Roz Chast Looks For A Pen; Tomorrow Night’s Book Signing of Interest: Marcellus Hall; Exhibit of Interest: Addams, Chon Day, Gahan Wilson, John Held Jr., Kunz, Jonik, Eckstein, Caldwell & More; Sarah Boxer in The Atlantic: “Why Is Trump So Hard to Caricature?”

Roz Chast Looks For a Pen

A fun post on Jane Mattimoe’s Case For Pencils blog: Roz Chast is asking for pen suggestions.  Read it here.

Note: Ms. Chast (along with the cover artist, Liniers, and several others) is a guest of honor at the upcoming MOCCA Festival at the Society of Illustrators. Info here.

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Tomorrow Night’s Book Signing of Interest: Marcellus Hall

This notice from the illustrator & New Yorker cover artist, Marcellus Hall:

This Thursday I’ll be at Desert Island Comics 6:50-9pm signing and selling my debut graphic novel, KALEIDOSCOPE CITY. During the first 45 minutes or so Ambrosia Parsley will join me as I sing a few songs and Gabe Soria will interview me. Come!
Marcellus
 
THURS MAR 15
DESERT ISLAND COMICS
540 Metropolitan
Williamsburg Brooklyn NY
6:50 – 9pm
FREE
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Exhibit of Interest: Sordoni Art Gallery At Wilkes University
 
News of an exhibit featuring a number of New Yorker contributors including Charles Addams, Chon Day, John Held, Jr. Bob Eckstein, John Caldwell, John Jonik, Anita Kunz, and Gahan Wilson.  Info here.
Below, the artists in the show:
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Sarah Boxer in The Atlantic: “Why Is Trump So Hard to Caricature?”
 
A fascinating article by Ms. Boxer.  It includes a number of New Yorker artists. Read it here.

 

Interview of Interest: Joe Dator; Society of Illustrators Art Young Panel Discussion w/ Kunz, Brodner & Spiegelman; A Smorgasbord of Cartoons by Pat Byrnes

Interview of Interest: Joe Dator

The Cartoon Companion has posted Part 2 of its interview with one of the New Yorker‘s best.  Read it here

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Society of Illustrators Art Young Panel

Check it out! Steve Brodner, Anita Kunz and Art Spiegelman will be at the Society of Illustrators on January 11, discussing Art Young.  All the info here.  (My thanks to Stephen Nadler of Attempted Bloggery for bringing this event to my attention).

Here’s Art Young’s entry on the Spill’s A-Z: Born January 14, 1866, Illinois. Died December 29, NYC @ The Hotel Irving. An online biography. 1943. New Yorker work: 1925 -1933. The Art Young Gallery

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A Smorgasbord of Cartoons by Pat Byrnes

From Esthetic Lens, January 4, 2018, “Comic Relief: The Art of Pat Byrnes”

To see even more of Mr. Byrnes’s work, visit his web site.

 

Just Opened! Library of Congress Exhibit “Drawn to Purpose: American Women Illustrators and Cartoonists; Advertising Work by New Yorker Cartoonists, Pt. 24: Otto Soglow’s Pudding Drawings; More Spills: Weyant and Twohy

Library of Congress Exhibit: Drawn to Purpose: American Women Illustrators and Cartoonists

From the LOC’s press release:

Original works by women cartoonists and illustrators are featured in a new exhibition opening at the Library of Congress on Nov. 18. Spanning the late 1800s to the present, “Drawn to Purpose: American Women Illustrators and Cartoonists” brings to light remarkable but little-known contributions made by North American women to these art forms.

Among the artists represented are New Yorker contributors Roberta MacDonald, Helen Hokinson, Liza Donnelly, Peggy Bacon, Roz Chast, and Anita Kunz.

Details here.

Above: March 1920 Vanity Fair cover by Anne Harriet Fish.

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Advertising Work by New Yorker Cartoonists, Pt. 24: Otto Soglow’s Pudding Drawings.

Here are three Royal Pudding ads by the great Otto Soglow.  All feature his iconic “Little King”;  for those wanting more Soglow I suggest finding a copy of the fab Cartoon Monarch: Otto Soglow & The Little King,  edited by Dean Mullaney (IDW, 2012). I’ve shown the cover below the ads.

All these pudding ads ran in 1955.  As has been the case with a very large percentage of the Spill’New Yorker ads series, my thanks go to Warren Bernard for his generosity.

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Two books of note.  One out in January and one not out for awhile. Both for kids.

Christopher Weyant has illustrated Laura Gehl’s My Pillow Keeps Moving (Viking Books for Young Readers).  Due in mid January 2018.

Mike Twohy‘s Stop! Go! Yes, No!: A Story of Opposites (Balzer & Bray) due in August of 2018.   Cover art not yet available

 

 

 

Resist! #2 Arrives July 4th With An Abundance of New Yorker Contributors

 

The second issue of Resist!, a free “political comics zine of mostly female artists” (a “Man Cave” section is included) edited by Nadja Spiegelman and The New Yorker‘s art editor, Francoise Mouly, will be distributed this coming July 4th in comic book stores and out on the streets by volunteers (approximately 60,000 copies of the first Resist! were distributed this past January).

Go here to find out where you can find a copy near you

According to a press release “the free distribution of Resist! is intended as an Independence Day celebration of the First Amendment, of our diverse country and of our resilience.”

The Editors write in the introductory pages of #2: “These pages contain many individual realities.  They reflect topics as diverse as their contributors: the environment, immigration, racism and the economy.”

Artists represented in this 96 page anthology are from all over the world, but as the Spill’s focus is  primarily New Yorker contributors, I’m  listing the artists whose work has been published there.  In order of appearance:  Roz Chast, Kendra Allenby, Carol Lay, Ana Juan, Anita Kunz, Emily Flake, Amy Kurzweil, Kim Warp, Abigail Gray Swartz, Andrea Arroyo, Liniers, John Cuneo, Tom Toro, Peter Kuper,  Frank Viva, Paul Karasik, Art Spiegelman, R. Sikoryak, Dean Rohrer, Shannon Wheeler, and Daniel Clowes. 

 

 

 

 

 

 

 

 

For more information, link here to the Resist! website.

Credits:

Resist! #2 cover by Malika Fravre, a French artist living in London, England.

Across the Great Red States by Kendra Allenby, a cartoonist and storyboard artist living in Brooklyn, NY.  Her work has appeared in The New Yorker

“We’re looking for something that says ‘Death to the Patriarchy’…” by Amy Kurzweil, author of Flying Couches: A Graphic Memoir.  Her work has appeared in The New Yorker.

All art copyrighted by the respective artists.