Ian Frazier on Steinberg’s 100th; New Yorker’s Daily Cartoon: Sipress Redux; New Yorker Publisher on the magazine’s Festival

Posted on 8th October 2014 in News

St.From newyorker.com, October 8, 2014,  “Saul Steinberg At One Hundred” — this short piece by Ian Frazier. Mr. Frazier, a long-time contributor to The New Yorker,  will moderate a panel discussion on Steinberg at the New Yorker Festival, at noon, October 12.  Details here.

________________________________________________________________________________

 

Daily

Ben Schwartz has handed the New Yorker’s online Daily Cartoon baton to David Sipress, who, Daily fans will recall, has occupied the space before.

__________________________________________________________________________________

 

NYer FestFrom Adweek, October 6, 2014,  “How the New Yorker’s Festival Has Become a Magnet for Brands”  — The New Yorker’s Publisher, Lisa Hughes on the magazine’s popular yearly event. (left: a snippet of Barry Blitt’s poster for the event, one of three posters commissioned)

The NYTs on The New Yorker’s Covers; Liana Finck’s New Advice Column

Posted on 29th September 2014 in News

covers

From The New York Times, September 28, 2014, “New Yorker’s Magazine Covers Shift From Polite to Provocative” — the Grey Lady notices the magazine’s bent for topical covers.

 

 

 

 

 

 

 

_________________________________________________________________________________________________

 

lianaFrom The Lilith Blog, “Introducing ‘Excuse Me’ Mondays” — a graphic advice column from Liana Finck.

Brooklyn Book Festival features New Yorker Contributors Past & Present

Posted on 14th September 2013 in News

BBF

 

This Monday, the 16th of September, the Brooklyn Book Festival begins with its Bookend events.  Names familiar from the New Yorker’s past, and names familiar from its present take part in (or are the subjects of) various events throughout the week. Below are just some of the events featuring New Yorker folk.  Please consult the Festivals website for all the details.

Monday, the 16th:

Lorin Stein and Chip McGrath on John O’Hara.  Paris Review editor Lorin Stein and The New York Times writer-at-large Chip McGrath discuss John O’Hara, who’s had more stories published in The New Yorker than anyone in the history of the magazine. Moderated by Steven Goldleaf.  Presented by powerHouse Arena  + Penguin Classics.

On Wednesday, September 18th:

Book Launch: Oil & Honey by Bill McKibben. In this personal account of climate activism, the bestselling author and environmentalist leads a protest against the building of the Keystone XL pipeline and helps raise hives with a Vermont beekeeper.

 

Also on Wednesday:

Book Launch: Art Spiegelman presents Co-Mix. Greenlight hosts Pulitzer Prize-winning cartoonist, Art Spiegelman, for the bookstore launch of his new book Co-Mix: A Retrospective of Comics, Graphics, and Scraps.  Spiegelman presents a talk and slideshow about his work and signs copies of Co-Mix for fans.


Thursday, Sept. 19th:

TOON Books All-Ages Comics Extravaganza. Join us to celebrate the US debut by Argentine comics star Liniers who will present The Big Wet Balloon and paint live on stage, with musical accompaniment by New Yorker artist Barry Blitt and his band, the Half Tones; AND featuring the following artists, on hand to sign their work: Liniers (The Big Wet Balloon), Françoise Mouly (In Love With Art by Jeet Heer), Art Spiegelman (Co-Mix), Jeff Smith (RASL), R. Kikuo Johnson (The Shark King), Frank Viva (A Trip to the Bottom of the World), Rutu Modan (Maya Makes a Mess), Dean Haspiel (Mo and Jo), Trade Loeffler (Zig and Wikki), and Gary Panter (RAW).  This all-ages event will bring together art and book lovers, comics fans, and the Hispanic community.

Saturday, September 21st:

Charlotte’s Web. To celebrate the 40th anniversary of the beloved animated film adaptation of Charlotte’s Web, BAMcinematek will present simultaneous family matinee screenings of the 1973 (animated) and 2006 (live action) adaptations.

Location: Brooklyn Academy of Music, 30 Lafayette Ave (btw. Ashland and St. Felix)

Sunday, September 22nd:

The Faces of Brooklyn: New York’s coolest borough is home to hipsters, people who dislike hipsters and literary stars—among them, Brooklyn enthusiasts Pete Hamill (The Christmas Kid), Adelle Waldman (The Love Affairs of Nathaniel P.) and Adrian Tomine (New York Drawings). These powerhouses plant uniquely different characters in a nostalgic Brooklyn, a contemporary Brooklyn and a colorful Brooklyn that jumps off the page. Moderated by Penina Roth (Franklin Park Reading Series).

Also on Sunday:

Art Spiegelman and Jules Feiffer in Conversation: Pulitzer-Prize winning graphic novelist Art Spiegelman‘s newest release, Co-Mix, is a career retrospective that covers his work from Raw to Maus to the New Yorker (and Garbage Pail Kids in between). Joined by Jules Feiffer (Out of Line: The Art of Jules Feiffer), also a Pulitzer winner, they debate the purpose and impact of comics art, its history and development, and their visions of its future. Featuring screen projection.

Arts and Politics in Fiction: Art has always been a tool for political and social change. In these novels, it comes in the form of protest-pop songs, motorcycle photography and high-end fashion. Alex Gilvarry (From the Memoirs of a Non-Enemy Combatant), Rachel Kushner (The Flamethrowers) and Nicholson Baker (Traveling Sprinkler) shed new light on the timeless relationship between art and politics. Moderated by Joel Whitney.

Mundane/Profane/Profound: What We Draw About When We Draw Comics. Gag cartoonists and graphic novelists talk about the weird, wonderful, and sometimes shocking choices they make in their craft. Ben Katchor (Hand-Drying in America) offers urban fables where daily details lead to socio/political revelations. Lisa Hanawalt‘s sexy/snarky one-pagers in My Dirty Dumb Eyes hinge on the vulnerability of showing it all. Miriam Katin‘s thoughtful, witty memoir Letting it Go explores profound loss and forgiveness in the context of teeth whitening and stomach troubles. Ulli Lust‘s punk travelogue This is the Last Day of the Rest of Your Life lays bare body and soul. Moderated by Anne Ishii, translator, The Passion of Gengoroh Tagame. Featuring screen projection.  Special thanks to Goethe-Institut New York.

Art on the Mind: Comics and Education. Françoise Mouly (Toon Books) in conversation with National Book Award finalist Gene Yang (Boxers & Saints), R. Kikuo Johnson (The Shark King) and Professor Barbara Tversky of Teachers College. In this era of high-stakes testing, comics aren’t just a refreshing change of pace for students-they take on deep subjects and teach multimodal literacy, offering educators, librarians, and parents a new way to approach learning. Featuring screen projection.

Publish and Perish? E-books are killing publishing! The corporations are killing publishing! Self-publishing is killing publishing! While headlines continually bemoan the end of the literary world as we know it, others argue that the reports of publishing’s demise have been greatly exaggerated.  Janet Groth (The Receptionist) and Boris Kachka (Hothouse) take a look inside two of our most storied institutions—The New Yorker and Farrar, Straus and Giroux—and consider the past while taking the pulse of the literary world today.

 

 


 

National Cartoonists Society Best Gag Cartoonist nominees include Ziegler, Stevens, Chast and Gross

Posted on 26th March 2013 in News

From The Daily Cartoonist“NCS announces 2012 division awards” – Four New Yorker cartoonists are nominated in the Gag Cartoon category: Jack Ziegler, Mick Stevens, Roz Chast and Sam Gross. Barry Blitt, a New Yorker contributor perhaps best known for his covers, is nominated in the category of Magazine Feature/Magazine illustration. Congratulations to all!

And for more on the National Cartoonists Society, link here to their website.

Andrzej Czeczot: 1933 -2012; Blown Covers, live

Posted on 9th May 2012 in News

 

 

The News (news from Poland), May 9, 2012, “Satirical cartoonist Andrzej Czeczot dies” (Czeczot’s “Manhattan” a four page spread of drawings, appeared in The New Yorker, June 9, 1986).

 

From The Gothamist, May 9, 2012, “More Rejected New Yorker Covers Revealed, Explained”