American Bystander #7 On Its Way!

Hungry for comic humor?  American Bystander, now up to its 7th number, will do it for you. 

  Here are just some of the contributors in this issue : Charles Barsotti, R.O. Blechman (who’s provided the cover for #7), Harry Bliss, George Booth, M.K. Brown, Roz Chast, Tom Chitty, Randall Enos, Drew Friedman, Rick Geary, Sam Gross, Tom Hachtman, John Jonik, Lars Kenseth, Stephen Kroninger, Peter Kuper, Sara Lautman, Stan Mack, Brian McConnachie, P.S. Mueller, Mimi Pond, Mike Sacks, Maria Scrivan, Rich Sparks, Ed Subitzky, Shannon Wheeler, P.C.Vey, and Jack Ziegler.

Think they don’t make magazines like this anymore?…well actually, they do.  

  Go here to find out how you can get hold of American Bystander  #7.

 

 

The Monday Tilley Watch: The New Yorker Issue of February 26, 2018

Always glad to return to weekly issues of the magazine after doubles. This new issue sports a cover that seems like the sum of the equation: Olympics + North Korea =.

  Here’s what cover artist Mark Ulriksen had to say about it on newyorker.com

The Olympics + North Korea equation continues with the very first spot drawing appearing on the opening page of The Talk of The Town. And, as long as we’re mentioning that page,  let’s get this out of the way: Rea Irvin’s classic Talk masthead is still a-missin’.  Here’s what it looks like:

Could be wrong, but it seems like there are slightly more Otto Soglow spot drawings scattered throughout Talk than usual (along with Tom Bachtell’s always top-notch drawings). 

Doesn’t take long to get to the first cartoon of the issue (it’s on page 18). P.C. Vey delivers a very P.C. Vey-like piece of work (that’s always a good thing).  Love the little fish Mr. Vey has drawn, but wish it was still swimmin’. Five pages later Lars Kenseth takes us to the land of the pitchman. Funny drawing. Love how Mr. Kenseth uses the language. I did something in that vein a long time back — in the New Yorker, April 6, 1981, to be exact.  I remember it being a ton-o-fun playing with the structure of the television pitch. 

On the very next page one of my favorite subjects: the old west (or possibly it’s a cowboy and his horse in the contemporary west).  Zach Kanin’s coffee-drinking horse is well drawn.  I wish the cowboy’s face was easier to see on the digital edition — this is where print (might) come in handy. 

Nine pages later, a well-placed-on-the-page Frank Cotham cartoon. Cartoonists usually love to show gangsters about to toss a guy off a pier.  Mr. Cotham gives us a prequel. Nice.

Four pages later Roz Chast with an at-home Olympic moment.  A very Chastian drawing any which way you look at it. Another four pages brings us to the second-ever New Yorker drawing (unless I’m mistaken) by Olivia de Recat.  Similar to her first in that it’s mostly text. This one is approximately 97% text (handwritten text).  Her first was perhaps 91% text.  Though we don’t see them as much as we used to, the aforementioned Ms. Chast has done a number of text-driven (to use a Tina Brown era term) drawings over the years. Without doing research (unforgivable, I know!) I’m going out on a limb by suggesting Ms. Chast may have pioneered this particular form of New Yorker cartoon. If anyone wants to shoot that down, please contact me.

Five pages later, Maddie Dai weighs in on a fellow’s mid-life crisis times two.  His motorcycle (which lacks a gas tank — maybe it’s one of those new electric bikes) has at least one (unintentional?) funny feature: the bike’s training wheels are attached to the hub of the rear wheel.  If this cartoon bike was a real bike the training wheels would spin around with the tire, complicating things even further for the crisis guy.  No matter — it’s a nice drawing. 

On the very next page, a debut New Yorker cartoon by Navied Mahdavian*, that answers the oft-asked question, “What did we do before the internet?” Funny drawing.

Four pages later, veteran cartoonist, Mick Stevens gives us death having just died.  Looking at Mr. Stevens’ drawing I asked myself if this fell into the double negative column.  If death dies, isn’t death then alive? Way too much of a headache-inducing thought for this cartoonist (me, not Mr. Stevens).

Eight pages later Sara Lautman takes us to a contemporary bar moment. Found myself studying the shelves and bottles of booze in the background.  There’s a Robert Weber-ish looseness to that area.

Seven pages later a Bruce Eric Kaplan gem of a caption.  And on the very next page, the last drawing of the issue (not counting those on the Caption Contest page).  Liana Finck gives us a bird chase. Not sure what the surface is that they are on — is it pavement with a sidewalk in the rear?  It probably doesn’t matter.  The big bird — the one that’s chasing the little bird —  has an expression indicating confidence she/he will succeed, despite the lack of arms. 

*For those keeping track, Navied Mahdavian is the thirteenth new cartoonist introduced under the magazine’s current cartoon editor, Emma Allen, since she was appointed in May of 2017, and the second newbie introduced so far in 2018.

— See you next Monday

 

 

“The Brightest Thought of Many Bright Minds”: The 1940 New Yorker Album

From the inside flap copy of this album: “The brightest thought of many bright minds”…well, heck, I’m not going to argue with that. Published by Random House in 1939, and using Peter Arno’s New Yorker cover from January 1938, this is the last of the Albums produced before the Unites States entered WWII.  The cover depicts a Cafe Society moment, an Arno specialty that faded as the war years began.

 

The flap copy shown below tells the story of what to expect, cartoon quality-wise (and “Spot” drawings–wise). These are the founding mothers & fathers of the New Yorker single panel.  In just a few years, and throughout the 1940s, they’d be joined by a number of additional giants of the field, including  Steinberg, Frank Modell, Sam Cobean, Dana Fradon, Anatol Kovarsky, Roberta MacDonald, Mischa Richter, and Charles Saxon. This album also, in a way, marks the end of the earlier incarnation of the magazine’s art department and the beginning of the editorship of James Geraghty. His hiring in 1939 led to the organization of the art department into an actual department, with an editor (Geraghty) devoted to the artists (all the artists: cartoonists, cover artists, spot artists). That model stayed intact under Mr. Geraghty, and then his successor, Lee Lorenz, until Tina Brown split the art department in 1993, creating  the titles, Cartoon Editor (Mr. Lorenz’s new title), and Art Editor (Francoise Mouly was hired and given that title, with the responsibility of overseeing the cover art).  

Being a Thurberite I can’t help but mentioning that two of my all-time favorite Thurber drawings (actually, I love all of his drawings) are included in this volume:

“Ooooo, guesties!” (shown in this link, upper right of the page).

“Well, if I called the wrong number, why did you answer the phone?”

There is no introduction to this album, nor any flap copy other than that shown above. The production is top-shelf, with heavy paper and a flawless lay-out. This album is easily found on Abebooks.com for very little. The back cover, shown below, is given over to a drawing by the great Helen Hokinson.

 

The Tilley Watch Online, Week of February 11, 2018; Blitt in Canada; More E. Simms Campbell; More Spills: Whither the New Yorker Encylopedia of Cartoons Cover?…Cartoons No More at The Harvard Business Review?

New Yorker cartoonists contributing to this week’s Daily Cartoons: Jason Adam Katzenstein, Brendan Loper (twice), Carolita Johnson, Peter Kuper and Sara Lautman.  (No contributing New Yorker cartoonists over on the Daily Shouts this week).  The subjects: politics (of course!), Valentine’s Day, and the Olympics. See it all here.

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Blitt in Canada

From Blogto, “The illustrative Wit of Barry Blitt” — news of Mr. Blitt speaking way up yonder. His latest book, shown above left, is Blitt.

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More E. Simms Campbell

Day 2 of Attempted Bloggery‘s Campbell Fest. See it here!

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…The cover for the upcoming two volume New Yorker Encyclopedia of Cartoons  (due in October) has disappeared from Amazon, Barnes & Noble, and the publisher’s website (Blackdog & Leventhal). In its place is the original image posted online, a temp, shown below left, carrying the text “Cover Not Final”. The final cover (or is it?) bearing an illustration (not a cartoon) appears below right.  Stay tuned.

………

And Another One Bites the Dust? New Yorker cartoonist Tom Toro has told the Spill that The Harvard Business Review has informed him it will no longer accept cartoon submissions. 

 

 

 

Attempted Bloggery’s E. Simms Campbell Fest Begins

E. Simms Campbell, a somewhat obscure New Yorker cartoonist, better known for his work elsewhere (Playboy, and more importantly, Esquire.  He created that magazine’s mascot, Esky) will be the next focus (ala Syd Hoff) of Stephen Nadler’s blog.  The above scans of Mr. Campbell’s work are all from Chris Wheeler’s wonderful blog.  Here’s Mr. Nadler on Mr. Campbell:

Cartoonist E. Simms Campbell (1906-1971) will be featured on Attempted Bloggery for the next week or two, depending on how much material I come across. Perhaps Ink Spill’s knowledgable readers can help me to find some original art or published cartoons of his not currently available on the internet. As I have in the past, I’ll be looking at a talented New Yorker artist who today isn’t talked about all that much. He is an important figure though, the first African-American cartoonist to appear in national magazines. I hope to gain a fresh appreciation of his artistry. His New Yorker work (1932-1942) was only a small part of his output. His color pieces were published regularly in Esquire and Playboy. He is the artist who created Esky, the well-known mascot of Esquire. He also illustrated Cuties, a syndicated panel strip, for King Features. There is absolutely no truth to the rumor that I timed the selection of this cartoonist so I can post his Playboy cartoon of a woman popping out of a cake on my birthday.
 
 
Mr. Campbell’s entry on the Spill’s A-Z:

E. Simms Campbell (photo above) Born, 1906. Died, 1971. New Yorker work: 1932 -1942. Key collections: Cuties in Arms (1943) – the earliest published collection of cartoons by an African-American cartoonist; More Cuties in Arms (also 1943); and Chorus of Cuties (1953)