Smilby Cartoons Auctioned; New Yorker cartoon editor (and associate cartoon editor) Sing; Soglow Covers Judge

Smilby Cartoons Auctioned

From the Rugby & Letterworth Observer, November 17, 2017 “Rugby Cartoonist’s Playboy Art Raises Eyebrows at Auction”  — this piece on auctioned work by the late cartoonist Francis Wilford-Smith, known professionally as Smilby. His work appeared in the New Yorker from 1962 through 1971.

__________________________________________________________________

New Yorker cartoon editor (and associate cartoon editor) Sing

In this week’s episode of  “Cartoons, Etc.” there’s singing.  See it here. (on the left is Emma Allen, the magazine’s cartoon editor, and on the right, Colin Stokes, the  associate cartoon editor).

_________________________________________________________________

Soglow Covers Judge

More fun stuff over on Attempted Bloggery.  See the great Otto (“Little King”) Soglow’s color work on the cover of Judge here.

Cartoon Companion Rates Latest New Yorker Cartoons; Event of Interest: Addams in the City

Cartoon Companion Rates the Latest New Yorker Cartoons

A new issue of The New Yorker means a new batch of cartoons for the Cartoon Companion‘s “Max” and “Simon” to examine, explore, and evaluate. They consider the merits (or lack thereof), then apply their rating system of 1 through 6 (6 being tops). Read it here.

_______________________________________________________________

Event of Interest: Addams in New York 

From The New York Times, November 16, 2017″ Events For Children in NYC This Week”:  Family Day: Addams

According to the Times, a “celebration that revolves around the [Morris-Jumel] mansion’s new exhibit, “Charles Addams: Family & Friends” which features 35 of his works, along with photographs and memorabilia”

 

 

The Tilley Watch Online; Lost then Found

The Tilley Watch Online

Two Blopers this week on the Daily.  It’s actually Brendan Loper — he signs  his work “Bloper” which to this cartoonist’s eyes and ears involuntarily suggests “blooper” (sorry, Mr. Loper)… Nice elephant in the brush drawing by Mr. Loper.  Other drawings feature Putin (by Loper), the Clintons and our president (by Lars Kenseth) and the Panamanian files (by Maddie Dai), and a marathoner, courtesy of Farley Katz (with enjoyable forest animals by Mr. Katz). And over on Daily Shouts, an advice column (to appear every other week) makes its debut.  Liana Finck answers tough questions about “how to act in difficult situations”…

______________________________________________________________________

Lost Then Found

Back in February of 2008 I was asked to be what was jokingly called a “cartoon captain” for a month.  That meant contributing pieces to newyorker.com on a daily basis (in my case, I alternated between a graphic series called Cartoonography  and written pieces).  These pieces were all archived on the magazine’s site.  That is, until a few months ago, when all of the written pieces suddenly (and mysteriously) disappeared (the Cartoonography pieces were not disappeared).

Following the disappearance, I decided to post all the written pieces here on the Spill, but found I could not find a single copy of any of them here at home (either hard copies or digital files). All seemed lost. The online folks at the New Yorker also (initially) came up empty-handed (or empty-filed). Then just last week, all of the pieces suddenly reappeared online. I want to thank Michael Agger at newyorker.com for his diligence. The pieces on newyorker.com are exactly as first published.  For the Spill, I updated the piece titled “Glossary” to reflect the new cartoon editor era.

I’ve collected the pieces on the Posted Notes section of the Spill (just scroll down past all of the Rea Irvin Talk mastheads)…so they can be read as a whole.  And you can now also find them once again here on newyorker.com among other pieces I’ve contributed (Cartoonography is there still, and it can be found on the Bio section of the Spill).  Whew.

 

 

Fave Photo of the Day; Appearance of Interest: Robert Grossman; Pond Pencilled; PR: Chast, Ware

Fave Photo of the Day

Courtesy of New Yorker cartoonist colleague, Jeremy Nguyen, this photo taken last Monday of a cartoon event at Brooks Brothers.  Beginning at the bottom ‘o’ the stairs and heading up: Emma Allen, the New Yorker‘s cartoon editor, and cartoonists Drew Dernavich, Liana Finck, and Jason Adam Katzenstein (aka J.A.K.). And unless I’m mistaken, that’s the classic Brooks Brothers Vintage Bomber Jacket (in Khaki)* just behind Ms. Allen .

*unpaid advertisement

_______________________________________________________________________

Appearance of Interest: Robert Grossman

One of the greats, Robert Grossman, will appear at the New York Comics and Picture-Story Symposium on November 28th.  All the information here.

Mr. Grossman, widely known for his illustration, was, in the earliest stage of his career, an assistant to James Geraghty (the New Yorker art editor from 1939- 1973).  Mr. Grossman’s first New Yorker appearance (below) was published January 13, 1962.

 

_________________________________________________________________________

Pond Pencilled

Mimi Pond is the subject of Jane Mattimoe’s latest Case For Pencils post wherein the cartoonist discusses her tools of the trade.  (above: Ms. Pond’s work area).   See the post here!

____________________________________________________________________________

…From Comics DC, November 12, 2017,  “Roz Chast, ‘Going To Town’ Recorded at Politics & Prose”

Here’s the video of Chris Ware’s appearance on The Charlie Rose Show. Mr. Ware is currently making the rounds promoting his new book, Monograph By Chris Ware (Rizzoli).

 

Liza Donnelly Draws International Center for Journalists Awards…then Breaks (Her Drawing) Arm.

From the International Center for Journalism, “New Yorker Cartoonist Liza Donnelly Draws Awards Dinner Highlights” — a slideshow of Ms. Donnelly’s work from last Thursday night’s awards. 

The next morning, after a run on the Mall in Washington, Ms. Donnelly fell and broke her drawing arm. She posted this on social media:

Two days later she posted this first attempt at drawing with her left hand:

Ink Spill wishes Ms. Donnelly a speedy recovery!

 

The Monday Tilley Watch: The New Yorker Issue of November 20, 2017

The Monday Tilley Watch is a meandering take on the cartoons in the current issue of The New Yorker.

Wow, three weeks in row without a political cover. This latest cover, of two children chalking out a hopscotch pattern on the ground, has a title, as have all covers since Tina Brown instituted the practice. I’ve always wondered why it’s necessary to title a cover.  Shouldn’t the piece tell you everything you need to know all by its lonesome? A graphic island unto itself? In this case, the title is “Coding 101”; many folks (or at least I) never would’ve caught the reference to coding on the hopscotch pattern.  Honestly, all I saw was kids doing a kid-like thing.  I initially thought: how wonderfully simple (too simple it turns out).  Never having played hopscotch, you could’ve fooled me — and it did — that this cover had an underlying meaning. For the record, I do have one connection to the game: I did a hopscotch drawing back in 1989. No coding appears in the drawing.

After a quick trip through Goings On About Town (or GOAT) we arrive at the Christoph Neimann Talk of the Town Masthead. Notice how I’m no longer referring to it as the Rea Irvin Talk of The Town Masthead. Mr. Irvin created the masthead and it stayed in place, with a few tweaks along the way (made by Mr. Irvin) for 92 years,  This past Spring Mr. Niemann was commissioned to redraw the masthead. Absolutely no knock against his work, but the original really never should’ve been replaced.

Here’s Mr. Irvin’s classic:

Now on to the cartoons and cartoonists.  The first cartoon in the issue is by J.A.K. (Jason Adam Katzenstein). The drawing depends on understanding the caption’s reference to the Large Hadron Collider.  I remember when the collider was all over the news years ago (2008 specifically).  Seeing it referred to here in this drawing I immediately thought there was some collider news event I’d recently missed. A quick search didn’t turn up anything exciting in the news (exciting, that is, to this non-scientific mind). What I did see on Wikipedia is how darn huge the collider is (they don’t call it “large”  fer nuthin’).

Mr. Katzenstein’s drawing — how he drew the collider — made me think of a great Jack Ziegler drawing involving something we tend to think of as small (plumbing pipes).  Unlike Mr. Katzenstein’s collider, Mr. Ziegler went to town in the juxtaposition department, making the small humongous; Mr. Katzenstein made the humongous small-er.  I’m  showing Mr. Ziegler’s here as it appeared on the page in the issue of March 3, 1980. It’s a thing of beauty. While working I often keep in mind this quote from Mr. Ziegler: “…it’s always nice when cartoonists know how to draw so that they can give us something pleasant and fun to look at.”

Six pages later, a Hitchcockian-flavored drawing from Julia Suits. Who can forget this Tippi Hedren moment from Hitchcock’s The Birds? Ms. Suits cartoon adds poppy seeds, and voila!

On the facing page is a Frank Cotham cave man drawing. Similar to his drawing last week in mashing very old (last week medieval and contemporary times) with now.  Here it’s mashing very very very old with now. The cartoon is placed/spaced well on the page.

Ten pages later a drawing by newbie Alice Cheng (her first appearance was this past February), who has employed a semi-forgotten go-to situation: house mice.  This is a Charles Addams moment (bringing in a crime scene with police and the media). Nicely done.  Four pages later a cowboy campfire drawing by Zach Kanin.  I’ll take a cowboy and campfire drawing any day of the week — love them.  Here, Mr. Kanin seems to channel the wonderful wackiness of  the aforementioned Mr. Ziegler. 

And speaking of semi-little-used go-to situations, the very next drawing (by Amy Kurzweil) gives us signs in a store front window. Store front windows with signs once appeared regularly in The New Yorker (I did my share as did many colleagues).

On the very next page is a well placed Roz Chast drawing.  Anxiety in an airplane.  You can just imagine, but you don’t have to, of course. Ten pages later an Ed Steed strip-like drawing along the bottom of the page.  Larkness visible.

Seven pages later, a Charlie Hankin drawing based on the  famous story of Icarus. It never seems to turn out well for poor Icarus. I like Mr. Hankin’s take on the the myth.

Three pages later is the New Yorker (print) debut for Hilary Fitzgerald Campbell; a more than meets the eye drawing.  Good wording. Another three pages brings us to a drawing by William Haefeli. It can be said of a number of New Yorker cartoonists that their work is instantly recognizable (think BEK).  Mr. Haefeli’s work is solidly in that category. The caption for this drawing is priceless. The drawing, as was Ms. Cambell’s, is well placed on the page.

Nine pages later is a Tom Chitty drawing of robots (they appear to be sitting at the same coffee shop table as J.A.K. s collider couple, although the seats are different).  The little flower at the heart of this drawing reminds me (exactly in its look) of a battery-powered plastic flower in a plastic pot my mother gave to me. When you turn it on the flower rotates and “Don’t Worry, Be Happy” starts playing. Would these robots have a real flower or a mechanical flower?

The last drawing in the issue is by Sara Lautman.  Oddly/coincidentally, the drawing incorporates a round-top table (just like Mr. Chitty’s drawing and Mr. Katzenstein’s). But the focus here is on the genie that’s appeared, and his up-dated wisdom (do genies dispense wisdom? Sure, why not). He appears to be drawn in the Disney Robin Williams genie mold more than the Barbara Eden look (below: Disney’s genie on the left, Lautman’s in the center, Barbara Eden’s genie, far right ):

 

— See you next Monday.