Art Spiegelman’s Wiki page

 

Ink Spill’s entry on its A-Z for Mr. Gropper:

William Gropper   (Self portrait, above from The Business of Cartooning, 1939)  Born, December 3, 1897, NYC. Died, January 6, 1977, Manhasset, NY. 1 drawing, April 11, 1942. Quote:”I owe a great deal to the east side of New York. I was hit on the head with a rock in a gangfight…that’s how I became an artist.” [Quote from catalogue, Meet the Artist, 1943]. For a brief bio of Gropper “the workingman’s protector” visit: http://specialcollections.wichita.edu/

Book of Interest: An Art Young Anthology

Due March of 2017 from Fantagraphics is an Art Young anthology: To Laugh That We May Not Weep. Art YoungHere’s some info from the publisher:

To Laugh That We May Not Weep is a sweeping career retrospective, reprinting ?often for the first time in 60 or 70 years? over 800 of Young’s timeless, charming, and devastating cartoons and illustrations, many reproduced from original artwork, to create a fresh new portrait of this towering figure in the worlds of cartooning and politics. With essays by Art Spiegelman, Justin Green, Art Young biographer Marc Moorash, Anthony Mourek, and Glenn Bray, with a biographical overview of Young’s life and work by Frank M. Young, To Laugh That We May Weep is a long-awaited tribute to one of the great lost cartoonists whose work is as relevant in the 21st century as it was in its own time.

Link here to read an Art Young appreciation by Art Spiegelman  in Harper’s

 

 

Ink Spill‘s Art Young entry:

Art Young (above)  Born January 14, 1866,  Illinois. Died December 29, NYC @ The Hotel Irving.  An online biography. 1943. NYer work: 1925 -1933.  The Art Young Gallery