Late yesterday afternoon two New Yorker cartoonists (oh, all right, it was my wife, Liza Donnelly & I) were walking across the street from The Plaza Hotel, when I realized we were near the statue of Pomona (the goddess of abundance) that stands atop the Pulitzer Fountain on The Grand Army Plaza. I wanted a closer look at Pomona because of a series of events earlier this year that resulted in a surprise addition to Ink Spill’s New Yorker Cartoonists A-Z .
Back in the Spring I happened upon and fell in love with E.B. White’s poem, “The Lady is Cold”; the lady who is cold, is in fact, the very same Pomona situated on top of the Pulitzer Fountain. I soon discovered that the poem was also the title of White’s first book (published in 1929), a collection of his poems that had appeared in The New Yorker as well as FPA‘s column, “The Conning Tower.”
The book’s cover, depicting Pomona outside The Plaza, was by someone I’d never heard of, a fellow named Ernest F. Hubbard. From Scott Elledge’s excellent biography of E.B.White I then learned that Mr. Hubbard was a friend of White’s wife (legendary New Yorker editor Katharine White) as well as a contributor of short pieces to the magazine. Ernest Hubbard was also — surprise! — a New Yorker cartoonist. Had it not been for the poem, I doubt I would’ve ever known about Mr. Hubbard. His two drawings were published in 1926, the first in the October 30th issue and the second in the issue of November 6th. The latter appears below.
From WNYC’s Brian Lehrer Show, October 8, 2014, “The New Yorker Festival’s Big Ideas” — this twenty-six minute interview with The New Yorker’s editor, David Remnick. A fun listen, with much talk of commas.
From newyorker.com, October 8, 2014, “Saul Steinberg At One Hundred” — this short piece by Ian Frazier. Mr. Frazier, a long-time contributor to The New Yorker, will moderate a panel discussion on Steinberg at the New Yorker Festival, at noon, October 12. Details here.
Ben Schwartz has handed the New Yorker’s online Daily Cartoon baton to David Sipress, who, Daily fans will recall, has occupied the space before.
From Adweek, October 6, 2014, “How the New Yorker’s Festival Has Become a Magnet for Brands” — The New Yorker’s Publisher, Lisa Hughes on the magazine’s popular yearly event. (left: a snippet of Barry Blitt’s poster for the event, one of three posters commissioned)
Beginning today and continuing for the next two weeks, Bob Eckstein (who signs his work, “bob”) will be substituting for Daily News cartoonist, Bill Bramhall. Link here to Eckstein’s Daily News page.
Link here to see Mr. Eckstein’s New Yorker work.
(above: Eckstein in The Daily News)
Out today is Richard Gehr’s I Only Read It for the Cartoons (New Harvest), a collection of interviews with the following: Lee Lorenz, Sam Gross, Roz Chast, George Booth, Edward Koren, Charles Barsotti, Arnie Levin, Victoria Roberts, Gahan Wilson, Jack Ziegler, Zach Kanin, and Bob Mankoff. A wonderful addition to any cartoon library.
This coming July, Fantagraphics brings us Gahan Wilson’s Out There. According to the publisher’s notes:
…in 1964 [Wilson] brought his brilliantly controlled wiggly-but-sophisticated pen line to The Magazine of Fantasy & Science Fiction. Wilson’s freaks and geeks found a home among the stories of the best fantasy and sf writers of the day, offering a welcome, if sometimes macabre or existentially imponderable, graphic break from the magazine’s otherwise straightforward prose. Wilson’s playfully black sense of comedy was on full display in these cartoons, delineated in his trademark roly-poly, sensual, delicately hatched line. Out There features the over 250 cartoons that Wilson drew during his tenure with the magazine as well as all four covers he rendered—none of which have seen the light of day since their first appearance 50 years ago. Wilson also contributed both short stories and movie and book reviews, which are included as well. Out There resurrects hundreds of virtually unseen cartoons by one of the 20th century’s masters of the form. Black & white with 48 pages color.
(above: Wilson’s cover on the August 1980 F&SF).
From newyorker.com, “The Secrets Behind Cartoon Tropes” — a short amusing illustrated essay from David Borchart
Many (most?) New Yorker cartoonists trace their drawing roots to a love of comic books and comic strips. With that in mind, here, by way of the Forbidden Planet blog, is EJ McLeavy-Fisher’s mini-documentary profiling Joe Leisner, the owner of a now gone shop in Queens, Comic Book Heaven.
From The New York Times, September 28, 2014, “New Yorker’s Magazine Covers Shift From Polite to Provocative” — the Grey Lady notices the magazine’s bent for topical covers.
From The Lilith Blog, “Introducing ‘Excuse Me’ Mondays” — a graphic advice column from Liana Finck.