Cuneo’s Klam Drawings; Sikoryak Illustrates Trumpisms; Finck Covers Closet and a Novel

Cuneo’s Klam Drawings

What fun! New Yorker cover artist and illustrator, John Cuneo, has supplied illustrations for Matthew Klam’s latest book, Who Is Rich?: A Novel ;  what’s fun, besides Mr. Cuneo’s work — called “…darkly humorous…” in The Washington Post’s  review of the book — is that the novel’s main character is a…cartoonist.

 

 

 

 

Here’s how the novel is described, in part, by the publisher: 

Every summer, a once-sort-of-famous cartoonist named Rich Fischer leaves his wife and two kids behind to teach a class at a week-long arts conference in a charming New England beachside town. It’s a place where, every year, students—nature poets and driftwood sculptors, widowed seniors, teenagers away from home for the first time—show up to study with an esteemed faculty made up of prizewinning playwrights, actors, and historians; drunkards and perverts; members of the cultural elite; unknown nobodies, midlist somebodies, and legitimate stars—a place where drum circles happen on the beach at midnight, clothing optional.

Above: drawings by John Cuneo from Who Is Rich?    Link here to Mr. Cuneo’s website.

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  • Sikoryak Illustrates Trumpisms

Robert Sikoryak’s The Unquotable Trump  (Drawn& Quarterly) was unveiled at Comic Con Diego.  This is the third Trump-related title from a New Yorker contributor (Tom Toro’s Tiny Hands and Shannon Wheeler’s Sh*t My President Says are the other two).

Read about the CBR’s article on Mr. Sikoryak here.

 

 

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Finck Covers Closet

This interesting piece by Ms. Finck in The New York Review of Books

…and more Finck: this interview from Bedford +Bowery

left: one of Ms. Finck’s drawings from the NYR

 

…lastly, leaving off where this day’s post began, it has been brought to the Spill‘s attention that Ms. Finck is the cover artist behind Matthew Klam’s aforementioned novel.

 

 

 

 

Latest New Yorker Cartoons Rated; A Barbara Shermund Rejected Cover; A Courthouse Opening

Latest New Yorker Cartoons Rated

The CC boys are back with their thoughts and idiosyncratic ratings for the cartoons appearing in the latest issue of The New Yorker. In this issue are, among others, cartoons featuring dogs, doctors, tombstones, and fish.  Read all about everything here.

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A Barbara Shermund Rejected Cover

Attempted Bloggery continues its week-long look at proposed, but rejected, New Yorker covers.  Today’s is by the great Barbara Shermund. Check it out here. 

Here Ms. Shermund’s entry on the A-Z:

 

 

 

 

Barbara Shermund (self portrait, above) Born, San Francisco. 1899. Studied at The California School of Fine Arts. Died, 1978, New Jersey. New Yorker work: June 13, 1925 thru September 16, 1944. 8 covers and 599 cartoons. Shermund’s later. post-New Yorker work was featured in Esquire. (See Liza Donnelly’s book, Funny Ladies — a history of The New Yorker’s women cartoonists — for more on Shermund’s life and work)

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Cartoon Opening in a Courthouse

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There’ve been a whole lot of cartoons set in courtrooms, but I wonder how many cartoons have been in a courthouse. Bob Mankoff, who began contributing to The New Yorker in 1977 (and is now cartoon editor of Esquire), had an opening in the Federal Building Eastern District Courthouse yesterday (it’s in Brooklyn). Courtesy of cartoonist and author,  Bob Eckstein, we have a couple of photographs from the event:

 

Fave Photos of the Day: Liana Finck’s Opening; Attempted Bloggery Looks at Proposed New Yorker Cover Art

Fave Photos of the Day: Liana Finck’s Opening

Liza Donnelly put on her Ink Spill photographer’s hat last night while attending Liana Fincks opening at the Equity Gallery in lower Manhattan (that’s Ms. Finck holding the flowers).  My thanks to Ms. Donnelly for providing the photos below:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Attempted Bloggery Looks at Proposed New Yorker Cover Art

All this week, Stephen Nadler’s Attempted Bloggery is looking at cover art proposed, but rejected by The New Yorker.  Here’s a portion of a piece submitted by Julian de Miskey.  For the whole piece, and a lot more info, go here.

Happy 92nd, Henry Martin!; Tom Toro Talks Trump

Ink Spill wishes the wonderful Henry Martin a very Happy Birthday! He celebrated his 92nd a few days ago.

Mr. Martin’s first New Yorker drawing was published August 15, 1964 —  he went on to contribute nearly 700 more. In his honor here’s a 2014 interview brought to this site’s attention by David Pomerantz. It was conducted by Mr. Martin’s daughter Ann, the author of the enormously popular Baby-Sitter’s Club series.  You can read it here.

Below: a Martin New Yorker drawing from 1989, and his collection from 1977.

 

 

 

 

 

 

 

 

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Toro Talks Trump

From the Huffington Post, July 18, 2017, “New Yorker Cartoonist Breaks down the Details of His Scathing Trump Takedowns” –Tom Toro, who was the subject of an interview here not long ago, talks Trump to HuffPo. Read it here.

Book of Interest: Friedman’s Chosen People; A Searle Reject; A Tilley Paperweight

Book of Interest: Friedman’s Chosen People

Due in the Fall from Fantagraphics: a new collection from New Yorker cover artist, Drew Friedman.  From the publisher: Featuring over 100 of Drew Friedman’s hyper-realistic portraits of the greats, the near-greats, and the not-so-greats, created over the past decade. Artists, cartoonists, comedians, musicians, actors, politicians, the famous and the infamous, these chosen people are just that: People chosen to be rendered by the man Boing Boing calls “The greatest living portrait artist.” 

More book info here.      And here’s the link for Mr. Friedman’s website.

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A Rejected Searle Cover

Attempted Bloggery has a really nice post about this beautiful rejected New Yorker cover by Ronald Searle. To see the full cover and so much more, go here.

 

 

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A Tilley Paperweight

Finally, here’s one of my favorite objets d’Tilley: a paperweight sold some years back (still around on various online sites, including Etsy). For the completist, there’s another Tilley-related paperweight available: Eustacia Tilley, R. O. Blechman’s take on Rea Irvin’s creation for the New Yorker‘s inaugural issue. Eustacia was the cover for the magazine’s “Women’s Issue” way back in 1996.

 

The Monday Tilley Watch

A new feature in the new week. Around here at the Spill this roller coaster cartoon life begins anew every monday with the publication of the latest issue of the New Yorker. 

The latest issue is the klieg light for cartoonists; we go to it with some higher level of curiosity: to see who’s in and what our colleagues have come up with; to see, and yes, judge, whether we believe the work is great, good, bad, or so-so; whether there’s a just published drawing exactly like the one we were about to submit; whether there’s a drawing we’ll never forget, or never remember.  I’ve always thought of every new issue’s cartoons as fuel — whether I like what I see or dislike it, it somehow gets the new week going…with a bang.

The Monday Tilley Watch is a look at the latest issue. I’ll record whose work we see, and whatever peripheral thought about the cartoon or cartoonist hits me at the moment. I’ll likely wander into other departments as well (at least mentioning the Art Department’s baby: the cover).  It is not at all like what my friends over at the Cartoon Companion do. They dissect each cartoon and then rate it, bringing an objectivity to this party I can’t (neither of the Cartoon Companion fellows contribute to The New Yorker…yet).

And off we go. 

  The issue of July 24, 2017

… We begin with a political cover by Barry Blitt (surprise!) featuring the President and two of his children —  the cover was already mentioned, and shown here at the end of last week…I note on the Table of Contents that there are no special cartoon features this week (no full pages…at least, none listed here… no spreads, etc.)..and then onto The Talk of The Town, still headed by the newly modernized Rea Irvin masthead. I’m going to keep wishing the previous masthead returns — the one that was in place for 91 years. The magazine has, in very recent times, tried out redesigns up front only to pull them back. If only it would happen here.  I also note on the Talk page that there’s a wonderful Tom Bachtell drawing of the President and his in-the-news son; Donald and Donald, Jr. making their second appearance in the issue and we’re only 15 pages in. 

The first cartoon of the issue is by a relative newcomer, Amy Hwang, who’s closing in on her seventh year contributing to the magazine…it’s followed by a P.C. Vey cartoon featuring nudity. There haven’t been all that many nude cartoon characters in the New Yorker in recent years, so, a novelty.  Mr. Vey’s been contributing to The New Yorker for quite some time (his first appeared in 1993)…then a Barbara Smaller drawing — it might possibly be related to the Trump family, or not (Ms. Smaller’s first New Yorker cartoon appeared in 1996); an Edward Koren drawing is up next.  Mr. Koren is our senior (in terms of years contributing) cartoonist, and a national treasure — his first New Yorker drawing appeared in May of 1962…

Paul Karasik, whose first drawing appeared in 1999, has the next drawing. No cartoonist can resist drawing talking fish in a fishbowl.  Mr. Karasik’s other lines of work include teaching and authoring (his new book, How to Read Nancy, was noted on the Spill  last week). Liana Finck is next.  We rarely see scout drawings in the magazine anymore.  I think back to some classics by Peter Arno and Charles Addams.  It should be noted that Ms. Finck, whose first drawing appeared in the magazine in 2013,  has an opening this week of her Instagram work.   Next is a doctor-themed drawing by one who knows about doctors, Ben Schwartz

…Sam Gross, another national treasure, has the next cartoon — let’s just say it’s about the working life of dogs.  Mr. Gross’s first New Yorker cartoon appeared in 1969. Mr. Gross is among a small group whose work I enjoy at first sight, before even taking in the what the drawing is all about (George Booth and the aforementioned Edward Koren come to mind as among the others in that group — I love seeing their work).  Next up is another relative newcomer (first drawing in The New Yorker in 2013), Ed Steed.  Three on-the-dark-side cartoons by Mr. Steed in the last three issues. Of note: this one stretches along the very bottom of two pages…

…Mr. Steed’s drawing is followed by the veteran, Roz Chast (her first cartoon was published in the magazine in 1978).  I love how this particular cartoon looks on the page (yesterday’s Spill concerned itself with placement). William Haefeli‘s drawing is next (first New Yorker drawing: 1998).  Mr. Haefeli has one of the most distinctive styles of this current stable of cartoonists.  And speaking of distinctive styles, Drew Dernavich has the next cartoon.  Some cartoonist’s styles are easily summarized (“the dot guy” for instance) —  Mr. Dernavich’s tag might be “the woodcut guy.” (Mr. Dernavich should not be confused with John Held, Jr., the New Yorker ‘s much earlier “woodcut guy”).   A Robert Leighton cartoon is next. Mr. Leighton is the artist behind this classic cartoon. His first drawing appeared in The New Yorker in 2002. In this new drawing he mixes crime with a food cart.   Alex Gregory’s very Summery drawing follows.  Mr. Gregory, like a few other cartoonists, has another whole career: he’s a writer for the award-winning televison show, VEEP.  His first New Yorker cartoon appeared in 1999.

As usual, The Cartoon Caption Contest ends the issue. Drawings by David Borchart (first New Yorker cartoon published 2007), Tom Cheney (first New Yorker cartoon published 1978), and P.C. Vey. The drawings feature a food cart (two food carts in this issue!), a whole lot of business men following some ancient warriors on horses, and a hospital scene that blends in a little stadium gear.