New film on New Yorker Cartoonists: “Very Semi-Serious”

Posted on 18th April 2013 in News

We’ve known that Leah Wolchok has been hard at work on her film about New Yorker cartoonists and thought this was an excellent time to check in with her (Ink Spill will revisit Very Semi-Serious in a matter of weeks).  We asked Leah to describe her film, and give us an idea of who’s in it (so far). Here’s what she had to say:

 

Very Semi-Serious is an offbeat meditation on humor, art and the genius of the single panel.  The film takes an unprecedented behind-the-scenes look at the 88-year old New Yorker and introduces the cartooning legends and hopefuls who create the iconic cartoons that have inspired, baffled—and occasionally pissed off—all of us for decades.

The film has been a labor of love and obsession for 6 ½ years. The film is supported by Tribeca Film Institute, IFP, the Pacific Pioneer Fund, Women Make Movies and BAVC. We are working closely with cartoon editor Bob Mankoff, and we’ve interviewed a dozen cartoonists, including Roz Chast, Michael Maslin, Liza Donnelly, Sam Gross, Mort Gerberg, Lee Lorenz, Matt Diffee, Drew Dernavich, Zach Kanin, Emily Flake, Liam Walsh and Liana Finck, who recently published her first cartoon in The New Yorker.  Next up is Bruce Eric Kaplan. 

We’ve also filmed scenes with Gahan Wilson, PC Vey, Sidney Harris, David Sipress, Mike Twohy, Joe Dator, Bob Eckstein, Robert Leighton, Farley Katz, Benjamin Schwartz, Carolita Johnson, Felippe Galindo, David Borchardt, Corey Pandolph, Paul Noth and Barbara Smaller.

Jack Ziegler and Andy Friedman both created original artwork for the film.

In a few weeks we are launching our website and trailer, featuring animation, interviews and never-before-seen footage from the New Yorker headquarters, cartoonists’ studios and inside the homes of caption contest devotees.  Plus a killer ping pong match between Bob Mankoff and Puzzlemaster Will Shortz.

Mystery Cartoonist found!; Cartoonography

Posted on 27th February 2013 in News

With the help of colleagues Mike Lynch, Brian Moore and Rick Marschall, I was able to identify the mystery New Yorker cartoonist mentioned in the February 21st Ink Spill post.  His name is Alfred Leete.  His bio appears in numerous places as he was  famous for a poster he designed in 1914 (if you go to his bio you’ll see the poster and its history).  Here’s a bio of Leete.

 

In February of 2008 newyorker.com ran 28 written posts and 20 autobiographical drawings I called Cartoonography.  While the written posts remain on The New Yorker’s site, the drawings no longer do.  For the sake of completion, I’ve brought them to Ink Spill where they can now be seen on my Bio page.

An Arno Anniversary

Posted on 9th January 2013 in News

Peter Arno was born today in 1904.  To read more please go to New Yorker Cartoon Editor, Bob Mankoff’s blog on The New Yorker’s website, where you’ll find my Introduction to Arno’s biography, Mad At Something.

Where Artists Work; A Professor’s Work exhibited; Danny Shanahan Takes Charge; Thanks & Happy New Year!

Posted on 31st December 2012 in News

From the blog, David-Wasting-Paper, December 31, 2012,

“A Little Cartoonist Eye Candy for New Year’s Eve” 

–  photographs of cartoonist’s work spaces. A fun post.

 

From The University of Connecticut’s Art & History site,

“Two Exhibitions will feature work by Professor Emeritus Gus Mazzocca and His Students”

I was honored to be selected as one of Professor Mazzocca’s students exhibiting work.

 

 Danny Shanahan recently announced through Facebook that he’s next in line for The New Yorker’s Daily Cartoon online feature.  David Sipress has been supplying work since the feature began (sorry, no link. Just go to newyorker.com.  Danny’s work will begin appearing any day now). And speaking of Danny:  now you can find him on Facebook at Danny Shanahan — New Yorker Cartoonist.  You’ll find photographs of cartoonists,  unpublished Shanahan cartoons and more.

 

And finallyA note of thanks to all of you who dropped by this year. Ink Spill attracted close to a million-and-a-half hits in 2012 — an encouraging number for a site that elects to cover such a tiny sliver (i.e., New Yorker cartoonists) of a very large field (all cartoonists).

2013 should be chock full of fun posts as The New Yorker’s 88th anniversary arrives in February and the 109th anniversary of Peter Arno’s birth in just about a week. Ink Spill will increase its interviews this coming year, including a talk this summer with Peter Steiner on the occasion of the 16th anniversary of the publication of his famous New Yorker cartoon, “On the internet, nobody knows you’re a dog.”

Happy New Year to all!

Attempted Bloggery @ a New Yorker Cartoon Auction

Posted on 28th December 2012 in News

From  Stephen Nadler’s Attempted Bloggery, December 27, 2012, “New Yorker Cartoons at Auction” wherein  Mr. Nadler fully examines an auction of New Yorker cartoons at The Morton Library in Rhinecliff, New York this past November.

Videos: Four Cartoonists in Connecticut; Three Cartoonists in NY

Posted on 7th October 2012 in News

 

Here’s a video of a talk given in Sharon, Connecticut, September 30, 2012 by Peter Steiner, Liza Donnelly, Danny Shanahan and myself.

 

And…

 

 

Here’s a video of Christopher Weyant, Paul Noth and Drew Dernavich appearing on Running Late with Scott Rogowsky, September 20, 2012 (see Ink Spill post of September 18, 2012 for poster and further info).

Exhibit/Talk: Steiner, Lorenz, Donnelly, Shanahan, Maslin

Posted on 21st September 2012 in News

Peter Steiner has curated this upcoming exhibit of cartoons and organized the talk that precedes it, September 30th @ 3:00 at the Sharon (Connecticut) Town Hall. The New Yorker’s former Art Editor, Lee Lorenz will be exhibiting work, along with long-time contributors Danny Shanahan, Liza Donnelly, Peter Steiner, and Michael Maslin.

Anatomy of The New Yorker’s Pig at the Complaint Department Cartoon

Posted on 20th July 2012 in News

 

 

 

This week a familiar cartoon showed up on the The New Yorker’s last page as part of its continuing Caption Contest. The cartoon, of a pig at a complaint department, was drawn by Mick Stevens,  who has been contributing cartoons to The New Yorker for thirty four years .

 

Why was the cartoon familiar? Fans of the classic sitcom, Seinfeld, remember the episode “The Cartoon” (it aired January 29,1998) in which Elaine, inspired to submit a cartoon to The New Yorker, stays up all night working on cartoon ideas and finally comes up with the pig at the complaint department. (The New Yorker’s current cartoon editor, Bob Mankoff recently delved into the episode in great detail on his blog). In the episode, as Elaine hands her sketchbook to Jerry, we catch a glimpse of her pig cartoon.

 

So how did Elaine’s cartoon end up in this week’s New Yorker, some fourteen years after it appeared on television?

 

 

For clarity’s sake, Elaine’s cartoon – the one we see on her sketchpad, is not the cartoon in the current New Yorker. In an email conversation I asked Mick how he came to draw Elaine’s cartoon, and he wrote:

 

Bob [Mankoff] asked me to draw it up for a possible caption contest and/or use in his blog in reference to the Seinfeld episode.

 

I also asked Mick if he referenced Elaine’s cartoon, as there’s an undeniable similarity between the two.

 

I didn’t look at the Seinfeld cartoon first but it turned out to be similar.

 

Curious about the original cartoon that appears on Elaine’s sketchbook, I asked Bruce Eric Kaplan, the New Yorker cartoonist who wrote the Seinfeld episode, if he drew the cartoon we see on Elaine’s sketchpad.  I also asked if he still had the original – I thought it would be fun to post on Ink Spill.  Bruce replied in an email:

 

I didn’t draw it!

They asked me to but I didn’t want to.

Someone in the art department did it.

I don’t know who has it or if it still exists!

 

You might wonder why this flurry of detective work on my part about a brand new version of a fourteen year old drawing of a pig. Much like Elaine’s pig, I have a complaint.  A number of news stories that appeared following the publication of Mick’s version of Elaine’s cartoon,  such as appeared on Gawker and Yahoo News suggest that The New Yorker has “republished” Elaine’s cartoon. Hmmm, maybe I should write them a letter…

 

Dear Gawker and Yahoo News:

 

I really enjoy your sites – I’m a fan! – but Elaine is a fictional character who submitted her drawing to a fictional New Yorker.  The real New Yorker never published Elaine’s cartoon.

Regards,

Michael Maslin

 

Many other sites ( and there are many) tell us that Mick’s cartoon is “the same one” or in at least one case “the very same one” as seen in the Seinfeld episode.

Well, no, actually it isn’t.

Floored

Posted on 4th April 2012 in News

 

When I was a little kid I spent a lot of time stretched out on the living room floor, drawing.   It’s where I’d be after school, with a #2 pencil in hand and a pad of paper, the television a few feet away from my face.

 

Instead of sweating over homework, I’d spend hours attempting perfect renditions of Batman and Superman — getting them right was just about the most important thing in the world (I never did get them right).

 

The floor remained my work area up until late high school, when I “liberated” an old wooden drafting table (a Lackawanna Drafting Table, to be precise) from an abandoned neighborhood garage. I must’ve seen photographs of cartoonists working at drawing boards, and figured I should work on one too. I was never comfortable there; the angle of the board never made sense to me – in my mind, the floor was the preferred place to work, where I could hover directly over the paper, inches from it.  Despite my “issues” with the board, I diligently worked at it all through college and brought it with me to New York City when college ended.

 

When I planted roots in upstate New York, I decided to store the drawing board and construct a makeshift desk. I went to the lumber yard and found some boards that looked pleasing enough, took them home, cut them to fit my narrow room, then aligned and supported them with a couple of 2 x 4s. These boards serving as a desk have easily survived a thousand coffee spills, ink and paint spills, innumerable slashes from x-acto blades and decades of the press of elbows.  And no wonder:  they’re floor boards.

Your Twinkie

Posted on 12th January 2012 in News

The news that the Hostess company has filed for bankruptcy reminded me of one of the drawings I did ages ago poking at the super rich, “That will be Williams with your Twinkie” (it appeared in The New Yorker, September 5, 1983). For the record: I love Twinkies. Should they disappear, we will all be the poorer for it.